Historical temperaments: Difference between revisions
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* [[Well temperament]] | * [[Well temperament]] | ||
** [[Fogliano]] (1529)<ref>''Accurate meantone tuning based on Fogliano'' - Claudio Di Veroli, 2018 ([https://www.academia.edu/95315365/Accurate_meantone_tuning_based_on_Fogliano_2018 accessible at Academia.edu])</ref> | ** [[Fogliano]] (1529)<ref>''Accurate meantone tuning based on Fogliano'' - Claudio Di Veroli, 2018 ([https://www.academia.edu/95315365/Accurate_meantone_tuning_based_on_Fogliano_2018 accessible at Academia.edu])</ref> | ||
** | ** Werckmeister (1691)<ref>''Musicalische Temperatur'' - Andreas Werckmeister, 1691</ref> | ||
*** [[ | *** [[Werck3|Werckmeister III]] | ||
*** [[ | *** [[Werckmeister IV]] | ||
*** [[ | *** [[Werckmeister V]] | ||
*** [[Septenarius]] (Werckmeister VI) | |||
** [[Vallotti]] (1728)<ref>''Della scienza teorica e pratica della moderna musica'' - Francesco Vallotti, written 1728, published 1779</ref> | |||
** Neidhart (1732)<ref>''Sectio canonis harmonici'' - Johann Georg Neidhardt, 1724</ref><ref>''Gäntzlich erschöpfte, mathematische Abtheilungen des diatonisch-chromatischen, temperirten Canonis Monochordi'' - Johann Georg Neidhardt, 1732 ([https://www.digitale-sammlungen.de/en/view/bsb10527538?q=%28G%C3%A4ntzlich+ersch%C3%B6pfte,+Mathematische+Abtheilungen+des+Diatonisch-Chromatischen,+temperirten+Canonis+Monochordi%29&page=5 digitized copy])</ref> | ** Neidhart (1732)<ref>''Sectio canonis harmonici'' - Johann Georg Neidhardt, 1724</ref><ref>''Gäntzlich erschöpfte, mathematische Abtheilungen des diatonisch-chromatischen, temperirten Canonis Monochordi'' - Johann Georg Neidhardt, 1732 ([https://www.digitale-sammlungen.de/en/view/bsb10527538?q=%28G%C3%A4ntzlich+ersch%C3%B6pfte,+Mathematische+Abtheilungen+des+Diatonisch-Chromatischen,+temperirten+Canonis+Monochordi%29&page=5 digitized copy])</ref> | ||
*** [[Hof 1732]] (Name translates to ''Court'') | *** [[Hof 1732]] (Name translates to ''Court'') | ||
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*** D'Alembert (1752)<ref>''Élémens de musique, theorique et pratique, suivant les principes de Monsieur Rameau'' - Jean-Baptiste le Rond d’Alembert, 1752</ref> | *** D'Alembert (1752)<ref>''Élémens de musique, theorique et pratique, suivant les principes de Monsieur Rameau'' - Jean-Baptiste le Rond d’Alembert, 1752</ref> | ||
*** Rousseau (1767)<ref>''Dictionnaire de Musique'' - Jean-Jacques Rousseau, 1767</ref> | *** Rousseau (1767)<ref>''Dictionnaire de Musique'' - Jean-Jacques Rousseau, 1767</ref> | ||
** [[ | ** [[Johann Kirnberger|Kirnberger]] (1774)<ref>''Die Kunst des reinen Satzes in der Musik'' - Johaan Philipp Kirnberger, 1774</ref> | ||
*** [[Kirnberger I]] | |||
*** [[ | *** [[Kirnberger II]] | ||
*** [[ | *** [[Kirnberger III]] | ||
*** [[ | |||
** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref> | ** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref> | ||
*** [[Young I]] (1800) | *** [[Young I]] (1800) | ||
*** Young II ('' | *** Young II (''same as [[Vallotti]] (1728)'') | ||
== See also == | == See also == | ||