List of approaches to musical tuning: Difference between revisions
m Made primodality its own list entry, made overtone scales and afdo the same list entry |
+Extensions or alterations of just intonation |
||
| Line 25: | Line 25: | ||
*[[Regular temperament]]s (including [[linear temperament]]s): a centuries-old practice that has recently undergone a mathematical facelift, in which just intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires | *[[Regular temperament]]s (including [[linear temperament]]s): a centuries-old practice that has recently undergone a mathematical facelift, in which just intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires | ||
*[[Timbral tuning]]: An approach similar to just intonation, but using an instrument's actual, non-harmonic overtone spectrum (e.g. the partials of a metal bar, drum head, or synthesized timbre) to relate frequencies instead of the harmonic series. | *[[Timbral tuning]]: An approach similar to just intonation, but using an instrument's actual, non-harmonic overtone spectrum (e.g. the partials of a metal bar, drum head, or synthesized timbre) to relate frequencies instead of the harmonic series. | ||
*Extensions or alterations of just intonation | |||
**[[Homothetic just intonation]] | |||
**[[Powharmonic series]] | |||
* Musical traditions of indigenous, ancient, and/or non-Western cultures: | * Musical traditions of indigenous, ancient, and/or non-Western cultures: | ||
**[[African]] | **[[African]] | ||