143edo: Difference between revisions

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'''143edo''' is the [[EDO|equal division of the octave]] into 143 parts of approximately 8.392¢ each. The 143b val provides a tuning almost identical with that of the POTE tuning for 7-limit meantone.
{{Infobox ET}}
{{ED intro}}


As 143 is 11*13, 143edo allows the [[Polymicrotonality|polymicrotonal]] juxtaposition of [[11edo|11edo]] and [[13edo|13edo]]:
== Theory ==
143edo is only [[consistent]] to the [[5-odd-limit]], and the error of the [[harmonic]] [[3/1|3]] is quite large. With the patent sharp fifth and flat 7, it supports a sharp form of [[slendric]] and [[hemithirds]] through to the [[13-limit]], while the 143b val provides a tuning almost identical with that of the [[POTE tuning]] for 7-limit [[meantone]].
 
=== Odd harmonics ===
{{Harmonics in equal|143}}
 
=== Subsets and supersets ===
As 143 is {{nowrap| 11 × 13 }}, 143edo allows the [[polymicrotonality|polymicrotonal juxtaposition]] of [[11edo]] and [[13edo]]:


[[File:13_against_11.gif|alt=13_against_11.gif|800x312px|13_against_11.gif]]
[[File:13_against_11.gif|alt=13_against_11.gif|800x312px|13_against_11.gif]]


If the 11edo and 13edo sub-scales share one tone (as in the diagram above), the resulting scale would have 23 tones in the octave; otherwise, it would have 24.
If the 11edo and 13edo subsets are analyzed as two scales that share the [[tonic]] and are then combined (as in the diagram above), the resulting scale would have 23 tones in the octave; otherwise, it would have 24.
 
== Intervals ==
{{Interval table}}

Latest revision as of 16:18, 7 November 2025

← 142edo 143edo 144edo →
Prime factorization 11 × 13
Step size 8.39161 ¢ 
Fifth 84\143 (704.895 ¢)
Semitones (A1:m2) 16:9 (134.3 ¢ : 75.52 ¢)
Dual sharp fifth 84\143 (704.895 ¢)
Dual flat fifth 83\143 (696.503 ¢)
Dual major 2nd 24\143 (201.399 ¢)
Consistency limit 5
Distinct consistency limit 5

143 equal divisions of the octave (abbreviated 143edo or 143ed2), also called 143-tone equal temperament (143tet) or 143 equal temperament (143et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 143 equal parts of about 8.39 ¢ each. Each step represents a frequency ratio of 21/143, or the 143rd root of 2.

Theory

143edo is only consistent to the 5-odd-limit, and the error of the harmonic 3 is quite large. With the patent sharp fifth and flat 7, it supports a sharp form of slendric and hemithirds through to the 13-limit, while the 143b val provides a tuning almost identical with that of the POTE tuning for 7-limit meantone.

Odd harmonics

Approximation of odd harmonics in 143edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error Absolute (¢) +2.94 -0.30 -3.79 -2.51 +2.53 -1.37 +2.64 +4.14 -3.81 -0.85 +1.10
Relative (%) +35.0 -3.6 -45.2 -29.9 +30.1 -16.3 +31.5 +49.3 -45.4 -10.1 +13.1
Steps
(reduced)
227
(84)
332
(46)
401
(115)
453
(24)
495
(66)
529
(100)
559
(130)
585
(13)
607
(35)
628
(56)
647
(75)

Subsets and supersets

As 143 is 11 × 13, 143edo allows the polymicrotonal juxtaposition of 11edo and 13edo:

13_against_11.gif

If the 11edo and 13edo subsets are analyzed as two scales that share the tonic and are then combined (as in the diagram above), the resulting scale would have 23 tones in the octave; otherwise, it would have 24.

Intervals

Steps Cents Approximate ratios Ups and downs notation
(Dual flat fifth 83\143)
Ups and downs notation
(Dual sharp fifth 84\143)
0 0 1/1 D D
1 8.4 ^D, v4E♭♭ ^D, v8E♭
2 16.8 ^^D, v3E♭♭ ^^D, v7E♭
3 25.2 ^3D, vvE♭♭ ^3D, v6E♭
4 33.6 ^4D, vE♭♭ ^4D, v5E♭
5 42 41/40, 42/41, 43/42 v4D♯, E♭♭ ^5D, v4E♭
6 50.3 34/33 v3D♯, ^E♭♭ ^6D, v3E♭
7 58.7 30/29 vvD♯, ^^E♭♭ ^7D, vvE♭
8 67.1 26/25 vD♯, ^3E♭♭ ^8D, vE♭
9 75.5 23/22 D♯, ^4E♭♭ v7D♯, E♭
10 83.9 21/20, 43/41 ^D♯, v4E♭ v6D♯, ^E♭
11 92.3 39/37 ^^D♯, v3E♭ v5D♯, ^^E♭
12 100.7 ^3D♯, vvE♭ v4D♯, ^3E♭
13 109.1 ^4D♯, vE♭ v3D♯, ^4E♭
14 117.5 46/43 v4D𝄪, E♭ vvD♯, ^5E♭
15 125.9 43/40 v3D𝄪, ^E♭ vD♯, ^6E♭
16 134.3 40/37 vvD𝄪, ^^E♭ D♯, ^7E♭
17 142.7 38/35 vD𝄪, ^3E♭ ^D♯, v8E
18 151 12/11 D𝄪, ^4E♭ ^^D♯, v7E
19 159.4 ^D𝄪, v4E ^3D♯, v6E
20 167.8 43/39 ^^D𝄪, v3E ^4D♯, v5E
21 176.2 31/28, 41/37, 52/47 ^3D𝄪, vvE ^5D♯, v4E
22 184.6 ^4D𝄪, vE ^6D♯, v3E
23 193 E ^7D♯, vvE
24 201.4 ^E, v4F♭ ^8D♯, vE
25 209.8 35/31, 44/39 ^^E, v3F♭ E
26 218.2 17/15, 42/37 ^3E, vvF♭ ^E, v8F
27 226.6 ^4E, vF♭ ^^E, v7F
28 235 47/41, 55/48 v4E♯, F♭ ^3E, v6F
29 243.4 23/20 v3E♯, ^F♭ ^4E, v5F
30 251.7 37/32 vvE♯, ^^F♭ ^5E, v4F
31 260.1 43/37, 50/43 vE♯, ^3F♭ ^6E, v3F
32 268.5 E♯, ^4F♭ ^7E, vvF
33 276.9 34/29 ^E♯, v4F ^8E, vF
34 285.3 46/39 ^^E♯, v3F F
35 293.7 ^3E♯, vvF ^F, v8G♭
36 302.1 25/21 ^4E♯, vF ^^F, v7G♭
37 310.5 55/46 F ^3F, v6G♭
38 318.9 ^F, v4G♭♭ ^4F, v5G♭
39 327.3 29/24 ^^F, v3G♭♭ ^5F, v4G♭
40 335.7 ^3F, vvG♭♭ ^6F, v3G♭
41 344.1 39/32, 50/41 ^4F, vG♭♭ ^7F, vvG♭
42 352.4 38/31 v4F♯, G♭♭ ^8F, vG♭
43 360.8 16/13 v3F♯, ^G♭♭ v7F♯, G♭
44 369.2 26/21, 47/38 vvF♯, ^^G♭♭ v6F♯, ^G♭
45 377.6 46/37 vF♯, ^3G♭♭ v5F♯, ^^G♭
46 386 5/4 F♯, ^4G♭♭ v4F♯, ^3G♭
47 394.4 ^F♯, v4G♭ v3F♯, ^4G♭
48 402.8 29/23 ^^F♯, v3G♭ vvF♯, ^5G♭
49 411.2 52/41 ^3F♯, vvG♭ vF♯, ^6G♭
50 419.6 ^4F♯, vG♭ F♯, ^7G♭
51 428 32/25, 41/32 v4F𝄪, G♭ ^F♯, v8G
52 436.4 v3F𝄪, ^G♭ ^^F♯, v7G
53 444.8 22/17 vvF𝄪, ^^G♭ ^3F♯, v6G
54 453.1 13/10 vF𝄪, ^3G♭ ^4F♯, v5G
55 461.5 30/23 F𝄪, ^4G♭ ^5F♯, v4G
56 469.9 21/16 ^F𝄪, v4G ^6F♯, v3G
57 478.3 29/22 ^^F𝄪, v3G ^7F♯, vvG
58 486.7 45/34 ^3F𝄪, vvG ^8F♯, vG
59 495.1 ^4F𝄪, vG G
60 503.5 G ^G, v8A♭
61 511.9 39/29, 43/32, 47/35 ^G, v4A♭♭ ^^G, v7A♭
62 520.3 50/37 ^^G, v3A♭♭ ^3G, v6A♭
63 528.7 19/14 ^3G, vvA♭♭ ^4G, v5A♭
64 537.1 15/11 ^4G, vA♭♭ ^5G, v4A♭
65 545.5 v4G♯, A♭♭ ^6G, v3A♭
66 553.8 v3G♯, ^A♭♭ ^7G, vvA♭
67 562.2 vvG♯, ^^A♭♭ ^8G, vA♭
68 570.6 32/23 vG♯, ^3A♭♭ v7G♯, A♭
69 579 G♯, ^4A♭♭ v6G♯, ^A♭
70 587.4 ^G♯, v4A♭ v5G♯, ^^A♭
71 595.8 24/17, 55/39 ^^G♯, v3A♭ v4G♯, ^3A♭
72 604.2 17/12 ^3G♯, vvA♭ v3G♯, ^4A♭
73 612.6 ^4G♯, vA♭ vvG♯, ^5A♭
74 621 v4G𝄪, A♭ vG♯, ^6A♭
75 629.4 23/16 v3G𝄪, ^A♭ G♯, ^7A♭
76 637.8 vvG𝄪, ^^A♭ ^G♯, v8A
77 646.2 vG𝄪, ^3A♭ ^^G♯, v7A
78 654.5 G𝄪, ^4A♭ ^3G♯, v6A
79 662.9 22/15 ^G𝄪, v4A ^4G♯, v5A
80 671.3 28/19 ^^G𝄪, v3A ^5G♯, v4A
81 679.7 37/25 ^3G𝄪, vvA ^6G♯, v3A
82 688.1 ^4G𝄪, vA ^7G♯, vvA
83 696.5 A ^8G♯, vA
84 704.9 ^A, v4B♭♭ A
85 713.3 ^^A, v3B♭♭ ^A, v8B♭
86 721.7 44/29, 47/31 ^3A, vvB♭♭ ^^A, v7B♭
87 730.1 32/21 ^4A, vB♭♭ ^3A, v6B♭
88 738.5 23/15 v4A♯, B♭♭ ^4A, v5B♭
89 746.9 20/13 v3A♯, ^B♭♭ ^5A, v4B♭
90 755.2 17/11 vvA♯, ^^B♭♭ ^6A, v3B♭
91 763.6 vA♯, ^3B♭♭ ^7A, vvB♭
92 772 25/16 A♯, ^4B♭♭ ^8A, vB♭
93 780.4 ^A♯, v4B♭ v7A♯, B♭
94 788.8 41/26 ^^A♯, v3B♭ v6A♯, ^B♭
95 797.2 46/29 ^3A♯, vvB♭ v5A♯, ^^B♭
96 805.6 ^4A♯, vB♭ v4A♯, ^3B♭
97 814 8/5 v4A𝄪, B♭ v3A♯, ^4B♭
98 822.4 37/23 v3A𝄪, ^B♭ vvA♯, ^5B♭
99 830.8 21/13 vvA𝄪, ^^B♭ vA♯, ^6B♭
100 839.2 13/8 vA𝄪, ^3B♭ A♯, ^7B♭
101 847.6 31/19 A𝄪, ^4B♭ ^A♯, v8B
102 855.9 41/25 ^A𝄪, v4B ^^A♯, v7B
103 864.3 ^^A𝄪, v3B ^3A♯, v6B
104 872.7 48/29 ^3A𝄪, vvB ^4A♯, v5B
105 881.1 ^4A𝄪, vB ^5A♯, v4B
106 889.5 B ^6A♯, v3B
107 897.9 42/25, 47/28 ^B, v4C♭ ^7A♯, vvB
108 906.3 ^^B, v3C♭ ^8A♯, vB
109 914.7 39/23 ^3B, vvC♭ B
110 923.1 29/17 ^4B, vC♭ ^B, v8C
111 931.5 v4B♯, C♭ ^^B, v7C
112 939.9 43/25 v3B♯, ^C♭ ^3B, v6C
113 948.3 vvB♯, ^^C♭ ^4B, v5C
114 956.6 40/23 vB♯, ^3C♭ ^5B, v4C
115 965 B♯, ^4C♭ ^6B, v3C
116 973.4 ^B♯, v4C ^7B, vvC
117 981.8 30/17, 37/21 ^^B♯, v3C ^8B, vC
118 990.2 39/22 ^3B♯, vvC C
119 998.6 ^4B♯, vC ^C, v8D♭
120 1007 C ^^C, v7D♭
121 1015.4 ^C, v4D♭♭ ^3C, v6D♭
122 1023.8 47/26 ^^C, v3D♭♭ ^4C, v5D♭
123 1032.2 ^3C, vvD♭♭ ^5C, v4D♭
124 1040.6 ^4C, vD♭♭ ^6C, v3D♭
125 1049 11/6 v4C♯, D♭♭ ^7C, vvD♭
126 1057.3 35/19 v3C♯, ^D♭♭ ^8C, vD♭
127 1065.7 37/20 vvC♯, ^^D♭♭ v7C♯, D♭
128 1074.1 vC♯, ^3D♭♭ v6C♯, ^D♭
129 1082.5 43/23 C♯, ^4D♭♭ v5C♯, ^^D♭
130 1090.9 ^C♯, v4D♭ v4C♯, ^3D♭
131 1099.3 ^^C♯, v3D♭ v3C♯, ^4D♭
132 1107.7 55/29 ^3C♯, vvD♭ vvC♯, ^5D♭
133 1116.1 40/21 ^4C♯, vD♭ vC♯, ^6D♭
134 1124.5 44/23 v4C𝄪, D♭ C♯, ^7D♭
135 1132.9 25/13 v3C𝄪, ^D♭ ^C♯, v8D
136 1141.3 29/15 vvC𝄪, ^^D♭ ^^C♯, v7D
137 1149.7 33/17 vC𝄪, ^3D♭ ^3C♯, v6D
138 1158 41/21 C𝄪, ^4D♭ ^4C♯, v5D
139 1166.4 ^C𝄪, v4D ^5C♯, v4D
140 1174.8 ^^C𝄪, v3D ^6C♯, v3D
141 1183.2 ^3C𝄪, vvD ^7C♯, vvD
142 1191.6 ^4C𝄪, vD ^8C♯, vD
143 1200 2/1 D D