There are many conceivable ways to map 46edo onto the Lumatone keyboard. Only one, however, agrees with the Standard Lumatone mapping for Pythagorean.
4
12
7
15
23
31
39
2
10
18
26
34
42
4
12
5
13
21
29
37
45
7
15
23
31
39
0
8
16
24
32
40
2
10
18
26
34
42
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12
3
11
19
27
35
43
5
13
21
29
37
45
7
15
23
31
39
44
6
14
22
30
38
0
8
16
24
32
40
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10
18
26
34
42
4
12
1
9
17
25
33
41
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11
19
27
35
43
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13
21
29
37
45
7
15
23
31
39
42
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12
20
28
36
44
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14
22
30
38
0
8
16
24
32
40
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10
18
26
34
42
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12
7
15
23
31
39
1
9
17
25
33
41
3
11
19
27
35
43
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13
21
29
37
45
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15
23
31
39
26
34
42
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12
20
28
36
44
6
14
22
30
38
0
8
16
24
32
40
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10
18
26
34
42
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15
23
31
39
1
9
17
25
33
41
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11
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35
43
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13
21
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34
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20
28
36
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14
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8
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32
40
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15
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31
39
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9
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11
19
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12
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28
36
44
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14
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30
38
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15
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39
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9
17
25
33
41
26
34
42
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12
20
28
36
7
15
23
31
39
26
34
Unfortunately the Leapday diatonic scale is not meantone, and makes basic 5-limit minor and major interval quite complex and often awkward to play. (For example, reaching 5/4 using only sharps and flats would require a triply-augmented unison, such as C–C𝄪♯ or C to C triple sharp). The Rodan mapping has a slightly wider range and is probably more intuitive, but has the disadvantage of skipping a chroma on some of the transitions between columns, making it impossible to play the full gamut of each octave, and each octave is substantially higher up on the keyboard.
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33
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42
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12
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11
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12
21
30
39
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11
20
29
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1
10
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37
0
39
2
11
20
29
38
1
10
19
28
37
0
9
18
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45
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17
26
1
10
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28
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9
18
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34
43
6
15
0
9
18
27
36
45
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11
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32
41
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13
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31
40
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12
21
30
39
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11
20
29
38
1
10
19
28
37
0
12
21
30
39
2
11
20
29
38
1
10
19
28
37
0
9
18
27
36
45
1
10
19
28
37
0
9
18
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45
8
17
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7
27
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42
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32
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31
40
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21
11
20
The expanded mapping fixes this, but now the chroma goes diagonally down, requiring an adjustment of playing style when doing chromatic runs.
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32
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17
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0
9
18
27
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45
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17
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35
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33
1
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37
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9
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10
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9
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34
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30
39
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20
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9
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45
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10
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9
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17
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31
40
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12
21
30
39
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11
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10
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9
18
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11
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10
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12
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11
24
33
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14
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6
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25
34
43
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33
42
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16
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35
The Amity mapping is a good compromise between them, since it provides an even heptatonic scale, making the full gamut playable, puts 5-limit minor and major chords within easy reach, and has the chroma going in the correct direction.
41
2
1
8
15
22
29
0
7
14
21
28
35
42
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6
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30
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12
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33
40
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8
15
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43
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11
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25
32
39
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7
14
21
28
35
42
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10
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31
10
17
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31
38
45
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13
20
27
34
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9
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37
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12
19
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33
40
1
8
15
22
29
36
43
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11
18
25
32
15
22
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36
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11
18
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32
39
0
7
14
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28
35
42
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10
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31
38
45
6
28
35
42
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10
17
24
31
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13
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34
41
2
9
16
23
30
37
44
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12
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33
2
9
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37
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19
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40
1
8
15
22
29
36
43
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11
18
25
32
39
29
36
43
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11
18
25
32
39
0
7
14
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28
35
42
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10
17
24
31
38
45
3
10
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31
38
45
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13
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27
34
41
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9
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30
37
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37
44
5
12
19
26
33
40
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8
15
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36
43
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4
11
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25
32
39
0
7
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35
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31
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45
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34
41
2
9
5
12
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26
33
40
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8
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39
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7
14
6
13
The Echidnic mapping does even better, giving the greatest overall efficiency at reaching harmonics while also keeping octaves close to horizontal.
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7
3
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30
39
45
8
17
26
35
44
7
16
4
13
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31
40
3
12
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39
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0
9
18
27
36
45
8
17
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16
25
5
14
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32
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13
22
31
40
3
12
21
30
39
2
11
1
10
19
28
37
0
9
18
27
36
45
8
17
26
35
44
7
16
25
34
6
15
24
33
42
5
14
23
32
41
4
13
22
31
40
3
12
21
30
39
2
11
20
2
11
20
29
38
1
10
19
28
37
0
9
18
27
36
45
8
17
26
35
44
7
16
25
34
43
16
25
34
43
6
15
24
33
42
5
14
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32
41
4
13
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31
40
3
12
21
30
39
2
11
20
29
39
2
11
20
29
38
1
10
19
28
37
0
9
18
27
36
45
8
17
26
35
44
7
16
25
34
25
34
43
6
15
24
33
42
5
14
23
32
41
4
13
22
31
40
3
12
21
30
39
2
11
20
29
38
1
10
19
28
37
0
9
18
27
36
45
8
17
26
35
34
43
6
15
24
33
42
5
14
23
32
41
4
13
22
31
40
11
20
29
38
1
10
19
28
37
0
9
18
27
36
43
6
15
24
33
42
5
14
23
32
41
20
29
38
1
10
19
28
37
6
15
24
33
42
29
38