Chords of superpyth: Difference between revisions

Triads: some symmetric chords are polychords. Mark as otonal/utonal for now. Might use special treatment in future
Triads: sort intervals by size; this makes them more recognizable
Line 94: Line 94:
| 17
| 17
| 0–3–11
| 0–3–11
| 1–12/7–10/7
| 1–10/7–12/7
| Otonal
| Otonal
|-
|-
Line 109: Line 109:
| 20
| 20
| 0–8–11
| 0–8–11
| 1–5/3–10/7
| 1–10/7–5/3
| Utonal
| Utonal
|-
|-
Line 119: Line 119:
| 22
| 22
| 0–3–14
| 0–3–14
| 1–12/7–11/9
| 1–11/9–12/7
| Swetismic
| Swetismic
|-
|-
Line 129: Line 129:
| 24
| 24
| 0–11–14
| 0–11–14
| 1–10/7–11/9
| 1–11/9–10/7
| Swetismic
| Swetismic
|-
|-
Line 164: Line 164:
| 31
| 31
| 0–1–16
| 0–1–16
| 1–3/2–11/8
| 1–11/8–3/2
| Otonal
| Otonal
|-
|-
Line 179: Line 179:
| 34
| 34
| 0–8–16
| 0–8–16
| 1–5/3–11/8
| 1–11/8–5/3
| Ptolemismic
| Ptolemismic
|-
|-
Line 194: Line 194:
| 37
| 37
| 0–15–16
| 0–15–16
| 1–11/6–11/8
| 1–11/8–11/6
| Utonal
| Utonal
|-
|-
Line 204: Line 204:
| 39
| 39
| 0–3–18
| 0–3–18
| 1–12/7–11/7
| 1–11/7–12/7
| Otonal
| Otonal
|-
|-
Line 234: Line 234:
| 45
| 45
| 0–15–18
| 0–15–18
| 1–11/6–11/7
| 1–11/7–11/6
| Utonal
| Utonal
|-
|-