Diamond-mos notation: Difference between revisions

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* It is acceptable to treat equal scales (sub-edos of the edo used for notation) as mosses for notation in diamond-mos, for example 9edo in 18edo. In that case, &/@ have no meaning and are disallowed. There are also no boxes on the staff. The only non-altered key signatures allowed are all-up (^) key signatures or similar.

*It is acceptable to use 5L 2s-based notation even for edos where the best fifth is 4\7 or 3\5. This is for consistency with existing microtonal notation that allows this. In the case of 4\7, #/b technically alter notes by zero edosteps, so they’re disallowed. [[TAMNAMS#Step ratio spectrum|Equalized]] and [[TAMNAMS#Step ratio spectrum|~~paucitonic~~]] tunings are only allowed for 5L 2s, not other mosses.

*It is acceptable to use 5L 2s-based notation even for edos where the best fifth is 4\7 or 3\5. This is for consistency with existing microtonal notation that allows this. In the case of 4\7, #/b technically alter notes by zero edosteps, so they’re disallowed. [[TAMNAMS#Step ratio spectrum|Equalized]] and [[TAMNAMS#Step ratio spectrum|collapsed]] tunings are only allowed for 5L 2s, not other mosses.

*It is possible to use non-octave equal tunings and non-octave mosses with diamond-mos. In this case, the diamonds mark the structural [[equave]] (the period or occasionally a multiple of the period). JKL note names repeat at this same equave. Explicitly write out what this equave is along with the tuning and mos pattern.

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 * It is acceptable to treat equal scales (sub-edos of the edo used for notation) as mosses for notation in diamond-mos, for example 9edo in 18edo. In that case, &/@ have no meaning and are disallowed. There are also no boxes on the staff. The only non-altered key signatures allowed are all-up (^) key signatures or similar.
-*It is acceptable to use 5L 2s-based notation even for edos where the best fifth is 4\7 or 3\5. This is for consistency with existing microtonal notation that allows this. In the case of 4\7, #/b technically alter notes by zero edosteps, so they’re disallowed. [[TAMNAMS#Step ratio spectrum|Equalized]] and [[TAMNAMS#Step ratio spectrum|paucitonic]] tunings are only allowed for 5L 2s, not other mosses.
+*It is acceptable to use 5L 2s-based notation even for edos where the best fifth is 4\7 or 3\5. This is for consistency with existing microtonal notation that allows this. In the case of 4\7, #/b technically alter notes by zero edosteps, so they’re disallowed. [[TAMNAMS#Step ratio spectrum|Equalized]] and [[TAMNAMS#Step ratio spectrum|collapsed]] tunings are only allowed for 5L 2s, not other mosses.
 *It is possible to use non-octave equal tunings and non-octave mosses with diamond-mos. In this case, the diamonds mark the structural [[equave]] (the period or occasionally a multiple of the period). JKL note names repeat at this same equave. Explicitly write out what this equave is along with the tuning and mos pattern.