Historical temperaments: Difference between revisions

Line 11:

** [[19edo]] (''Costeley 1558'')<ref>''Seigneur Dieu ta pitié'' - Guillaume Costeley, 1558</ref>

** [[1/3-comma meantone|1/3 comma]] (''Salinas 1577'')<ref>''De musica libri septem'' - Francisco de Salinas, 1577</ref>

** [[Lucy tuning|Lucy]] (''Harrison 1775''<ref>''Concerning Such Mechanism'' - John Harrison, 1775</ref>

** [[Lucy tuning|Lucy]] (''Harrison 1775'')<ref>''Concerning Such Mechanism'' - John Harrison, 1775</ref>

** [[2/7-comma meantone|2/7 comma]] (''Zarlino 1558'')<ref>''Le istitutioni harmoniche'' - Gioseffo Zarlino, 1558</ref>

** [[5/18-comma meantone|5/18 comma]] (''Smith 1749''<ref>''Harmonics, or The philosophy of musical sounds'' - Robert Smith</ref>

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** [[1/5-comma meantone|1/5 comma]] (''Verheyen c. 1600''<ref>Abraham Verheyen's letter to Simon Stevin, c. 1600</ref> & ''Sauveur 1701''<ref name="Sauveur1">Archives of the Académie des Sciences, Paris, Procès verbaux, vol. 20, February through April 1701</ref><ref name="Sauveur2">Mémoires de l'Académie Royale des Sciences (Paris, 1701), pp. 299–366</ref>)

** [[43edo]] (''Sauveur 1701'')<ref name="Sauveur1" /><ref name="Sauveur2" />

** [[55edo]] (''Beer <1722'') <ref name="Monzo" />*

** [[55edo]] (''Beer <1722'')<ref name="Monzo" />*

** [[1/6-comma meantone|1/6 comma]] (''Silbermann <1748'')<ref>Gespräch zwischen einem Musico theoretico und einem Studioso Musices von der Prätorianischen, Printzischen Werkmeisterischen ... Temperatur, wie auch von dem neuen Systemate ... Telemanns zur Beförd. reiner Harmonie. - Georg Andreas Sorge, 1748</ref>

** [[4/25-comma meantone|4/25 comma]] (''Marsh 1809'')<ref>Containing the Perfection of Eighteenth-century Temperament, the Lost Art of Nineteenth-century Temperament, and the Science of Equal Temperament, Complete with Instructions for Aural and Electronic Tuning - Owen Jorgensen, 1991</ref>*

@@ Line 11: / Line 11: @@
 ** [[19edo]] (''Costeley 1558'')<ref>''Seigneur Dieu ta pitié'' - Guillaume Costeley, 1558</ref>
 ** [[1/3-comma meantone|1/3 comma]] (''Salinas 1577'')<ref>''De musica libri septem'' - Francisco de Salinas, 1577</ref>
-** [[Lucy tuning|Lucy]] (''Harrison 1775''<ref>''Concerning Such Mechanism'' - John Harrison, 1775</ref>
+** [[Lucy tuning|Lucy]] (''Harrison 1775'')<ref>''Concerning Such Mechanism'' - John Harrison, 1775</ref>
 ** [[2/7-comma meantone|2/7 comma]] (''Zarlino 1558'')<ref>''Le istitutioni harmoniche'' - Gioseffo Zarlino, 1558</ref>
 ** [[5/18-comma meantone|5/18 comma]] (''Smith 1749''<ref>''Harmonics, or The philosophy of musical sounds'' - Robert Smith</ref>
@@ Line 24: / Line 24: @@
 ** [[1/5-comma meantone|1/5 comma]] (''Verheyen c. 1600''<ref>Abraham Verheyen's letter to Simon Stevin, c. 1600</ref> & ''Sauveur 1701''<ref name="Sauveur1">Archives of the Académie des Sciences, Paris, Procès verbaux, vol. 20, February through April 1701</ref><ref name="Sauveur2">Mémoires de l'Académie Royale des Sciences (Paris, 1701), pp. 299–366</ref>)
 ** [[43edo]] (''Sauveur 1701'')<ref name="Sauveur1" /><ref name="Sauveur2" />
-** [[55edo]] (''Beer <1722'') <ref name="Monzo" />*
+** [[55edo]] (''Beer <1722'')<ref name="Monzo" />*
 ** [[1/6-comma meantone|1/6 comma]] (''Silbermann <1748'')<ref>Gespräch zwischen einem Musico theoretico und einem Studioso Musices von der Prätorianischen, Printzischen Werkmeisterischen ... Temperatur, wie auch von dem neuen Systemate ... Telemanns zur Beförd. reiner Harmonie. - Georg Andreas Sorge, 1748</ref>
 ** [[4/25-comma meantone|4/25 comma]] (''Marsh 1809'')<ref>Containing the Perfection of Eighteenth-century Temperament, the Lost Art of Nineteenth-century Temperament, and the Science of Equal Temperament, Complete with Instructions for Aural and Electronic Tuning - Owen Jorgensen, 1991</ref>*