User:Inthar: Difference between revisions

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* 18edo and 21edo jazz
* 18edo and 21edo jazz


My main theoretical influences are Baroque counterpoint, [[Igliashon Jones]] and [[Zhea Erose]], though I do not consider myself a Zheanist. I contributed to [[TAMNAMS]] and [[Diamond-mos notation]].
My main theoretical influences are Baroque counterpoint, [[Igliashon Jones]] and [[Zhea Erose]], though I do not consider myself a Zheanist. I contributed to [[TAMNAMS]], [[Diamond-mos notation]] and to the mos articles [[5L 3s]] and [[4L 3s]].


==Music==
==Music==

Revision as of 20:23, 16 June 2021

I go by Inthar (in-THAR (th as in thin), meaning 'raven' in the conlang it comes from). I use he/him pronouns. I am Inthar#5959 on Discord.

I am 27 years old.

My main interests are: simple exotic MOS patterns, mainly oneirotonic, and smitonic, and edos that support them. I'm interested in applying counterpoint, and modal and functional harmony] to small MOSes and edos. Here's a list of tuning languages I want to explore:

My main theoretical influences are Baroque counterpoint, Igliashon Jones and Zhea Erose, though I do not consider myself a Zheanist. I contributed to TAMNAMS, Diamond-mos notation and to the mos articles 5L 3s and 4L 3s.

Music

11edo

13edo

17edo and parapyth

Pieces in Locrian

Locrian is my favorite diatonic mode. I've tried to combine it with classical and 8-bit tropes with varying degrees of success.

18edo

21edo

The Angels' Library, a 21edo Sarnathian harpsichord piece (it's actually a neji, 73:78:86:92:102:112:120:132:146 on C). (score)

31edo

Some VGM loop in 31edo.

34edo

Pages

JI

EDO and rank 2 theory

List subpages