Kentaku's Approach to 13EDO: Difference between revisions
m Recategorization (most categories made sense as tags, but they might be more confusing than helpful now), added some internal links to replace the most relevant categories |
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{{Main|13edo}} | |||
[[File:13_ET_circle_of_fourths.PNG|alt=13 ET circle of fourths.PNG|200x194px|13 ET circle of fourths.PNG]] | [[File:13_ET_circle_of_fourths.PNG|alt=13 ET circle of fourths.PNG|200x194px|13 ET circle of fourths.PNG]] | ||
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On J, the scale is J K L M# N# O# Q J. Notice how this time P is omitted? That's because it's a seven note scale; notating this scale is a little weird because we use 8 natural notes to notate a seven tone scale, just as it's awkward notating a 6 note scale with 7 naturals. This scale is very beautiful and works quite well for composition and melody. It's somewhat happier than the Dylathian scale but somewhat awkward as well. | On J, the scale is J K L M# N# O# Q J. Notice how this time P is omitted? That's because it's a seven note scale; notating this scale is a little weird because we use 8 natural notes to notate a seven tone scale, just as it's awkward notating a 6 note scale with 7 naturals. This scale is very beautiful and works quite well for composition and melody. It's somewhat happier than the Dylathian scale but somewhat awkward as well. | ||
{{Navbox notation}} | |||
[[Category:Impression]] | [[Category:Impression]] | ||
[[Category:13edo]] | [[Category:13edo]] | ||
[[Category:Notation]] | [[Category:Notation]] | ||
[[Category:Method]] | |||
[[Category:Approaches to tuning systems]] | |||