Dominant seventh chord: Difference between revisions
Remove unnecessary meantone commentary in the JI section. “strengths” and “weaknesses” imply differences in merit, but to a JI practitioner these chords differ in function instead. |
m →In JI |
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Note the ~9/5 is simultaneously ~[[16/9]], and the interval between the third and seventh is ~[[10/7]]. Therefore, every interval of this chord is within the 9-odd-limit tonality diamond. | Note the ~9/5 is simultaneously ~[[16/9]], and the interval between the third and seventh is ~[[10/7]]. Therefore, every interval of this chord is within the 9-odd-limit tonality diamond. | ||
== In | == In just intonation == | ||
In the [[7-limit]]: | In the [[7-limit]]: | ||