Xenharmonic Wiki

7L 2s: Difference between revisions

← Older editNewer edit →
VisualWikitext
Ganaram inukshuk (talk | contribs)
autopatrolled
4,810 edits
mNo edit summary
Ganaram inukshuk (talk | contribs)
autopatrolled
4,810 edits
Fleshed out lead section; added intervals, note names, and theory#temperament interpretations sections
Line 10: Line 10:


{{MOS intro}}
{{MOS intro}}
== Name ==
 
Scales of this form are strongly associated with [[Armodue theory]], as applied to septimal mavila and Hornbostel temperaments.
==Name==
The [[TAMNAMS]] name for this pattern is '''superdiatonic''', in reference to the diatonic mos (5L 2s) having two additional large steps added, or '''armotonic''', in reference to Armodue theory.
The [[TAMNAMS]] name for this pattern is '''superdiatonic''', in reference to the diatonic mos (5L 2s) having two additional large steps added, or '''armotonic''', in reference to Armodue theory.


== Temperaments ==
==Intervals==
If you're looking for highly accurate scales (that is, ones that approximate JI closely), there are much better scale patterns to look at. However, if your harmonic entropy is coarse enough (that is, if 678 cents is an acceptable '3/2' to you), then [[Pelogic family#Mavila|mavila]] is an important harmonic entropy minimum here. So a general name for this MOS pattern could be "Mavila Superdiatonic" or simply 'Superdiatonic'.
:''This article assumes [[TAMNAMS]] for naming step ratios, mossteps, and mosdegrees.''
{{MOS intervals|MOS Prefix=arm}}


These scales are strongly associated with the [[Armodue]] project/system applied to septimal mavila and Hornbostel temperaments.
== Note names==
7L 2s, when viewed under Armodue theory, can be notated using Armodue notation.


== Intervals ==
==Theory==
Note: In TAMNAMS, a k-step interval class in superdiatonic may be called a "k-step", "k-mosstep", or "k-armstep". TAMNAMS discourages 1-indexed terms such as "mos(k+1)th" for non-diatonic mosses.


== Modes ==
=== Temperament interpretations ===
* 8|0 LLLLsLLLs "Superlydian"
[[Pelogic family#Mavila|Mavila]] is an important harmonic entropy minimum here, insofar as 678¢ can be considered a fifth. Other temperaments include septimal mavila and Hornbostel.
* 7|1 LLLsLLLLs "Superionian"
* 6|2 LLLsLLLsL "Supermixolydian"
* 5|3 LLsLLLLsL "Supercorinthian"
* 4|4 LLsLLLsLL "Superolympian"
* 3|5 LsLLLLsLL "Superdorian"
* 2|6 LsLLLsLLL "Superaeolian"
* 1|7 sLLLLsLLL "Superphrygian"
* 0|8 sLLLsLLLL "Superlocrian"


== Scale tree ==
==Modes==
{{MOS modes|Mode Names=Superlydian; Superionian; Supermixolidyan; Supercorintihan; Superolympian; Superdorian; Superaeolian; Superphrygian; Superlocrian}}
 
==Scale tree==
Optional types of 'JI [[Blown Fifth]]' Generators: 31/21, 34/23, 65/44, 71/48, 99/67, 105/71, 108/73, 133/90, 145/98, 176/119 & 250/169.
Optional types of 'JI [[Blown Fifth]]' Generators: 31/21, 34/23, 65/44, 71/48, 99/67, 105/71, 108/73, 133/90, 145/98, 176/119 & 250/169.




Generator ranges:  
Generator ranges:  
* Chroma-positive generator: 666.6667 cents (5\9) to 685.7143 cents (4\7)
*Chroma-positive generator: 666.6667 cents (5\9) to 685.7143 cents (4\7)
* Chroma-negative generator: 514.2857 cents (3\7) to 533.3333 cents (4\9)
* Chroma-negative generator: 514.2857 cents (3\7) to 533.3333 cents (4\9)


Line 43: Line 41:
|-
|-
! colspan="3" | Generator
! colspan="3" | Generator
! | <span style="display: block; text-align: center;">'''Generator size (cents)'''</span>
! |<span style="display: block; text-align: center;">'''Generator size (cents)'''</span>
! | Pentachord steps
! | Pentachord steps
! | Comments
! |Comments
|-
|-
| | 4\[[7edo|7]]
| |4\[[7edo|7]]
| |  
| |
| |  
| |
| | 685.714
| |685.714
| | 1 1 1 0
| |1 1 1 0
| |  
| |
|-
|-
|53\93
|53\93
|
|
|
|
|683.871
| 683.871
|13 13 13 1
|13 13 13 1
|
|
|-
|-
| |  
| |
| | 102\[[179edo|179]]
| |102\[[179edo|179]]
| |  
| |
| | 683.798
| | 683.798
| | 25 25 25 2
| |25 25 25 2
| | Approximately 0.03 cents away from [[95/64]]
| | Approximately 0.03 cents away from [[95/64]]
|-
|-
|49\86
| 49\86
|
|
|
|
Line 92: Line 90:
|86\151
|86\151
|
|
|683.444
| 683.444
|21 21 21 2
|21 21 21 2
|
|
|-
|-
|41\72
| 41\72
|
|
|
|
|683.333
|683.333
|10 10 10 1
| 10 10 10 1
|
|
|-
|-
Line 114: Line 112:
|
|
|683.077
|683.077
|9 9 9 1
| 9 9 9 1
|
|
|-
|-
Line 124: Line 122:
|
|
|-
|-
| | 33\[[58edo|58]]
| |33\[[58edo|58]]
| |  
| |
| |  
| |
| | 682.758
| |682.758
| | 8 8 8 1
| |8 8 8 1
| | 2 generators equal 11/10, 6 equal 4/3, creating a hybrid Mavila/Porcupine scale with three perfect 5ths as well as the flat ones.
| |2 generators equal 11/10, 6 equal 4/3, creating a hybrid Mavila/Porcupine scale with three perfect 5ths as well as the flat ones.
|-
|-
|
|
Line 149: Line 147:
|
|
|682.105
|682.105
|13 13 13 2
| 13 13 13 2
|
|
|-
|-
Line 168: Line 166:
| | 21\37
| | 21\37
| |  
| |  
| |  
| |
| | 681.081
| |681.081
| | 5 5 5 1
| |5 5 5 1
| |  
| |
|-
|-
|
|
Line 194: Line 192:
|
|
|-
|-
| | 17\30
| |17\30
| |  
| |
| |  
| |
| | 680
| |680
| | 4 4 4 1
| |4 4 4 1
| | L/s = 4
| |L/s = 4
|-
|-
|
|
Line 208: Line 206:
|
|
|-
|-
| |  
| |
| | 30\53
| |30\53
| |  
| |
| | 679.245
| |679.245
| | 7 7 7 2
| |7 7 7 2
| |  
| |
|-
|-
| |  
| |
| | 43\76
| |43\76
| |  
| |
| | 678.947
| |678.947
| | 10 10 10 3
| |10 10 10 3
| |  
| |  
|-
|-
| |  
| |
| | 56\99
| |56\99
| |  
| |
| | 678.788
| | 678.788
| | 13 13 13 4
| |13 13 13 4
| |  
| |
|-
|-
| |  
| |
| | 69\122
| | 69\122
| |  
| |
| | 678.6885
| |678.6885
| | 16 16 16 5
| |16 16 16 5
| |  
| |  
|-
|-
| |  
| |
| | 82\145
| |82\145
| |  
| |
| | 678.621
| |678.621
| | 19 19 19 6
| | 19 19 19 6
| |  
| |
|-
|-
| |  
| |
| | 95\168
| | 95\168
| |  
| |
| | 678.571
| |678.571
| | 22 22 22 7
| | 22 22 22 7
| |  
| |
|-
|-
| |  
| |
| |  
| |
| |  
| |
| | 678.569
| |678.569
| | π π π 1
| |π π π 1
| | L/s = π
| |L/s = π
|-
|-
| |  
| |
| | 108\191
| |108\191
| |  
| |
| | 678.534
| |678.534
| | 25 25 25 8
| |25 25 25 8
| |  
| |
|-
|-
| |  
| |
| | 121\214
| |121\214
| |  
| |
| | 678.505
| |678.505
| | 28 28 28 9
| |28 28 28 9
| | 28;9 Superdiatonic 1/28-tone <span style="font-size: 12.8000001907349px;">(a slight exceeded representation of the ratio 262144/177147, the Pythagorean wolf Fifth)</span>
| | 28;9 Superdiatonic 1/28-tone <span style="font-size: 12.8000001907349px;">(a slight exceeded representation of the ratio 262144/177147, the Pythagorean wolf Fifth)</span>
|-
|-
| |  
| |
| | 134\237
| |134\237
| |  
| |
| | 678.481
| |678.481
| | 31 31 31 10
| |31 31 31 10
| | HORNBOSTEL TEMPERAMENT <span style="font-size: 12.8000001907349px;">(1/31-tone; Optimum high size of Hornbostel '6th')</span>
| |HORNBOSTEL TEMPERAMENT <span style="font-size: 12.8000001907349px;">(1/31-tone; Optimum high size of Hornbostel '6th')</span>
|-
|-
| | 13\23
| |13\23
| |  
| |
| |  
| |
| | 678.261
| | 678.261
| | 3 3 3 1
| |3 3 3 1
| | HORNBOSTEL TEMPERAMENT <span style="font-size: 12.8000001907349px;">(Armodue 1/3-tone)</span>
| |HORNBOSTEL TEMPERAMENT <span style="font-size: 12.8000001907349px;">(Armodue 1/3-tone)</span>
|-
|-
| |  
| |
| | 126\223
| |126\223
| |  
| |
| | 678.027
| |678.027
| | 29 29 29 10
| |29 29 29 10
| | HORNBOSTEL TEMPERAMENT
| |HORNBOSTEL TEMPERAMENT


<span style="font-size: 12.8000001907349px;">(Armodue 1/29-tone)</span>
<span style="font-size: 12.8000001907349px;">(Armodue 1/29-tone)</span>
|-
|-
| |  
| |
| | 113\200
| |113\200
| |  
| |
| | 678
| |678
| | 26 26 26 9
| |26 26 26 9
| | HORNBOSTEL (&amp; [[Alexei_Stepanovich_Ogolevets|OGOLEVETS]]) TEMPERAMENT <span style="font-size: 12.8000001907349px;">(Armodue 1/26-tone; Best equillibrium between 6/5, Phi (833.1 Cent) and Square root of Pi (990.9 Cent), the notes '3', '7' &amp; '8')</span>
| | HORNBOSTEL (&amp; [[Alexei_Stepanovich_Ogolevets|OGOLEVETS]]) TEMPERAMENT <span style="font-size: 12.8000001907349px;">(Armodue 1/26-tone; Best equillibrium between 6/5, Phi (833.1 Cent) and Square root of Pi (990.9 Cent), the notes '3', '7' &amp; '8')</span>
|-
|-
| |  
| |
| | 100\177
| |100\177
| |  
| |
| | 677.966
| |677.966
| | 23 23 23 8
| | 23 23 23 8
| |  
| |
|-
|-
| |  
| |
| | 87\154
| |87\154
| |  
| |
| | 677.922
| |677.922
| | 20 20 20 7
| |20 20 20 7
| |  
| |
|-
|-
| |  
| |
| | 74\131
| | 74\131
| |  
| |
| | 677.863
| | 677.863
| | 17 17 17 6
| |17 17 17 6
| | Armodue-Hornbostel 1/17-tone <span style="font-size: 12.8000001907349px;">(the Golden Tone System of Thorvald Kornerup and a temperament of the Alexei Ogolevets's list of temperaments)</span>
| |Armodue-Hornbostel 1/17-tone <span style="font-size: 12.8000001907349px;">(the Golden Tone System of Thorvald Kornerup and a temperament of the Alexei Ogolevets's list of temperaments)</span>
|-
|-
| |  
| |
| | 61\108
| |61\108
| |  
| |
| | 677.778
| |677.778
| | 14 14 14 5
| |14 14 14 5
| | Armodue-Hornbostel 1/14-tone
| |Armodue-Hornbostel 1/14-tone
|-
|-
| |  
| |
| |  
| |
| | 109\193
| | 109\193
| | 677.720
| |677.720
| | 25 25 25 9
| |25 25 25 9
| | Armodue-Hornbostel 1/25-tone
| |Armodue-Hornbostel 1/25-tone
|-
|-
| |  
| |
| | 48\85
| |48\85
| |  
| |
| | 677.647
| |677.647
| | 11 11 11 4
| | 11 11 11 4
| | Armodue-Hornbostel 1/11-tone <span style="font-size: 12.8000001907349px;">(Optimum accuracy of Phi interval, the note '7')</span>
| |Armodue-Hornbostel 1/11-tone <span style="font-size: 12.8000001907349px;">(Optimum accuracy of Phi interval, the note '7')</span>
|-
|-
| |  
| |  
| |  
| |
| |  
| |
| | 677.562
| | 677.562
| | e e e 1
| |e e e 1
| | L/s = e
| |L/s = e
|-
|-
| |  
| |
| | 35\62
| |35\62
| |  
| |
| | 677.419
| |677.419
| | 8 8 8 3
| | 8 8 8 3
| | Armodue-Hornbostel 1/8-tone
| | Armodue-Hornbostel 1/8-tone
|-
|-
| |  
| |  
| |  
| |
| | 92\163
| |92\163
| | 677.301
| | 677.301
| | 21 21 21 8
| |21 21 21 8
| | 21;8 Superdiatonic 1/21-tone
| | 21;8 Superdiatonic 1/21-tone
|-
|-
| |  
| |  
| |  
| |
| |  
| |
| | 677.28
| |677.28
| | <span style="background-color: #ffffff; color: #222222; font-family: arial,sans-serif; font-size: small;">φ+1 φ+1 φ+1 1</span>
| |<span style="background-color: #ffffff; color: #222222; font-family: arial,sans-serif; font-size: small;">φ+1 φ+1 φ+1 1</span>
| | Split φ superdiatonic relation (34;13 - 55;21 - 89;34 - 144;55 - 233;89 - 377;144 - 610;233..)
| |Split φ superdiatonic relation (34;13 - 55;21 - 89;34 - 144;55 - 233;89 - 377;144 - 610;233..)
|-
|-
| |  
| |
| | 57\101
| | 57\101
| |  
| |
| | 677.228
| |677.228
| | 13 13 13 5
| |13 13 13 5
| | 13;5 Superdiatonic 1/13-tone
| |13;5 Superdiatonic 1/13-tone
|-
|-
| | 22\39
| |22\39
| |  
| |
| |  
| |
| | 676.923
| |676.923
| | 5 5 5 2
| | 5 5 5 2
| | Armodue-Hornbostel 1/5-tone <span style="font-size: 12.8000001907349px;">(Optimum low size of Hornbostel '6th')</span>
| | Armodue-Hornbostel 1/5-tone <span style="font-size: 12.8000001907349px;">(Optimum low size of Hornbostel '6th')</span>
|-
|-
| |  
| |
| | 75\133
| |75\133
| |  
| |
| | 676.692
| |676.692
| | 17 17 17 7
| |17 17 17 7
| | 17;7 Superdiatonic 1/17-tone <span style="font-size: 12.8000001907349px;">(Note the very accuracy of the step 75 with the ratio 34/23 with an error of +0.011 Cents)</span>
| |17;7 Superdiatonic 1/17-tone <span style="font-size: 12.8000001907349px;">(Note the very accuracy of the step 75 with the ratio 34/23 with an error of +0.011 Cents)</span>
|-
|-
| |  
| |
| | 53\94
| |53\94
| |  
| |
| | 676.596
| | 676.596
| | 12 12 12 5
| |12 12 12 5
| |  
| |
|-
|-
| |  
| |
| | 31\55
| |31\55
| |  
| |
| | 676.364
| |676.364
| | 7 7 7 3
| |7 7 7 3
| | 7;3 Superdiatonic 1/7-tone
| |7;3 Superdiatonic 1/7-tone
|-
|-
| |  
| |
| | 40\71
| |40\71
| |  
| |
| | 676.056
| |676.056
| | 9 9 9 4
| |9 9 9 4
| | 9;4 Superdiatonic 1/9-tone
| |9;4 Superdiatonic 1/9-tone
|-
|-
| |  
| |
| | 49\87
| | 49\87
| |  
| |
| | 675.862
| | 675.862
| | 11 11 11 5
| |11 11 11 5
| | 11;5 Superdiatonic 1/11-tone
| |11;5 Superdiatonic 1/11-tone
|-
|-
| |  
| |
| | 58\103
| |58\103
| |  
| |
| | 675.728
| |675.728
| | 13 13 13 6
| |13 13 13 6
| | 13;6 Superdiatonic 1/13-tone
| |13;6 Superdiatonic 1/13-tone
|-
|-
| | 9\16
| |9\16
| |  
| |
| |  
| |
| | 675
| |675
| | 2 2 2 1
| |2 2 2 1
| | <span style="display: block; text-align: left;">'''[BOUNDARY OF PROPRIETY: smaller generators are strictly proper]'''</span>ARMODUE ESADECAFONIA (or Goldsmith Temperament)
| |<span style="display: block; text-align: left;">'''[BOUNDARY OF PROPRIETY: smaller generators are strictly proper]'''</span>ARMODUE ESADECAFONIA (or Goldsmith Temperament)
|-
|-
| |  
| |
| | 59\105
| |59\105
| |  
| |
| | 674.286
| |674.286
| | 13 13 13 7
| | 13 13 13 7
| | Armodue-Mavila 1/13-tone
| |Armodue-Mavila 1/13-tone
|-
|-
| |  
| |
| | 50\89
| |50\89
| |  
| |
| | 674.157
| |674.157
| | 11 11 11 6
| |11 11 11 6
| | Armodue-Mavila 1/11-tone
| |Armodue-Mavila 1/11-tone
|-
|-
| |  
| |
| | 41\73
| | 41\73
| |  
| |
| | 673.973
| |673.973
| | 9 9 9 5
| |9 9 9 5
| | Armodue-Mavila 1/9-tone <span style="font-size: 12.8000001907349px;">(with an approximation of the Perfect Fifth + 1/5 Pyth.Comma [706.65 Cents]: 43\73 is 706.85 Cents)</span>
| | Armodue-Mavila 1/9-tone <span style="font-size: 12.8000001907349px;">(with an approximation of the Perfect Fifth + 1/5 Pyth.Comma [706.65 Cents]: 43\73 is 706.85 Cents)</span>
|-
|-
| |  
| |
| | 32\57
| | 32\57
| |  
| |
| | 673.684
| | 673.684
| | 7 7 7 4
| |7 7 7 4
| | Armodue-Mavila 1/7-tone <span style="font-size: 12.8000001907349px;">(the 'Commatic' version of Armodue, because its high accuracy of the [[7/4|7/4]] interval, the note '8')</span>
| |Armodue-Mavila 1/7-tone <span style="font-size: 12.8000001907349px;">(the 'Commatic' version of Armodue, because its high accuracy of the [[7/4]] interval, the note '8')</span>
|-
|-
| |  
| |
| |  
| |
| |  
| |
| | 673.577
| | 673.577
| | <span style="background-color: #ffffff;">√3 √3 √3 1</span>
| |<span style="background-color: #ffffff;">√3 √3 √3 1</span>
| |  
| |
|-
|-
| |  
| |
| | 55\98
| |55\98
| |  
| |
| | 673.469
| |673.469
| | 12 12 12 7
| |12 12 12 7
| |  
| |
|-
|-
| |  
| |
| | 78\139
| |78\139
| |  
| |
| | 673.381
| |673.381
| | 17 17 17 10
| |17 17 17 10
| | Armodue-Mavila 1/17-tone
| |Armodue-Mavila 1/17-tone
|-
|-
| |  
| |
| | 101\180
| |101\180
| |  
| |
| | 673.333
| |673.333
| | 22 22 22 13
| | 22 22 22 13
| |  
| |
|-
|-
| | 23\41
| |23\41
| |  
| |  
| |  
| |
| | 673.171
| |673.171
| | 5 5 5 3
| |5 5 5 3
| | 5;3 Golden Armodue-Mavila 1/5-tone
| | 5;3 Golden Armodue-Mavila 1/5-tone
|-
|-
| |  
| |
| | 60\107
| |60\107
| |  
| |
| | 672.897
| |672.897
| | 13 13 13 8
| |13 13 13 8
| | 13;8 Golden Mavila 1/13-tone
| |13;8 Golden Mavila 1/13-tone
|-
|-
| |  
| |
| |  
| |
| |  
| |
| | 672.85
| |672.85
| | <span style="background-color: #ffffff; color: #222222; font-family: arial,sans-serif; font-size: small;">φ φ φ 1</span>
| |<span style="background-color: #ffffff; color: #222222; font-family: arial,sans-serif; font-size: small;">φ φ φ 1</span>
| | GOLDEN MAVILA (L/s = <span style="background-color: #ffffff; color: #222222; font-family: arial,sans-serif; font-size: small;">φ)</span>
| |GOLDEN MAVILA (L/s = <span style="background-color: #ffffff; color: #222222; font-family: arial,sans-serif; font-size: small;">φ)</span>
|-
|-
| |  
| |
| |  
| |
| | 97\173
| |97\173
| | 672.832
| |672.832
| | 21 21 21 13
| |21 21 21 13
| | 21;13 Golden Mavila 1/21-tone <span style="font-size: 12.8000001907349px;">(Phi is the step 120\173)</span>
| |21;13 Golden Mavila 1/21-tone <span style="font-size: 12.8000001907349px;">(Phi is the step 120\173)</span>
|-
|-
| |  
| |
| | 37\66
| |37\66
| |  
| |
| | 672.727
| |672.727
| | 8 8 8 5
| |8 8 8 5
| | 8;5 Golden Mavila 1/8-tone
| | 8;5 Golden Mavila 1/8-tone
|-
|-
| |  
| |
| | 51\91
| |51\91
| |  
| |
| | 672.527
| | 672.527
| | 11 11 11 7
| |11 11 11 7
| | 11;7 Superdiatonic 1/11-tone
| |11;7 Superdiatonic 1/11-tone
|-
|-
| |  
| |
| |  
| |
| |  
| |
| | 672.523
| |672.523
| | π π π 2
| |π π π 2
| |  
| |
|-
|-
| |  
| |
| |  
| |
| | 116\207
| |116\207
| | 672.464
| |672.464
| | 25 25 25 16
| | 25 25 25 16
| | 25;16 Superdiatonic 1/25-tone
| |25;16 Superdiatonic 1/25-tone
|-
|-
| |  
| |
| | 65\116
| |65\116
| |  
| |
| | 672.414
| |672.414
| | 14 14 14 9
| |14 14 14 9
| | 14;9 Superdiatonic 1/14-tone
| |14;9 Superdiatonic 1/14-tone
|-
|-
| |  
| |
| | 79\141
| |79\141
| |  
| |
| | 672.340
| |672.340
| | 17 17 17 11
| |17 17 17 11
| | 17;11 Superdiatonic 1/17-tone
| |17;11 Superdiatonic 1/17-tone
|-
|-
| |  
| |
| | 93\166
| |93\166
| |  
| |
| | 672.289
| |672.289
| | 20 20 20 13
| |20 20 20 13
| |  
| |
|-
|-
| |  
| |
| | 107\191
| |107\191
| |  
| |
| | 672.251
| |672.251
| | 23 23 23 15
| |23 23 23 15
| |  
| |
|-
|-
| |  
| |
| | 121\216
| |121\216
| |  
| |
| | 672.222
| |672.222
| | 26 26 26 17
| |26 26 26 17
| | 26;17 Superdiatonic 1/26-tone
| | 26;17 Superdiatonic 1/26-tone
|-
|-
| |  
| |
| | 135\241
| |135\241
| |  
| |
| | 672.199
| |672.199
| | 29 29 29 19
| |29 29 29 19
| | 29;19 Superdiatonic 1/29-tone
| |29;19 Superdiatonic 1/29-tone
|-
|-
| | 14\25
| |14\25
| |  
| |  
| |  
| |
| | 672
| |672
| | 3 3 3 2
| |3 3 3 2
| | 3;2 Golden Armodue-Mavila 1/3-tone
| |3;2 Golden Armodue-Mavila 1/3-tone
|-
|-
| |  
| |
| | 145\259
| |145\259
| |  
| |
| | 671.815
| |671.815
| | 31 31 31 21
| |31 31 31 21
| | 31;21 Superdiatonic 1/31-tone
| |31;21 Superdiatonic 1/31-tone
|-
|-
| |  
| |
| | 131\234
| |131\234
| |  
| |
| | 671.795
| |671.795
| | 28 28 28 19
| |28 28 28 19
| | 28;19 Superdiatonic 1/28-tone
| |28;19 Superdiatonic 1/28-tone
|-
|-
| |  
| |
| | 117\209
| | 117\209
| |  
| |
| | 671.770
| |671.770
| | 25 25 25 17
| |25 25 25 17
| |  
| |  
|-
|-
| |  
| |
| | 103\184
| |103\184
| |  
| |
| | 671.739
| |671.739
| | 22 22 22 15
| |22 22 22 15
| |  
| |
|-
|-
| |  
| |
| | 89\159
| |89\159
| |  
| |
| | 671.698
| |671.698
| | 19 19 19 13
| |19 19 19 13
| |  
| |  
|-
|-
| |  
| |
| | 75\134
| |75\134
| |  
| |
| | 671.642
| | 671.642
| | 16 16 16 11
| |16 16 16 11
| |  
| |
|-
|-
| |  
| |
| | 61\109
| |61\109
| |  
| |
| | 671.560
| | 671.560
| | 13 13 13 9
| | 13 13 13 9
| |  
| |
|-
|-
| |  
| |
| | 47\84
| |47\84
| |  
| |
| | 671.429
| |671.429
| | 10 10 10 7
| |10 10 10 7
| |  
| |
|-
|-
|
|
|
|
|80\143
|80\143
|671.329
| 671.329
|17 17 17 12
|17 17 17 12
|
|
|-
|-
| |  
| |
| | 33\59
| |33\59
| |  
| |
| | 671.186
| |671.186
| | 7 7 7 5
| | 7 7 7 5
| |  
| |
|-
|-
|
|
Line 669: Line 667:
|
|
|670.968
|670.968
|11 11 11 8
| 11 11 11 8
|
|
|-
|-
| | 19\34
| |19\34
| |  
| |
| |  
| |
| | 670.588
| |670.588
| | 4 4 4 3
| |4 4 4 3
| |  
| |
|-
|-
|
|
|43\77
| 43\77
|
|
|670.13
|670.13
Line 687: Line 685:
|-
|-
| | 24\43
| | 24\43
| |  
| |
| |  
| |
| | 669.767
| |669.767
| | 5 5 5 4
| |5 5 5 4
| |  
| |
|-
|-
|
|
|53\95
|53\95
|
|
|669.474
| 669.474
|11 11 11 9
|11 11 11 9
|
|
Line 704: Line 702:
|
|
|669.231
|669.231
|6 6 6 5
| 6 6 6 5
|
|
|-
|-
Line 722: Line 720:
|-
|-
|
|
|73\131
| 73\131
|
|
|668.702
|668.702
Line 728: Line 726:
|
|
|-
|-
|39\70
| 39\70
|
|
|
|
Line 738: Line 736:
|83\149
|83\149
|
|
|668.456
| 668.456
|17 17 17 15
|17 17 17 15
|
|
|-
|-
|44\79
| 44\79
|
|
|
|
|668.354
| 668.354
|9 9 9 8
|9 9 9 8
|
|
Line 760: Line 758:
|
|
|668.182
|668.182
|10 10 10 9
| 10 10 10 9
|
|
|-
|-
Line 773: Line 771:
|
|
|
|
|668.041
| 668.041
|11 11 11 10
|11 11 11 10
|
|
|-
|-
|
|
|113\203
| 113\203
|
|
|667.98
|667.98
Line 794: Line 792:
|123\221
|123\221
|
|
|667.873
| 667.873
|25 25 25 23
|25 25 25 23
|
|
Line 805: Line 803:
|
|
|-
|-
| | 5\[[9edo|9]]
| |5\[[9edo|9]]
| |  
| |
| |  
| |
| | 666.667
| | 666.667
| | 1 1 1 1
| |1 1 1 1
| |  
| |
|}
|}


Retrieved from "https://en.xen.wiki/w/7L_2s"