61edo: Difference between revisions

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Theory: 183edo as a superset
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== Intervals ==
== Intervals ==
{{Interval table}}
{{Interval table}}
[[Category:Todo:add rank 2 temperaments table]]

Revision as of 13:05, 12 November 2024

← 60edo 61edo 62edo →
Prime factorization 61 (prime)
Step size 19.6721 ¢ 
Fifth 36\61 (708.197 ¢)
Semitones (A1:m2) 8:3 (157.4 ¢ : 59.02 ¢)
Consistency limit 5
Distinct consistency limit 5

Template:EDO intro

Theory

As an equal temperament, 61et is characterized by tempering out 20000/19683 (tetracot comma) and 262144/253125 (passion comma) in the 5-limit. In the 7-limit, the patent val 61 97 142 171] supports valentine (15 & 46), and is the optimal patent val for freivald (24 & 37) in the 7-, 11- and 13-limit. The 61d val 61 97 142 172] is a great tuning for modus and quasisuper, and is a simple but out-of-tune edo tuning for parakleismic. Peter Kosmorsky has an interesting poem about its tuning profile, as follows.

Introductory poem

These 61 equal divisions of the octave,

though rare are assuredly a ROCK-tave (har har),

while the 3rd and 5th harmonics are about six cents sharp,

(and the flattish 15th poised differently on the harp),

the 7th and 11th err by less, around three,

and thus mayhap, a good orgone tuning found to be;

slightly sharp as well, is the 13th harmonic's place,

but the 9th and 17th lack near so much grace,

interestingly the 19th is good but a couple cents flat,

and the 21st and 23rd are but a cent or two sharp!

Odd harmonics

Approximation of odd harmonics in 61edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error Absolute (¢) +6.24 +7.13 -4.89 -7.19 -0.50 +5.37 -6.30 -6.59 -2.43 +1.35 +1.23
Relative (%) +31.7 +36.2 -24.9 -36.5 -2.5 +27.3 -32.0 -33.5 -12.4 +6.9 +6.3
Steps
(reduced)
97
(36)
142
(20)
171
(49)
193
(10)
211
(28)
226
(43)
238
(55)
249
(5)
259
(15)
268
(24)
276
(32)

Subsets and supersets

61edo is the 18th prime edo, after 59edo and before 67edo. 183edo, which triples it, corrects its approximation to many of the lower harmonics.

Intervals

Steps Cents Approximate ratios Ups and downs notation
0 0 1/1 D
1 19.7 ^D, vvE♭
2 39.3 ^^D, vE♭
3 59 29/28, 32/31 ^3D, E♭
4 78.7 22/21, 23/22 ^4D, ^E♭
5 98.4 35/33 v3D♯, ^^E♭
6 118 31/29 vvD♯, ^3E♭
7 137.7 13/12 vD♯, v4E
8 157.4 23/21, 34/31, 35/32 D♯, v3E
9 177 21/19, 31/28 ^D♯, vvE
10 196.7 19/17 ^^D♯, vE
11 216.4 26/23 E
12 236.1 ^E, vvF
13 255.7 22/19 ^^E, vF
14 275.4 34/29 F
15 295.1 19/16 ^F, vvG♭
16 314.8 6/5 ^^F, vG♭
17 334.4 17/14, 23/19 ^3F, G♭
18 354.1 ^4F, ^G♭
19 373.8 26/21 v3F♯, ^^G♭
20 393.4 vvF♯, ^3G♭
21 413.1 14/11, 33/26 vF♯, v4G
22 432.8 F♯, v3G
23 452.5 13/10 ^F♯, vvG
24 472.1 21/16 ^^F♯, vG
25 491.8 G
26 511.5 35/26 ^G, vvA♭
27 531.1 19/14 ^^G, vA♭
28 550.8 11/8 ^3G, A♭
29 570.5 25/18, 32/23 ^4G, ^A♭
30 590.2 31/22 v3G♯, ^^A♭
31 609.8 vvG♯, ^3A♭
32 629.5 23/16 vG♯, v4A
33 649.2 16/11, 35/24 G♯, v3A
34 668.9 28/19 ^G♯, vvA
35 688.5 ^^G♯, vA
36 708.2 A
37 727.9 29/19, 32/21, 35/23 ^A, vvB♭
38 747.5 20/13 ^^A, vB♭
39 767.2 ^3A, B♭
40 786.9 11/7 ^4A, ^B♭
41 806.6 35/22 v3A♯, ^^B♭
42 826.2 21/13 vvA♯, ^3B♭
43 845.9 31/19 vA♯, v4B
44 865.6 28/17, 33/20 A♯, v3B
45 885.2 5/3 ^A♯, vvB
46 904.9 32/19 ^^A♯, vB
47 924.6 29/17 B
48 944.3 19/11 ^B, vvC
49 963.9 ^^B, vC
50 983.6 23/13 C
51 1003.3 34/19 ^C, vvD♭
52 1023 ^^C, vD♭
53 1042.6 31/17 ^3C, D♭
54 1062.3 24/13 ^4C, ^D♭
55 1082 v3C♯, ^^D♭
56 1101.6 vvC♯, ^3D♭
57 1121.3 21/11 vC♯, v4D
58 1141 31/16 C♯, v3D
59 1160.7 ^C♯, vvD
60 1180.3 ^^C♯, vD
61 1200 2/1 D