49/48: Difference between revisions
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{{Wikipedia|Septimal diesis}} | {{Wikipedia|Septimal diesis}} | ||
'''49/48''', the '''large septimal diesis''' (or '''slendro diesis'''), is a [[superparticular]] ratio spanning the small distance between a subminor third ([[7/6]]) and a supermajor second ([[8/7]]) or between the supermajor sixth ([[12/7]]) and the harmonic seventh ([[7/4]]). Measuring about 35.7{{cent}}, it is a [[medium comma]]. | '''49/48''', the '''large septimal diesis''' (or '''slendro diesis'''), is a [[superparticular]] ratio spanning the small distance between a subminor third ([[7/6]]) and a supermajor second ([[8/7]]) or between the supermajor sixth ([[12/7]]) and the harmonic seventh ([[7/4]]). Measuring about 35.7{{cent}}, it is a [[medium comma]]; however, in classical Western music, this interval is not known as a [[comma]] as it is not tempered out in [[12edo]]. | ||
49/48 is [[tempered out]] in [[15edo]] and [[19edo]], where the two intervals are equated, and the fourth is split in a perfect half. It cannot be tempered out if all of the consonances of the 7-odd-limit are distinct, but it can be equated with other commas; for example (49/48)/([[81/80]]) = [[245/243]], (49/48)/([[64/63]]) = [[1029/1024]], (49/48)/([[3125/3072]]) = [[3136/3125]], (49/48)/([[50/49]]) = [[2401/2400]], ([[128/125]])/(49/48) = [[6144/6125]], ([[36/35]])/(49/48) = [[1728/1715]]. | 49/48 is [[tempered out]] in [[15edo]] and [[19edo]], where the two intervals are equated, and the fourth is split in a perfect half. It cannot be tempered out if all of the consonances of the 7-odd-limit are distinct, but it can be equated with other commas; for example (49/48)/([[81/80]]) = [[245/243]], (49/48)/([[64/63]]) = [[1029/1024]], (49/48)/([[3125/3072]]) = [[3136/3125]], (49/48)/([[50/49]]) = [[2401/2400]], ([[128/125]])/(49/48) = [[6144/6125]], ([[36/35]])/(49/48) = [[1728/1715]]. | ||
== See also == | == See also == | ||