Historical temperaments: Difference between revisions
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** [[7/26 comma meantone|7/26 comma]] (''Woolhouse 1835'') | ** [[7/26 comma meantone|7/26 comma]] (''Woolhouse 1835'') | ||
** [[Golden meantone|Golden]] (''Kornerup 1930'') | ** [[Golden meantone|Golden]] (''Kornerup 1930'') | ||
**[[Quarter-comma meantone|1/4 comma]] (''Aron 1523'') | **[[Quarter-comma meantone|1/4 comma]] (''Schlick 1511'' & ''Aron 1523'') | ||
** [[31edo]] (''Vicentino 1555'') | ** [[31edo]] (''Vicentino 1555'') | ||
** [[2/9 comma meantone|2/9 comma]] (''Rossi 1666'' & ''Drobisch 1855'') | ** [[2/9 comma meantone|2/9 comma]] (''Rossi 1666'' & ''Drobisch 1855'') | ||
Revision as of 13:34, 26 April 2023
Historical temperaments are temperaments which saw use during historical times and places, most commonly medieval, early modern or industrial-age Europe.
Examples
Examples include:
- Well temperament
- Kellner
- Kirnberger
- Neidhart
- Temperament ordinaire
- Vallotti
- Werckmeister
- Werckmeister III
- Werckmeister IV (Orgelprobe)
- Werckmeister V
- Werckmeister VI (Septenarius)
- Young
- Meantone
- 1/2 comma (Fogliano 1529)
- 19edo (Costello 1558)
- 1/3 comma (Salinas 1577)
- 2/7 comma (Zarlino 1558)
- 5/18 comma (Smith 1749)
- 50edo (Henfling 1710)
- 7/26 comma (Woolhouse 1835)
- Golden (Kornerup 1930)
- 1/4 comma (Schlick 1511 & Aron 1523)
- 31edo (Vicentino 1555)
- 2/9 comma (Rossi 1666 & Drobisch 1855)
- 74edo (Riccati 1762)
- 3/14 comma (Riccati 1762)
- 1/5 comma (Verheyen c. 1600 & Sauveur 1701)
- 43edo (Sauveur 1701)
- 55edo (Beer <1722)
- 1/6 comma (Silbermann <1748)
- 12edo (Chu Tsai-yü 1596)
- Pythagorean Tuning