7L 2s: Difference between revisions
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m Do these step ratios have any musical significance? Tags: Mobile edit Mobile web edit |
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| | 22 22 22 7 | | | 22 22 22 7 | ||
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| | 11 11 11 4 | | | 11 11 11 4 | ||
| | Armodue-Hornbostel 1/11-tone <span style="font-size: 12.8000001907349px;">(Optimum accuracy of Phi interval, the note '7')</span> | | | Armodue-Hornbostel 1/11-tone <span style="font-size: 12.8000001907349px;">(Optimum accuracy of Phi interval, the note '7')</span> | ||
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| | 7 7 7 4 | | | 7 7 7 4 | ||
| | Armodue-Mavila 1/7-tone <span style="font-size: 12.8000001907349px;">(the 'Commatic' version of Armodue, because its high accuracy of the [[7/4|7/4]] interval, the note '8')</span> | | | Armodue-Mavila 1/7-tone <span style="font-size: 12.8000001907349px;">(the 'Commatic' version of Armodue, because its high accuracy of the [[7/4|7/4]] interval, the note '8')</span> | ||
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| | 11 11 11 7 | | | 11 11 11 7 | ||
| | 11;7 Superdiatonic 1/11-tone | | | 11;7 Superdiatonic 1/11-tone | ||
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