User:Lucius Chiaraviglio/Keyboard Layout Lab/Various rank-3 temperament Lumatone mappings
Due to the Lumatone wizardry of Bryan Deister, including at the larger EDO sizes, rank-3 temperament lumatone mappings are going here to avoid having other Keyboard Layout Lab pages getting too many Lumatone mappings (which causes the dreaded "template include too large" error).
Moved here from Keyboard Layout Lab: Lucius Chiaraviglio (talk) 05:52, 21 June 2025 (UTC)
Cantonismic-Werckismic rank-3 temperament Lumatone mappings
74edo (demonstrated to work but awaiting approval)
Bryan Deister has demonstrated the 7L 6s mapping of 74edo in microtonal improvisation in 74edo (2025). The rightward generator (8\74) functions as ~14/13; three of them make a classic major third ~5/4 (the cantonisma 10985/10976 is tempered out); five of them make an essentially-just undecimal subfifth ~16/11; and eight of them make a highly accurate undecimal supraminor seventh ~20/11. The upward generator (5\74) functions as ~21/20 and ~22/21 (the Werckisma (441/440 is tempered out); two of these make ~11/10; five of these make ~24/19 (which is distinguished from ~5/4); and eight of these make ~16/11. The range is about just over 3 octaves with no missing notes, and the octaves slope downward moderately, resulting in a vertical wraparound.

Added: Lucius Chiaraviglio (talk) 22:02, 12 June 2025 (UTC) Last Modified: Lucius Chiaraviglio (talk) 22:17, 12 June 2025 (UTC)
96edo (demonstrated to work)
Bryan Deister has demonstrated a mapping for 96edo in which the rightward generator is 8\96 (~18/17) as in 12edo, while the upward generator is 7\96 (~20/19), in microtonal improvisation in 96edo (2025). The range is just over two octaves, with octaves sloping away and then wrapping around; on the other hand, it is easy to play eight 12edo subsets of 96edo that are displaced slightly from each other, as if one had eight pianos (even if of rather short compass) somehow all in reach at once. (Here, note 0 is in the middle of the left edge instead of Bryan Deister's usual lower left corner, to avoid skipping some of the bottom notes in the lowest note 0 to note 0 octave.) Although not shown in the video, this mapping also enables easy glissandos diagonally up-left or down-right.

Added: Lucius Chiaraviglio (talk) 07:40, 24 May 2025 (UTC)
Last modified: Lucius Chiaraviglio (talk) 06:33, 26 May 2025 (UTC)
74edo (proposed and untested)
An alternate 9L 4s mapping of 74edo is worthy of consideration. The rightward generator (6\74) functions as ~17/16 and ~18/17 (the semitonisma 289/288 is tempered out); two of them make a meantone whole tone (which functions as ~10/9, ~9/8, and ~19/17 — the syntonic comma 81/80, the ganassisma 153/152, and the malcolmisma 171/170 are all tempered out); three of them make the neogothic minor third ~13/11; four of them make the classic major third ~5/4; and six of them make the lesser septimal tritone ~7/5. The down-right generator (5\74) functions as ~21/20 and ~22/21 (the Werckisma (441/440 is tempered out); two of these make ~11/10; five of these make ~24/19 (which is distinguished from ~5/4); and eight of these make ~16/11. The stacking of two or four instances of ~3/2 (43\74) and octave-reducing also yields the same results as two or four instances (respectively) of the rightward generator, making this a meantone mapping as expected for the patent val of 74edo; yet the usefulness of the down-right generator for reaching higher-limit intervals is undeniable, making this a mapping for a Meantone-related rank-3 temperament in the 19-limit that is different from Didymus. The range is about 2⅔ octaves with no missing notes, less than Bryan Deister's Cantonismic-Werckismic detailed above, but the octaves slope downward only very gently, and include a few more duplicate notes which partially alleviate vertical wraparounds (in addition to the useful temperament properties detailed above).

Added: Lucius Chiaraviglio (talk) 07:00, 12 June 2025 (UTC)
Last modified: Lucius Chiaraviglio (talk) 22:17, 12 June 2025 (UTC)