User:Zhenlige/Chromatic notation: Difference between revisions

Zhenlige (talk | contribs)
Zhenlige (talk | contribs)
Line 21: Line 21:
|-
|-
| rowspan="2" | Semitone<br>Sem / 1-sem
| rowspan="2" | Semitone<br>Sem / 1-sem
| rowspan="2" | Minor 2nd
| rowspan="2" | Minor second
|Narrow|| n1s / nm2 || 0 || 1 || 2 || '''m2''' || [[135/128]], [[256/243]] || [[21/20]]
|Narrow|| n1s / nm2 || 0 || 1 || 2 || '''m2''' || [[135/128]], [[256/243]] || [[21/20]]
|-
|-
Line 27: Line 27:
|-
|-
| rowspan="2" | Tone / 1-tone<br>2-sem
| rowspan="2" | Tone / 1-tone<br>2-sem
| rowspan="2" | Major 2nd
| rowspan="2" | Major second
|Narrow|| n2s / nM2 || 0 || 2 || 4 || d3 || [[10/9]] ||
|Narrow|| n2s / nM2 || 0 || 2 || 4 || d3 || [[10/9]] ||
|-
|-
Line 33: Line 33:
|-
|-
| rowspan="2" | 3-sem
| rowspan="2" | 3-sem
| rowspan="2" | Minor 3rd
| rowspan="2" | Minor third
|Narrow|| n3s / nm3 || 1 || 2 || 7 || '''m3''' || [[32/27]] ||
|Narrow|| n3s / nm3 || 1 || 2 || 7 || '''m3''' || [[32/27]] ||
|-
|-
Line 39: Line 39:
|-
|-
| rowspan="2" | Ditone / 2-tone<br>4-sem
| rowspan="2" | Ditone / 2-tone<br>4-sem
| rowspan="2" | Major 3rd
| rowspan="2" | Major third
|Narrow|| n4s / nM3 || 1 || 3 || 9 || d4 || [[5/4]] || [[56/45]]
|Narrow|| n4s / nM3 || 1 || 3 || 9 || d4 || [[5/4]] || [[56/45]]
|-
|-
Line 63: Line 63:
|-
|-
| rowspan="2" | Tetratone / 4-tone<br>8-sem
| rowspan="2" | Tetratone / 4-tone<br>8-sem
| rowspan="2" | Minor 6th
| rowspan="2" | Minor sixth
|Narrow|| n8s / nm6 || 3 || 5 || 19 || '''m6''' || [[128/81]] || [[63/40]], [[100/63]]
|Narrow|| n8s / nm6 || 3 || 5 || 19 || '''m6''' || [[128/81]] || [[63/40]], [[100/63]]
|-
|-
Line 69: Line 69:
|-
|-
| rowspan="2" | 9-sem
| rowspan="2" | 9-sem
| rowspan="2" | Major 6th
| rowspan="2" | Major sixth
|Narrow|| n9s / nM6 || 3 || 6 || 21 || d7 || [[5/3]] ||
|Narrow|| n9s / nM6 || 3 || 6 || 21 || d7 || [[5/3]] ||
|-
|-
Line 75: Line 75:
|-
|-
| rowspan="2" | Pentatone / 5-tone<br>10-sem
| rowspan="2" | Pentatone / 5-tone<br>10-sem
| rowspan="2" | Minor 7th
| rowspan="2" | Minor seventh
|Narrow|| n10s / nm7 || 4 || 6 || 24 || '''m7''' || [[16/9]] ||
|Narrow|| n10s / nm7 || 4 || 6 || 24 || '''m7''' || [[16/9]] ||
|-
|-
Line 81: Line 81:
|-
|-
| rowspan="2" | 11-sem
| rowspan="2" | 11-sem
| rowspan="2" | Major 7th
| rowspan="2" | Major seventh
|Narrow|| n11s / nM7 || 4 || 7 || 26 || d8 || [[15/8]] || [[28/15]]
|Narrow|| n11s / nM7 || 4 || 7 || 26 || d8 || [[15/8]] || [[28/15]]
|-
|-
Line 91: Line 91:
|}
|}


The 12edo diatonic interval names along the chain of fifths is P1-P5-WM2-WM6-WM3-WM7-WT-Wm2-Wm6-Wm3-Wm7-S4-S1-S5-SM2-… with the quality goes as perfect - wide major - wide minor - super perfect - super major - super minor - double super perfect….
The 12edo diatonic based interval names along the chain of fifths is P1-P5-WM2-WM6-WM3-WM7-WT-Wm2-Wm6-Wm3-Wm7-S4-S1-S5-SM2-… with the quality goes as perfect - wide major - wide minor - super perfect - super major - super minor - double super perfect….


== Note names ==
== Note names ==