User:Aura/Aura's Ideas on Functional Harmony (Part 1): Difference between revisions

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'''Mocksycophant''' - In Bass-Up Tonality, this is an interval that ranges from 10/7 to 20/13 which acts as a type of fourth rather than either a type of fifth or a type of sixth.  These intervals are generally not that common outside of Jazz and Blues.
'''Mocksycophant''' - In Bass-Up Tonality, this is an interval that ranges from 10/7 to 20/13 which acts as a type of fourth rather than either a type of fifth or a type of sixth.  These intervals are generally not that common outside of Jazz and Blues.


== Differences from Neo-Riemannian Theory ==
== Differences from Traditional Neo-Riemannian Theory ==
<Section is a work in progress>


The lack of [[Meantone]] temperament has some pretty significant implications for triadic transformations voiceleading in my theory- namely in that not all of the three basic [[Wikipedia: Neo-Riemannian theory|Neo-Riemannian]] transformations are available from just any tuning of a given [[Wikipedia: Major and minor|Major or Minor]] triad, and conversely, that additional types of transformation are needed.
The lack of [[Meantone]] temperament has some pretty significant implications for triadic transformations voiceleading in my theory- namely in that while all three basic [[Wikipedia: Neo-Riemannian theory|Neo-Riemannian]] transformations are available, there are additional, derived types of transformation are needed.


== References ==
== References ==