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The main interest in this temperament is its [[mos scale]]s, as [[3L 2s|antipentic (3L 2s)]] and [[5L 3s|oneirotonic (5L 3s)]] are often chosen first, and only later is each step associated with a ratio consistent with this temperament. Another potential reason to choose this temperament is to equate suspended chords and more conventional tertian chords (though options like [[trienstonian]] (4/3~9/7), [[blackwood]] (4/3~81/64), and [[fendo]] (4/3~13/10) are more accurate). | The main interest in this temperament is its [[mos scale]]s, as [[3L 2s|antipentic (3L 2s)]] and [[5L 3s|oneirotonic (5L 3s)]] are often chosen first, and only later is each step associated with a ratio consistent with this temperament. Another potential reason to choose this temperament is to equate suspended chords and more conventional tertian chords (though options like [[trienstonian]] (4/3~9/7), [[blackwood]] (4/3~81/64), and [[fendo]] (4/3~13/10) are more accurate). | ||
As an exotemperament, it has a large range of acceptable tunings, from roughly [[5edo|3\5]] (720{{c}}) to [[3edo|2\3]] (800{{c}}). However, only tunings between 3\5 and [[8edo|5\8]] (750{{c}}) generate oneirotonic scales. | As an exotemperament, it has a large range of acceptable tunings, from roughly [[5edo|3\5]] (720{{c}}) to [[3edo|2\3]] (800{{c}}). However, only tunings between 3\5 and [[8edo|5\8]] (750{{c}}) generate oneirotonic scales, which are the primary structure it represents as an exotemperament. | ||
See [[Father family #Father]] for technical details. | See [[Father family #Father]] for technical details. | ||