Chords of superpyth: Difference between revisions

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{{Editable user page| Please complete the description and tables. This page is planned to be moved to main space once completed.}}
{{Editable user page| Please complete the description and tables. This page is planned to be moved to main space once completed.}}
Below is a complete list of all [[11-odd-limit]] [[dyadic chord]]s in [[11-limit]] [[superpyth|superpyth temperament]]. Note that there are many common chords, for example [[8:10:12:15]], which are not listed; in this case due to [[15/8]] not being in the 11-odd-limit. If a chord is [[Dyadic chord#Types of dyadic chords|essentially just]], it is classified as '''otonal''' if it is best analyzed in terms of the harmonic series, '''utonal''' if best analyzed in terms of the subharmonic series, and '''ambitonal''' if equally well analyzed with either. If a chord is essentially tempered, it is classified based on the minimal amount of tempering required to define the chord.
Below is a complete list of all [[11-odd-limit]] [[dyadic chord]]s in [[11-limit]] [[superpyth|superpyth temperament]]. Note that there are many common chords, for example [[8:10:12:15]], which are not listed; in this case due to [[15/8]] not being in the 11-odd-limit. If a chord is [[Dyadic chord#Types of dyadic chords|essentially just]], it is classified as '''otonal''' if it is best analyzed in terms of the harmonic series, '''utonal''' if best analyzed in terms of the subharmonic series, and '''ambitonal''' if equally well analyzed with either. If a chord is [[essentially tempered chord|essentially tempered]], it is classified based on the minimal amount of tempering required to define the chord.


Chords essentially tempered by [[64/63]] are labeled [[archytas chords|archytas]], by [[100/99]] [[ptolemismic chords|ptolemismic]], by [[176/175]] [[valinorsmic chords|valinorsmic]], by [[245/243]] [[sensamagic chords|sensamagic]], and by [[540/539]] [[swetismic chords|swetismic]]. Chords that require any two of 64/63, 100/99 and 176/175 tempering are marked [[ares chords|ares]]. Finally, chords that require any two of 100/99, 245/243 and 540/539 tempering are marked [[octarod chords|octarod]].  
Chords essentially tempered by [[64/63]] are labeled [[archytas chords|archytas]], by [[100/99]] [[ptolemismic chords|ptolemismic]], by [[176/175]] [[valinorsmic chords|valinorsmic]], by [[245/243]] [[sensamagic chords|sensamagic]], and by [[540/539]] [[swetismic chords|swetismic]]. Chords that require any two of 64/63, 100/99 and 176/175 to vanish are marked [[ares chords|ares]]. Finally, chords that require any two of 100/99, 245/243 and 540/539 to vanish are marked [[octarod chords|octarod]].  


Typing the chords requires consideration of the fact that superpyth conflates [[9/8]] with [[8/7]], and [[11/10]] with [[10/9]]. If a transversal can be found which shows the chord to be essentially just, that transversal is listed along with a typing as otonal, utonal, or ambitonal. If the chord is essentially tempered, it is analyzed in terms of the transversal that employs 8/7 and 10/9.
Typing the chords requires consideration of the fact that superpyth conflates [[9/8]] with [[8/7]], and [[11/10]] with [[10/9]]. If a transversal can be found which shows the chord to be essentially just, that transversal is listed along with a typing as otonal, utonal, or ambitonal. However, sometimes multiple such transversals exist, in which case the type is shown for all of them. If the chord is essentially tempered, it is analyzed in terms of the transversal that requires the minimum amount of commas to be tempered; if there is a tie between multiple transversals, it is analyzed in terms of the transversal which employs 8/7 and 10/9 above the root.


Superpyth [[generate]]s [[MOS]] scales of 5, 7, 12, 17, 22, and 27. The highest complexity of any chord on this list is 18 generators, and would thus require the 22-note MOS. That being said, even the 5- and 7-note MOSes contain some chords in the [[2.3.7 subgroup|2.3.7-]][[subgroup]], though the 12- and 17-note MOSes are needed to explore full 7- and 11-limit harmonies.
Superpyth [[generate]]s [[MOS]] scales of 5, 7, 12, 17, 22, and 27. The highest complexity of any chord on this list is 18 generators, and would thus require the 22-note MOS. That being said, even the 5- and 7-note MOSes contain some chords in the [[2.3.7 subgroup|2.3.7-]][[subgroup]], though the 12- and 17-note MOSes are needed to explore full 7- and 11-limit harmonies. Superpyth has hardly been explored in the 11-limit, and full 7-limit superpyth hasn't been explored much either, so these MOS scales provide bases for exploration.


== Triads ==
== Triads ==

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Below is a complete list of all 11-odd-limit dyadic chords in 11-limit superpyth temperament. Note that there are many common chords, for example 8:10:12:15, which are not listed; in this case due to 15/8 not being in the 11-odd-limit. If a chord is essentially just, it is classified as otonal if it is best analyzed in terms of the harmonic series, utonal if best analyzed in terms of the subharmonic series, and ambitonal if equally well analyzed with either. If a chord is essentially tempered, it is classified based on the minimal amount of tempering required to define the chord.

Chords essentially tempered by 64/63 are labeled archytas, by 100/99 ptolemismic, by 176/175 valinorsmic, by 245/243 sensamagic, and by 540/539 swetismic. Chords that require any two of 64/63, 100/99 and 176/175 to vanish are marked ares. Finally, chords that require any two of 100/99, 245/243 and 540/539 to vanish are marked octarod.

Typing the chords requires consideration of the fact that superpyth conflates 9/8 with 8/7, and 11/10 with 10/9. If a transversal can be found which shows the chord to be essentially just, that transversal is listed along with a typing as otonal, utonal, or ambitonal. However, sometimes multiple such transversals exist, in which case the type is shown for all of them. If the chord is essentially tempered, it is analyzed in terms of the transversal that requires the minimum amount of commas to be tempered; if there is a tie between multiple transversals, it is analyzed in terms of the transversal which employs 8/7 and 10/9 above the root.

Superpyth generates MOS scales of 5, 7, 12, 17, 22, and 27. The highest complexity of any chord on this list is 18 generators, and would thus require the 22-note MOS. That being said, even the 5- and 7-note MOSes contain some chords in the 2.3.7-subgroup, though the 12- and 17-note MOSes are needed to explore full 7- and 11-limit harmonies. Superpyth has hardly been explored in the 11-limit, and full 7-limit superpyth hasn't been explored much either, so these MOS scales provide bases for exploration.

Triads

# Generators Transversal Type Comments
1 0–1–2 1–9/8–3/2 Ambitonal 6:8:9, 8:9:12
2 0–1–3 1–3/2–12/7 Utonal 1/(12:8:7)
3 0–2–3 1–8/7–12/7 Otonal 4:6:7
4 0–1–4 1–9/7–3/2 Utonal 1/(9:7:6)
5 0–2–4 1–8/7–9/7 Otonal/utonal
6 0–3–4 1–9/7–12/7 Otonal 6:7:9
7 0–3–7 1–10/9–12/7 Sensamagic
8 0–4–7 1–10/9–9/7 Sensamagic
9 0–1–8 1–3/2–5/3 Otonal 6:9:10
10 0–4–8 1–9/7–5/3 Sensamagic
11 0–7–8 1–10/9–5/3 Utonal 1/(9:6:5)
12 0–1–9 1–5/4–3/2 Otonal 4:5:6
13 0–2–9 1–9/8–5/4 Otonal
14 0–7–9 1–10/9–5/4 Utonal
15 0–8–9 1–5/4–5/3 Utonal 1/(6:5:4)
16 0–2–11 1–8/7–10/7 Otonal 4:5:7
17 0–3–11 1–10/7–12/7 Otonal 5:6:7
18 0–4–11 1–9/7–10/7 Otonal
19 0–7–11 1–10/9–10/7 Utonal
20 0–8–11 1–10/7–5/3 Utonal 1/(7:6:5)
21 0–9–11 1–5/4–10/7 Utonal 1/(7:5:4)
22 0–3–14 1–11/9–12/7 Swetismic
23 0–7–14 1–10/9–11/9 Otonal/utonal
24 0–11–14 1–11/9–10/7 Swetismic
25 0–1–15 1–3/2–11/6 Otonal
26 0–4–15 1–9/7–11/6 Swetismic
27 0–7–15 1–11/10–11/6 Utonal
28 0–8–15 1–5/3–11/6 Otonal
29 0–11–15 1–10/7–11/6 Swetismic
30 0–14–15 1–11/9–11/6 Utonal
31 0–1–16 1–11/8–3/2 Otonal
32 0–2–16 1–9/8–11/8 Otonal
33 0–7–16 1–11/10–11/8 Utonal
34 0–8–16 1–11/8–5/3 Ptolemismic
35 0–9–16 1–5/4–11/8 Otonal
36 0–14–16 1–11/9–11/8 Utonal
37 0–15–16 1–11/8–11/6 Utonal
38 0–2–18 1–8/7–11/7 Otonal
39 0–3–18 1–11/7–12/7 Otonal
40 0–4–18 1–9/7–11/7 Otonal
41 0–7–18 1–11/10–11/7 Utonal
42 0–9–18 1–5/4–11/7 Valinorsmic
43 0–11–18 1–10/7–11/7 Otonal
44 0–14–18 1–11/9–11/7 Utonal
45 0–15–18 1–11/7–11/6 Utonal
46 0–16–18 1–11/8–11/7 Utonal

Tetrads

# Generators Transversal Type Comments
1 0–1–2–3 1–8/7–3/2–12/7 Archytas
2 0–1–2–4 1–9/8–9/7–3/2 Utonal 1/(9:7:6:4)
3 0–1–3–4 1–9/7–3/2–12/7 Ambitonal 12:14:18:21, 14:18:21:24
9-odd-limit ASS
4 0–2–3–4 1–8/7–9/7–12/7 Otonal 4:6:7:9
5 0–3–4–7 1–10/9–9/7–12/7 Sensamagic
6 0–1–4–8 1–9/7–3/2–5/3 Sensamagic
7 0–4–7–8 1–9/7–10/9–5/3 Sensamagic
8 0–1–2–9 1–9/8–5/4–3/2 Otonal 4:5:6:9
9 0–1–8–9 1–5/4–3/2–5/3 Ambitonal 10:12:15:18, 12:15:18:20
9-odd-limit ASS
10 0–7–8–9 1–10/9–5/4–5/3 Utonal 1/(9:6:5:4)
11 0–2–3–11 1–8/7–10/7–12/7 Otonal 4:5:6:7
12 0–2–4–11 1–8/7–9/7–10/7 Otonal 4:5:7:9
13 0–3–4–11 1–9/7–10/7–12/7 Otonal 6:7:9:10
14 0–3–7–11 1–10/9–10/7–12/7 Sensamagic
15 0–4–7–11 1–10/9–9/7–10/7 Sensamagic
16 0–4–8–11 1–9/7–10/7–5/3 Sensamagic
17 0–7–8–11 1–10/9–10/7–5/3 Utonal 1/(9:7:6:5)
18 0–2–9–11 1–8/7–5/4–10/7 Archytas/valinorsmic
19 0–7–9–11 1–10/9–5/4–10/7 Utonal 1/(9:7:5:4)
20 0–8–9–11 1–5/4–10/7–5/3 Utonal 1/(12:10:8:7)
21 0–3–7–14 1–11/10–11/9–12/7 Swetismic
22 0–3–11–14 1–11/9–10/7–12/7 Swetismic
23 0–7–11–14 1–11/10–11/9–10/7 Swetismic
24 0–1–4–15 1–9/7–3/2–11/6 Swetismic
25 0–4–7–15 1–10/9–9/7–11/6 Octarod
26 0–1–8–15 1–3/2–5/3–11/6 Otonal
27 0–4–8–15 1–9/7–5/3–11/6 Octarod
28 0–7–8–15 1–10/9–5/3–11/6 Ptolemismic
29 0–4–11–15 1–9/7–10/7–11/6 Swetismic
30 0–7–11–15 1–10/9–10/7–11/6 Octarod
31 0–8–11–15 1–10/7–5/3–11/6 Octarod
32 0–7–14–15 1–11/10–11/9–11/6 Utonal
33 0–11–14–15 1–11/9–10/7–11/6 Swetismic
34 0–1–2–16 1–9/8–11/8–3/2 Otonal
35 0–1–8–16 1–11/8–3/2–5/3 Ptolemismic
36 0–7–8–16 1–10/9–5/3–11/8 Ptolemismic
37 0–1–9–16 1–5/4–11/8–3/2 Otonal
38 0–2–9–16 1–9/8–5/4–11/8 Otonal
39 0–7–9–16 1–10/9–5/4–11/8 Ptolemismic
40 0–8–9–16 1–5/4–11/8–5/3 Ptolemismic
41 0–9–14–16 1–11/10–11/9–11/8 Utonal
42 0–1–15–16 1–11/8–3/2–11/6 Ambitonal 11-odd-limit ASS
43 0–7–15–16 1–11/10–11/8–11/6 Utonal
44 0–8–15–16 1–11/8–5/3–11/6 Ptolemismic
45 0–14–15–16 1–11/9–11/8–11/6 Utonal
46 0–2–3–18 1–8/7–11/7–12/7 Otonal
47 0–2–4–18 1–8/7–9/7–11/7 Otonal
48 0–3–4–18 1–9/7–11/7–12/7 Otonal
49 0–3–7–18 1–10/9–11/7–12/7 Octarod
50 0–4–7–18 1–11/10–9/7–11/7 Swetismic
51 0–2–9–18 1–8/7–5/4–11/7 Valinorsmic
52 0–7–9–18 1–11/10–5/4–11/7 Valinorsmic
53 0–2–11–18 1–8/7–10/7–11/7 Otonal
54 0–3–11–18 1–10/7–11/7–12/7 Otonal
55 0–4–11–18 1–9/7–10/7–11/7 Otonal
56 0–7–11–18 1–10/9–10/7–11/7 Ptolemismic
57 0–9–11–18 1–5/4–10/7–11/7 Valinorsmic
58 0–3–14–18 1–11/9–11/7–12/7 Swetismic
59 0–7–14–18 1–11/10–11/9–11/7 Utonal
60 0–11–14–18 1–11/9–10/7–11/7 Swetismic
61 0–4–15–18 1–9/7–11/7–11/6 Swetismic
62 0–7–15–18 1–11/10–11/7–11/6 Utonal
63 0–11–15–18 1–10/7–11/7–11/6 Swetismic
64 0–14–15–18 1–11/9–11/7–11/6 Utonal
65 0–2–16–18 1–8/7–11/8–11/7 Archytas
66 0–7–16–18 1–11/10–11/8–11/7 Utonal
67 0–9–16–18 1–5/4–11/8–11/7 Valinorsmic
68 0–14–16–18 1–11/9–11/8–11/7 Utonal
69 0–15–16–18 1–11/8–11/7–11/6 Utonal

Pentads

# Generators Transversal Type Comments
1 0–1–2–3–4 1–8/7–9/7–3/2–12/7 Archytas
2 0–2–3–4–11 1–8/7–9/7–10/7–12/7 Otonal 4:5:6:7:9
3 0–3–4–7–11 1–10/9–9/7–10/7–12/7 Sensamagic
4 0–4–7–8–11 1–10/9–9/7–10/7–5/3 Sensamagic
5 0–7–8–9–11 1–10/9–5/4–10/7–5/3 Utonal 1/(24:20:16:14:9)
6 0–3–7–11–14 1–10/9–11/9–10/7–12/7 Octarod
7 0–1–4–8–15 1–9/7–3/2–5/3–11/6 Octarod
8 0–4–7–8–15 1–10/9–9/7–5/3–11/6 Octarod
9 0–4–7–11–15 1–9/7–10/9–10/7–11/6 Octarod
10 0–4–8–11–15 1–9/7–5/3–10/7–11/6 Octarod
11 0–7–8–11–15 1–10/9–5/3–10/7–11/6 Octarod
12 0–7–11–14–15 1–10/9–11/9–10/7–11/6 Octarod
13 0–1–2–9–16 1–9/8–5/4–11/8–3/2 Otonal
14 0–1–8–9–16 1–5/4–11/8–3/2–5/3 Ptolemismic
15 0–7–8–9–16 1–10/9–5/3–5/4–11/8 Ptolemismic
16 0–1–8–15–16 1–11/8–3/2–5/3–11/6 Ptolemismic
17 0–7–8–15–16 1–10/9–11/8–5/3–11/6 Ptolemismic
18 0–7–14–15–16 1–11/10–11/9–11/8–11/6 Utonal
19 0–2–3–4–18 1–8/7–9/7–11/7–12/7 Otonal
20 0–3–4–7–18 1–10/9–9/7–11/7–12/7 Octarod
21 0–2–3–11–18 1–8/7–10/7–11/7–12/7 Otonal
22 0–2–4–11–18 1–8/7–9/7–10/7–11/7 Otonal
23 0–3–4–11–18 1–9/7–10/7–11/7–12/7 Otonal
24 0–3–7–11–18 1–12/7–10/9–10/7–11/7 Octarod
25 0–4–7–11–18 1–10/9–9/7–10/7–11/7 Octarod
26 0–2–9–11–18 1–8/7–5/4–10/7–11/7 Valinorsmic
27 0–7–9–11–18 1–10/9–5/4–10/7–11/7 Ares
28 0–3–7–14–18 1–10/9–11/9–11/7–12/7 Octarod
29 0–3–11–14–18 1–11/9–10/7–11/7–12/7 Swetismic
30 0–7–11–14–18 1–10/9–11/9–10/7–11/7 Octarod
31 0–4–7–15–18 1–10/9–9/7–11/7–11/6 Octarod
32 0–4–11–15–18 1–9/7–10/7–11/7–11/6 Octarod
33 0–7–11–15–18 1–10/9–10/7–11/7–11/6 Octarod
34 0–7–14–15–18 1–11/10–11/9–11/7–11/6 Utonal
35 0–11–14–15–18 1–11/9–10/7–11/7–11/6 Octarod
36 0–2–9–16–18 1–8/7–5/4–11/8–11/7 Ares
37 0–7–9–16–18 1–11/10–5/4–11/8–11/7 Valinorsmic
38 0–7–14–16–18 1–11/10–11/9–11/8–11/7 Utonal
39 0–7–15–16–18 1–11/10–11/8–11/7–11/6 Utonal
40 0–14–15–16–18 1–11/9–11/8–11/7–11/6 Utonal

Hexads

# Generators Transversal Type Comments
1 0–4–7–8–11–15 1–10/9–9/7–10/7–5/3–11/6 Octarod
2 0–2–3–4–11–18 1–8/7–9/7–10/7–11/7–12/7 Otonal 4:5:6:7:9:11
3 0–3–4–7–11–18 1–10/9–9/7–10/7–11/7–12/7 Octarod
4 0–3–7–11–14–18 1–10/9–11/9–10/7–11/7–12/7 Octarod
5 0–4–7–11–15–18 1–10/9–9/7–10/7–11/7–11/6 Octarod
6 0–7–11–14–15–18 1–10/9–10/7–11/9–11/6–11/7 Octarod
7 0–7–14–15–16–18 1–11/10–11/9–11/8–11/7–11/6 Utonal 1/(24:20:16:14:11:9)