Talk:19edo: Difference between revisions

19edo's 7-limit vs. 12edo: What it sounds like is important too
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: I just went by the relative error listed in the table of harmonics.  Let me know if you think of something better, or if you want me to just undo it.  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 23:48, 13 February 2026 (UTC)
: I just went by the relative error listed in the table of harmonics.  Let me know if you think of something better, or if you want me to just undo it.  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 23:48, 13 February 2026 (UTC)
: Also, playing around with [http://terpstrakeyboard.com/play-it-now/ the online Terpstra keyboard] to generate barbershop chords (4:5:6:7) in harpsichord timbre, the 12edo version definitely sounds better than the 19edo version, even though 19edo sounds better than 12edo when leaving off the A♯, and this matches my experience with other sound sources.  Not only that, playing around with it some more, 19d (use B♭ instead of A♯) sounds better in 19edo than doing it according to the patent val, even though it is mathematically a lot further off.  Just to prove I wasn't crazy or suddenly tone-deaf, doing the barbershop chord in 31edo sounds better than any of those, even though I don't like the fifth in 31edo (falls in that in-between zone of too flat for 3/2 and too sharp for 112/75).  [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:19, 14 February 2026 (UTC)
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