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| Line 271: |
Line 271: |
| | P8 | | | P8 |
| | D | | | D |
| |}
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| == Chord names ==
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| The only new chord names are for neutral chords (made up of stacked neutral thirds): n for a neutral triad, n<sup>7</sup> for a [[neutral tetrad|neutral seventh chord]], n<sup>9</sup> for a neutral ninth chord, and so on. Otherwise, all chords are named with conventional methods, with alterations and additions expanded to fractional sharps and flats. Some examples:
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| {| class="wikitable center-1 center-2 center-3 center-4"
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| ! Chord on C
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| ! Written name
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| ! Spoken name
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| |-
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| | C–Ebb-G
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| | Cm(b3), C(d3)
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| | C minor flat-three, C dim-three
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| |-
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| | C–Eb<sup>3/4</sup>-G
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| | Cm(b<sup>1/2</sup>3), C(3/4-d3)
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| | C minor three-quarters-flat-three, C †hree-quarters-dim-three
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| |-
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| | C–Eb<sup>3/2</sup>-G
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| | Cm(b<sup>1/2</sup>3), C(1/2-d3)
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| | C minor half-flat-three, C half-dim-three
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| |-
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| | C–Eb<sup>1/4</sup>-G
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| | Cm(b<sup>1/2</sup>3), C(1/2-d3)
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| | C minor quarter-flat-three, C quarter-dim-three
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| |-
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| | C–Eb-G
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| | Cm
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| | C minor
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| |-
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| | C–Eb<sup>3/4</sup>-G
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| | Cm(#<sup>1/4</sup>3), C(1/4-Am3)
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| | C minor quarter-sharp-three, C quarter-aug-minor-three
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| |-
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| | C-Eb<sup>1/2</sup>-G
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| | Cn
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| | C neutral
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| |-
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| | C–Eb<sup>1/4</sup>-G
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| | C(b<sup>1/4</sup>3), C(1/4-dM3)
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| | C minor quarter-sharp-three, C quarter-dim-major-three
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| |-
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| | C-E-G
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| | C
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| | C major
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| |-
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| | C-E#-G
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| | C(#3), C(A3)
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| | C major sharp-three, C aug-three
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| |} | | |} |