Lumatone mapping for 46edo: Difference between revisions
3l 2s sensi mapping fails to cover whole gamut and also makes octaves less horizontal than the 3l 5s one. |
→Diatonic: Add demo video; put description above mapping to match most other Lumatone mapping sections |
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{{Lumatone mapping intro}} | |||
== Diatonic == | |||
Unfortunately the [[Leapday]] diatonic scale makes basic 5-limit minor and major intervals complex, and with this mapping they are awkward to play. (For example, reaching 5/4 using only sharps and flats would require a triply-augmented unison, such as C–C𝄪♯ or C to C triple sharp). Despite this, [[Bryan Deister]] has used this mapping in [https://www.youtube.com/shorts/fxEWnqvZtjY ''Memory Image - Claude Larson (microtonal cover in 46edo)''] (2025). | |||
{{Lumatone EDO mapping|n=46|start=4|xstep=8|ystep=-5}} | {{Lumatone EDO mapping|n=46|start=4|xstep=8|ystep=-5}} | ||
== Rodan == | |||
The [[Rodan]] mapping has a slightly wider range and is probably more intuitive, but has the disadvantage of skipping a chroma on some of the transitions between columns, making it impossible to play the full gamut of each octave, and each octave is substantially higher up on the keyboard. | |||
{{Lumatone EDO mapping|n=46|start=18|xstep=9|ystep=-1}} | {{Lumatone EDO mapping|n=46|start=18|xstep=9|ystep=-1}} | ||
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{{Lumatone EDO mapping|n=46|start=21|xstep=9|ystep=-8}} | {{Lumatone EDO mapping|n=46|start=21|xstep=9|ystep=-8}} | ||
== Sensi == | |||
The [[Lumatone mapping for sensi]] is another option that makes 5-limit chords fairly easy to play, although it has a slightly smaller range (just under 4⅛ octaves, with the octaves sloping downwards gently). | |||
{{Lumatone EDO mapping|n=46|start=25|xstep=5|ystep=2}} | |||
== Bison (Porwell + Sensi) == | |||
{{Lumatone EDO mapping|n=46|start= | Related to Sensi, [[Bryan Deister]] has demonstrated a [[6L 2s]] (6:5 step ratio) [[Sensipent_family#Bison|Bison]] mapping for [[46edo]] in [https://www.youtube.com/shorts/K-Gu_YkjYS4 ''46edo improv''] (2025), with Bison being the intersection of [[Porwell temperaments|Porwell]] with [[Sensi]]. The (rightward) generator for this is 6\46, which is a near-just septimal neutral second ~[[35/32]], and two of them yield a near-just (barely flat) classic major third ~[[6/5]] (the Porwell comma [[6144/6125]] is tempered out). The range is just over 4⅓ octaves with no missing notes (slightly more than for the Sensi mapping above) and some repeats to mitigate vertical wraparounds, and the octaves are almost level (with a slight upward slope). Also, the chroma goes up instead of down, which may be appealing for some users. | ||
{{Lumatone EDO mapping|n=46|start=38|xstep=6|ystep=-1}} | |||
The [[Amity]] | == Amity == | ||
The [[Lumatone mapping for Amity]] is a good compromise between the Rodan and Sensi mappings above, since it provides an even heptatonic scale ([[4L 3s]] with a 7:6 step ratio), making the full gamut playable, puts 5-limit minor and major chords within easy reach, and has the chroma going in the correct direction. [[ Bryan Deister]] demonstrates this in [https://www.youtube.com/shorts/IWYJPyWE_Ao ''46edo waltz''] (2025). | |||
{{Lumatone EDO mapping|n=46|start=41|xstep=7|ystep=-1}} | {{Lumatone EDO mapping|n=46|start=41|xstep=7|ystep=-1}} | ||
== Echidnic == | |||
The [[Echidnic]] mapping does even better, giving the greatest overall efficiency at reaching harmonics while also keeping octaves close to horizontal. | The [[Echidnic]] mapping does even better than Amity, giving the greatest overall efficiency at reaching harmonics while also keeping octaves close to horizontal. | ||
{{Lumatone EDO mapping|n=46|start=44|xstep=9|ystep=-4}} | {{Lumatone EDO mapping|n=46|start=44|xstep=9|ystep=-4}} | ||
{{Navbox Lumatone}} | {{Navbox Lumatone}} | ||