96edo: Difference between revisions
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In the [[7-limit|7-limit]], 96 has two possible mappings for 7/4, a sharp one of 975 cents from the patent val, and a flat one of 962.5 cents from 96d. Using the sharp mapping, 96 tempers out 225/224 and supports 7-limit würschmidt temperament, and using the flat mapping it tempers out 126/125 and supports worschmidt temperament. We can also dispense with 7 altogether, and use it as a no-sevens system, where it tempers out 243/242 in the 11-limit and 676/675 in the 13-limit. If we include 7, then the sharp mapping tempers out 99/98 and 176/175 in the 11-limit, and 169/168 in the 13-limit, and this provides the optimal patent val for [[Marvel_temperaments#Submajor-Interpental|interpental temperament]]. With the flat 7 it tempers out 385/384 in the 11-limit and 196/195 and 364/363 in the 13-limit, and serves for the various temperaments of the unicorn family. | In the [[7-limit|7-limit]], 96 has two possible mappings for 7/4, a sharp one of 975 cents from the patent val, and a flat one of 962.5 cents from 96d. Using the sharp mapping, 96 tempers out 225/224 and supports 7-limit würschmidt temperament, and using the flat mapping it tempers out 126/125 and supports worschmidt temperament. We can also dispense with 7 altogether, and use it as a no-sevens system, where it tempers out 243/242 in the 11-limit and 676/675 in the 13-limit. If we include 7, then the sharp mapping tempers out 99/98 and 176/175 in the 11-limit, and 169/168 in the 13-limit, and this provides the optimal patent val for [[Marvel_temperaments#Submajor-Interpental|interpental temperament]]. With the flat 7 it tempers out 385/384 in the 11-limit and 196/195 and 364/363 in the 13-limit, and serves for the various temperaments of the unicorn family. | ||
Since 96edo has a step of 12.5 cents, it also allows one to use its MOS scales as circulating temperaments. It is the first 12n-edo which does this and the first edo which allows one to use an MOS scale with a step 20 degrees or larger as a circulating temperament. | |||
{| class="wikitable" | |||
|+Circulating temperaments in 96edo | |||
!Tones | |||
!Pattern | |||
!L:s | |||
|- | |||
|5 | |||
|[[4L 1s]] | |||
|20:19 | |||
|- | |||
|6 | |||
|[[6edo]] | |||
|equal | |||
|- | |||
|7 | |||
|[[5L 2s]] | |||
|14:13 | |||
|- | |||
|8 | |||
|[[8edo]] | |||
|equal | |||
|- | |||
|9 | |||
|[[6L 3s]] | |||
|11:10 | |||
|- | |||
|10 | |||
|[[6L 4s]] | |||
|10:9 | |||
|- | |||
|11 | |||
|[[8L 3s]] | |||
|9:8 | |||
|- | |||
|12 | |||
|[[12edo]] | |||
|equal | |||
|- | |||
| 13 | |||
|[[5L 8s]] | |||
|8:7 | |||
|- | |||
|14 | |||
|[[12L 2s]] | |||
| rowspan="2" |7:6 | |||
|- | |||
|15 | |||
|[[6L 9s]] | |||
|- | |||
|16 | |||
|[[16edo]] | |||
|equal | |||
|- | |||
|17 | |||
|[[11L 6s]] | |||
| rowspan="3" |6:5 | |||
|- | |||
|18 | |||
|6L 12s | |||
|- | |||
| 19 | |||
|1L 18s | |||
|- | |||
|20 | |||
|16L 4s | |||
| rowspan="4" |5:4 | |||
|- | |||
|21 | |||
|12L 9s | |||
|- | |||
|22 | |||
|8L 14s | |||
|- | |||
|23 | |||
|4L 19s | |||
|- | |||
|24 | |||
|[[24edo]] | |||
|equal | |||
|- | |||
|25 | |||
|21L 4s | |||
| rowspan="7" |4:3 | |||
|- | |||
|26 | |||
|18L 8s | |||
|- | |||
|27 | |||
|15L 12s | |||
|- | |||
|28 | |||
|12L 16s | |||
|- | |||
|29 | |||
|9L 20s | |||
|- | |||
|30 | |||
|6L 24s | |||
|- | |||
|31 | |||
|3L 28s | |||
|- | |||
|32 | |||
|[[32edo]] | |||
|equal | |||
|- | |||
|33 | |||
|30L 3s | |||
| rowspan="15" |3:2 | |||
|- | |||
| 34 | |||
|28L 6s | |||
|- | |||
|35 | |||
|26L 9s | |||
|- | |||
|36 | |||
|24L 12s | |||
|- | |||
|37 | |||
|22L 15s | |||
|- | |||
| 38 | |||
|20L 18s | |||
|- | |||
|39 | |||
|18L 21s | |||
|- | |||
|40 | |||
|16L 24s | |||
|- | |||
|41 | |||
|14L 27s | |||
|- | |||
|42 | |||
|12L 30s | |||
|- | |||
|43 | |||
|10L 33s | |||
|- | |||
|44 | |||
|8L 36s | |||
|- | |||
|45 | |||
|6L 39s | |||
|- | |||
|46 | |||
|4L 42s | |||
|- | |||
|47 | |||
|2L 45s | |||
|- | |||
|48 | |||
|[[48edo]] | |||
|equal | |||
|- | |||
|49 | |||
|47L 2s | |||
| rowspan="28" |2:1 | |||
|- | |||
|50 | |||
|46L 4s | |||
|- | |||
|51 | |||
|45L 6s | |||
|- | |||
|52 | |||
|44L 8s | |||
|- | |||
|53 | |||
|43L 10s | |||
|- | |||
|54 | |||
|42L 12s | |||
|- | |||
|55 | |||
|41L 14s | |||
|- | |||
|56 | |||
|40L 16s | |||
|- | |||
|57 | |||
|39L 18s | |||
|- | |||
|58 | |||
|38L 20s | |||
|- | |||
|59 | |||
|37L 22s | |||
|- | |||
|60 | |||
|36L 24s | |||
|- | |||
|61 | |||
|35L 26s | |||
|- | |||
|62 | |||
|34L 28s | |||
|- | |||
|63 | |||
|33L 30s | |||
|- | |||
|64 | |||
|32L 32s | |||
|- | |||
|65 | |||
|31L 34s | |||
|- | |||
|66 | |||
|30L 36s | |||
|- | |||
|67 | |||
|29L 38s | |||
|- | |||
|68 | |||
|28L 40s | |||
|- | |||
|69 | |||
|27L 42s | |||
|- | |||
|70 | |||
|26L 44s | |||
|- | |||
|71 | |||
|25L 46s | |||
|- | |||
|72 | |||
|24L 48s | |||
|- | |||
|73 | |||
|23L 50s | |||
|- | |||
|74 | |||
|22L 52s | |||
|- | |||
|75 | |||
|21L 54s | |||
|- | |||
|76 | |||
|20L 56s | |||
|} | |||
=History= | =History= | ||
96 equal divisions of the octave was first used by the Mexican composer and theorist [[ | 96 equal divisions of the octave was first used by the Mexican composer and theorist [[Julián Carrillo]]. It has subsequently been used by a number of other composers. | ||
=Links= | =Links= | ||
==Carrillo== | ==Carrillo== | ||
See [[ | See [[Julián Carrillo]] . | ||
==Other composers== | == Other composers== | ||
Works for the [http://www.sauter-pianos.de/english/pianos/microtone.html Sauter's 1/16tone microtone piano] by the composers [http://presence.or.at/einklang/Archiv/archiv_Komponisten_E.htm#flammer Ernest Helmuth Flammer], Marc Kilchenmann, Bernfried E. G. Pröve, [http://www.musinfo.ch/index.php?content=maske_werke&pers_id=150&name=Imholz&vorname=Martin&setLanguage=en Martin Imholz], Franck Cristoph Yeznikian, [http://www.schauhoer-verlag.de/cms/file_download/13/Vita_WMG_lang.pdf Werner Grimmel], and [http://www.moderecords.com/catalog/120_121bancquart.html Alain Bancquart], are recompilated on this CD: [http://www.dominikblum.ch/carillo_d.shtml 'The Carrillo tone piano'] . | Works for the [http://www.sauter-pianos.de/english/pianos/microtone.html Sauter's 1/16tone microtone piano] by the composers [http://presence.or.at/einklang/Archiv/archiv_Komponisten_E.htm#flammer Ernest Helmuth Flammer], Marc Kilchenmann, Bernfried E. G. Pröve, [http://www.musinfo.ch/index.php?content=maske_werke&pers_id=150&name=Imholz&vorname=Martin&setLanguage=en Martin Imholz], Franck Cristoph Yeznikian, [http://www.schauhoer-verlag.de/cms/file_download/13/Vita_WMG_lang.pdf Werner Grimmel], and [http://www.moderecords.com/catalog/120_121bancquart.html Alain Bancquart], are recompilated on this CD: [http://www.dominikblum.ch/carillo_d.shtml 'The Carrillo tone piano'] . | ||
[http://www.96edo.com/ Mohajeri, Shaahin] | [http://www.96edo.com/ Mohajeri, Shaahin] | ||
[http://mac-texier.ircam.fr/textes/c00001420/ Marie, Jean-Etienne ] | [http://mac-texier.ircam.fr/textes/c00001420/ Marie, Jean-Etienne] | ||
[http://en.wikipedia.org/wiki/Pascale_Criton Criton, Pascale] | [http://en.wikipedia.org/wiki/Pascale_Criton Criton, Pascale] | ||
| Line 34: | Line 277: | ||
=Music= | =Music= | ||
[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/4gahforbrass-880821.mp3 4gah for brass] by [[ | [http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/4gahforbrass-880821.mp3 4gah for brass] by [[Shahiin Mohajeri]] | ||
[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Endless%20life.mp3 Endless life] by Shahiin Mohajeri | [http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Endless%20life.mp3 Endless life] by Shahiin Mohajeri | ||
| Line 42: | Line 285: | ||
[[:File:01_-_Autumn_1.mp3|Autumn for conic bellophone and mixed quintet]] by Tony Salinas | [[:File:01_-_Autumn_1.mp3|Autumn for conic bellophone and mixed quintet]] by Tony Salinas | ||
[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Carrillo/Cromometrofon%eda%20%231.mp3 Cromometrofonía #1] by [[ | [http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Carrillo/Cromometrofon%eda%20%231.mp3 Cromometrofonía #1] by [[Julián Carrillo]] | ||
[[Category:Equal divisions of the octave]] | [[Category:Equal divisions of the octave]] | ||