User:Inthar: Difference between revisions

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autopatrolled, emailconfirmed
15,004 edits
No edit summary
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{{delete|I'm leaving and I'm not coming back.}}
{{interwiki
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| en = User:Inthar
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I go by Inthar (''in-THAR'' (th as in thin), meaning 'raven' in the conlang it comes from). I use ''he/him'' pronouns. I am Inthar#5959 on Discord.
 
My main interests are: simple exotic MOS patterns, mainly [[oneirotonic]], and [[smitonic]], and edos that support them. I'm interested in applying counterpoint, and modal and functional harmony] to small [[MOS]]es and edos. Here's a list of tuning languages I want to explore:
* Oneiro: [[13edo]], [[18edo]] and [[21edo]]
* Smitonic: [[11edo]], [[18edo]] and neji
* 18edo and 21edo jazz
 
My main theoretical influences are Baroque counterpoint, [[Igliashon Jones]] and [[Zhea Erose]], though I do not consider myself a Zheanist. I contributed to [[TAMNAMS]], [[Diamond-mos notation]] and to the mos articles [[5L 3s]] and [[4L 3s]].
 
==Music==
All my music is licensed under CC-BY 4.0, unless specified otherwise.
=== 11edo ===
=== 13edo ===
* [[File:13edo Prelude in J Oneirominor.mp3]] Prelude II of the [[Well-Tempered 13-Tone Clavier|WT13C]] collab project (in J Oneirominor) ([[:File:13edo Prelude in J Oneirominor.pdf|score]])
** [[File:13edo Prelude in J Oneirominor Harpsichord Flute Stop.mp3]] Prelude II of the [[Well-Tempered 13-Tone Clavier|WT13C]] collab project (in J Oneirominor) Blanchet lute stop + organ flute stop version ([[:File:13edo Prelude in J Oneirominor.pdf|score]])
* [[File:13edo Fugue in J Oneirominor chip.mp3]] Fugue II of the [[Well-Tempered 13-Tone Clavier|WT13C]] collab project (in J Oneirominor) ([[:File:13edo Fugue in J Oneirominor Score.pdf|score]])
* [[File:13edo_1MC.mp3|270px]] 13-edo example composition ([[File:13edo_1MC_score.pdf|score]])
* [[File:A Moment of Respite.mp3]] A Moment of Respite
 
=== 17edo and parapyth ===
==== Pieces in Locrian ====
Locrian is my favorite diatonic mode. I've tried to combine it with classical and 8-bit tropes with varying degrees of success.
*[[File:Ghosts in the Machine.mp3]] Ghosts in the Machine (8-bit chiptune in approximate [[17edo]])
*Suite for Harpsichord in A Locrian, tuning: Eb-G# in [[46edo]] (on hiatus). My favorite piece is the Sarabande.
**[[File:Locrian Suite Sarabande.mp3]] IV. Sarabande (with no repeats; [[:File:Locrian Suite Sarabande Score.pdf|score here]])
***[[File:Locrian Suite Sarabande 17edo.mp3]] Sarabande tuned to [[17edo]]
**[[File:Locrian Suite Gavotte.mp3]] V. Gavotte I and II
**[[File:Locrian Suite Menuet.mp3]] VI. Menuet and Trio
**[[File:Locrian Suite Gigue.mp3]] VII. Gigue
 
=== 18edo ===
=== 21edo ===
[[File:The Angels' Library.mp3]] [[:File:The Angels' Library.mp3|The Angels' Library]], a [[21edo]] Sarnathian harpsichord piece (it's actually a neji, 73:78:86:92:102:112:120:132:146 on C). ([[:File:The Angels' Library Score.pdf|score]])
 
[[File:The Angels' Library edo.mp3]] edo version
 
[[File:Forerain.mp3]] Forerain (A short piano loop)
 
=== 31edo ===
[[File:31edo-vgm-main-menu-theme.mp3]] Some VGM loop in 31edo.
 
=== 34edo ===
* [[File:Fogs,_storms,_rainbows.mp3]]: A short piano piece mostly in 17edo. Last part is in 34edo.
 
==Pages==
===JI===
*[[User:IlL/Inthar's primodality impressions]]
===Edos and mosses===
* '''[[Well-Tempered 13-Tone Clavier]]''' - Collaborative Discord project to create 26 major and minor preludes and fugues in [[13edo]] (not necessarily in a Baroque style).
*[[Mathematics of MOS#Entropy_of_a_scale_degree|Degree entropy]] - a measure of how informative a degree of an MOS scale is on average is of what mode the scale is in.
*[[Dipentatonic scales]] - What's better than one pentatonic scale? Two pentatonic scales, of course!
*[[User:IlL/Inthar's EDO impressions]]
 
==List subpages==
 
{{Special:PrefixIndex/{{FULLPAGENAME}}/}}
[[Category:User en-4]]
[[Category:User de-2]]
[[Category:User on Discord]]

Revision as of 03:48, 23 August 2021

I go by Inthar (in-THAR (th as in thin), meaning 'raven' in the conlang it comes from). I use he/him pronouns. I am Inthar#5959 on Discord.

My main interests are: simple exotic MOS patterns, mainly oneirotonic, and smitonic, and edos that support them. I'm interested in applying counterpoint, and modal and functional harmony] to small MOSes and edos. Here's a list of tuning languages I want to explore:

My main theoretical influences are Baroque counterpoint, Igliashon Jones and Zhea Erose, though I do not consider myself a Zheanist. I contributed to TAMNAMS, Diamond-mos notation and to the mos articles 5L 3s and 4L 3s.

Music

All my music is licensed under CC-BY 4.0, unless specified otherwise.

11edo

13edo

17edo and parapyth

Pieces in Locrian

Locrian is my favorite diatonic mode. I've tried to combine it with classical and 8-bit tropes with varying degrees of success.

18edo

21edo

The Angels' Library, a 21edo Sarnathian harpsichord piece (it's actually a neji, 73:78:86:92:102:112:120:132:146 on C). (score)

edo version

Forerain (A short piano loop)

31edo

Some VGM loop in 31edo.

34edo

Pages

JI

Edos and mosses

List subpages

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