3/1: Difference between revisions
→Significance of prime 3: remove "thus"; mention in JI |
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The '''3rd harmonic''', '''tritave''', '''triple''', or '''perfect twelfth''' is the [[interval]] of [[frequency ratio]] '''3/1'''. It is perhaps the most [[consonant]] interval after the [[octave]], with frequency ratio 2/1. For this reason, it is used as an [[equave]] in some [[nonoctave]] systems, such as the [[Bohlen–Pierce]] scale. | The '''3rd harmonic''', '''tritave''', '''triple''', or '''perfect twelfth''' is the [[interval]] of [[frequency ratio]] '''3/1'''. It is perhaps the most [[consonant]] interval after the [[octave]], with frequency ratio 2/1. For this reason, it is used as an [[equave]] in some [[nonoctave]] systems, such as the [[Bohlen–Pierce]] scale. | ||
== | == Importance of prime 3 == | ||
The [[octave-reduced]] 3rd harmonic is the perfect fifth [[3/2]], and the [[octave complement]] of 3/2 is the perfect fourth [[4/3]]. The perfect fifth and fourth are considered essential in western music theory, and in [[12edo]], stacking them makes the [[Circle of fifths|circle of fifths/fourths]]. The perfect fifth is often used as the base for constructing chords, such as the classical major triad [[4:5:6|1–5/4–3/2]] (4:5:6). The perfect fourth can also be used as a base in chords, such as [[6:7:8|1–7/6–4/3]] (6:7:8), which deviates from traditional harmony. | The [[octave-reduced]] 3rd harmonic is the perfect fifth [[3/2]], and the [[octave complement]] of 3/2 is the perfect fourth [[4/3]]. The perfect fifth and fourth are considered essential in western music theory, and in [[12edo]], stacking them makes the [[Circle of fifths|circle of fifths/fourths]]. The perfect fifth is often used as the base for constructing chords, such as the classical major triad [[4:5:6|1–5/4–3/2]] (4:5:6). The perfect fourth can also be used as a base in chords, such as [[6:7:8|1–7/6–4/3]] (6:7:8), which deviates from traditional harmony. | ||