Lumatone mapping for 37edo: Difference between revisions

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== Diatonic ==

The patent fifth ~[[3/2]] is so sharp that attempting to play a standard diatonic scale produces almost exactly a Barbados third ~[[13/10]], so sharp that even though the septimal ~~ajor~~ third ~[[9/7]] is mapped to the same interval, it is mapped inconsistently; furthermore, the Pythagorean whole tone ~[[9/8]] itself is itself mapped inconsistently, so if you want to play something sounding traditional diatonic, you have to start your scale moving up one key (instead of right one key) to get a classic-sounding whole tone (rather than the septimal version ~[[8/7]], which is just slightly flat), and then up another key (again instead of right) to get the near-just classic major third ~[[5/4]]; getting further classic intervals likewise requires some unusual movements, which would be awkward in combination. Thus, the diatonic mapping in 37edo is actually a xenharmonic mapping by default.

The patent fifth ~[[3/2]] is so sharp that attempting to play a standard diatonic scale produces almost exactly a Barbados third ~[[13/10]], so sharp that even though the septimal major third ~[[9/7]] is mapped to the same interval, it is mapped inconsistently; furthermore, the Pythagorean whole tone ~[[9/8]] itself is itself mapped inconsistently, so if you want to play something sounding traditional diatonic, you have to start your scale moving up one key (instead of right one key) to get a classic-sounding whole tone (rather than the septimal version ~[[8/7]], which is just slightly flat), and then up another key (again instead of right) to get the near-just classic major third ~[[5/4]]; getting further classic intervals likewise requires some unusual movements, which would be awkward in combination. Thus, the diatonic mapping in 37edo is actually a xenharmonic mapping by default.

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 == Diatonic ==
-The patent fifth ~[[3/2]] is so sharp that attempting to play a standard diatonic scale produces almost exactly a Barbados third ~[[13/10]], so sharp that even though the septimal ajor third ~[[9/7]] is mapped to the same interval, it is mapped inconsistently; furthermore, the Pythagorean whole tone ~[[9/8]] itself is itself mapped inconsistently, so if you want to play something sounding traditional diatonic, you have to start your scale moving up one key (instead of right one key) to get a classic-sounding whole tone (rather than the septimal version ~[[8/7]], which is just slightly flat), and then up another key (again instead of right) to get the near-just classic major third ~[[5/4]]; getting further classic intervals likewise requires some unusual movements, which would be awkward in combination. Thus, the diatonic mapping in 37edo is actually a xenharmonic mapping by default.
+The patent fifth ~[[3/2]] is so sharp that attempting to play a standard diatonic scale produces almost exactly a Barbados third ~[[13/10]], so sharp that even though the septimal major third ~[[9/7]] is mapped to the same interval, it is mapped inconsistently; furthermore, the Pythagorean whole tone ~[[9/8]] itself is itself mapped inconsistently, so if you want to play something sounding traditional diatonic, you have to start your scale moving up one key (instead of right one key) to get a classic-sounding whole tone (rather than the septimal version ~[[8/7]], which is just slightly flat), and then up another key (again instead of right) to get the near-just classic major third ~[[5/4]]; getting further classic intervals likewise requires some unusual movements, which would be awkward in combination. Thus, the diatonic mapping in 37edo is actually a xenharmonic mapping by default.
 {{Lumatone EDO mapping|n=37|start=10|xstep=7|ystep=-6}}