75edo: Difference between revisions
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'''75edo''' | The '''75 equal divisions of the octave''' ('''75edo'''), or the '''75-tone equal temperament''' ('''75tet'''), '''75 equal temperament''' ('''75et''') when viewed from a [[regular temperament]] perspective, divides the [[octave]] into 75 [[equal]] parts of exactly 16 [[cent]]s each. | ||
== Theory == | |||
In the 5-limit, 75et tempers out 20000/19683 ([[tetracot comma]]) and 2109375/2097152 ([[semicomma]]), and provides a good tuning for the [[tetracot]] temperament. In the 7-limit, it tenpers [[225/224]] and [[1728/1715]]. In the 11-limit, 75e val scores lower in [[badness]] than the [[patent val]], tempers [[100/99]] and [[243/242]], whereas the patent val tempers [[99/98]] and [[121/120]]. In the 13-limit, it tempers [[325/324]] and [[512/507]], 17-limit [[120/119]] and [[256/255]] and 19-limit 190/189 and 250/247. | |||
Since | It provides the optimal patent val for the [[M&N_temperaments|12&51 temperament]] in the 7-limit and the [[M&N_temperaments|31&44 temperament]] in the 19-limit. | ||
Since 75 is part of the Fibonacci sequence beginning with 5 and 12, it closely approximates peppermint temperament. The size of its fifth is exactly 704c, which is very close to the peppermint fifth of 704.096c. This makes it suitable for neo-Gothic tunings. | |||
=== Prime harmonics === | |||
{{Harmonics in equal|75}} | |||
== Intervals == | == Intervals == | ||
{| class="wikitable center-all right-2" | |||
{| class="wikitable" | |||
|- | |- | ||
! '''#''' | |||
! '''Cents''' | |||
|- | |- | ||
| 0 | | 0 | ||
|0 | |0 | ||
|- | |- | ||
| 1 | |||
| 16 | |||
|- | |- | ||
| 2 | |||
| 32 | |||
|- | |- | ||
| 3 | |||
| 48 | |||
|- | |- | ||
| 4 | |||
| 64 | |||
|- | |- | ||
| 5 | |||
| 80 | |||
|- | |- | ||
| 6 | |||
| 96 | |||
|- | |- | ||
| 7 | |||
| 112 | |||
|- | |- | ||
| 8 | |||
| 128 | |||
|- | |- | ||
| 9 | |||
| 144 | |||
|- | |- | ||
| 10 | |||
| 160 | |||
|- | |- | ||
| 11 | |||
| 176 | |||
|- | |- | ||
| 12 | |||
| 192 | |||
|- | |- | ||
| 13 | |||
| 208 | |||
|- | |- | ||
| 14 | |||
| 224 | |||
|- | |- | ||
| 15 | |||
| 240 | |||
|- | |- | ||
| 16 | |||
| 256 | |||
|- | |- | ||
| 17 | |||
| 272 | |||
|- | |- | ||
| 18 | |||
| 288 | |||
|- | |- | ||
| 19 | |||
| 304 | |||
|- | |- | ||
| 20 | |||
| 320 | |||
|- | |- | ||
| 21 | |||
| 336 | |||
|- | |- | ||
| 22 | |||
| 352 | |||
|- | |- | ||
| 23 | |||
| 368 | |||
|- | |- | ||
| 24 | |||
| 384 | |||
|- | |- | ||
| 25 | |||
| 400 | |||
|- | |- | ||
| 26 | |||
| 416 | |||
|- | |- | ||
| 27 | |||
| 432 | |||
|- | |- | ||
| 28 | |||
| 448 | |||
|- | |- | ||
| 29 | |||
| 464 | |||
|- | |- | ||
| 30 | |||
| 480 | |||
|- | |- | ||
| 31 | |||
| 496 | |||
|- | |- | ||
| 32 | |||
| 512 | |||
|- | |- | ||
| 33 | |||
| 528 | |||
|- | |- | ||
| 34 | |||
| 544 | |||
|- | |- | ||
| 35 | |||
| 560 | |||
|- | |- | ||
| 36 | |||
| 576 | |||
|- | |- | ||
| 37 | |||
| 592 | |||
|- | |- | ||
| 38 | |||
| 608 | |||
|- | |- | ||
| 39 | |||
| 624 | |||
|- | |- | ||
| 40 | |||
| 640 | |||
|- | |- | ||
| 41 | |||
| 656 | |||
|- | |- | ||
| 42 | |||
| 672 | |||
|- | |- | ||
| 43 | |||
| 688 | |||
|- | |- | ||
| 44 | |||
| 704 | |||
|- | |- | ||
| 45 | |||
| 720 | |||
|- | |- | ||
| 46 | |||
| 736 | |||
|- | |- | ||
| 47 | |||
| 752 | |||
|- | |- | ||
| 48 | |||
| 768 | |||
|- | |- | ||
| 49 | |||
| 784 | |||
|- | |- | ||
| 50 | |||
| 800 | |||
|- | |- | ||
| 51 | |||
| 816 | |||
|- | |- | ||
| 52 | |||
| 832 | |||
|- | |- | ||
| 53 | |||
| 848 | |||
|- | |- | ||
| 54 | |||
| 864 | |||
|- | |- | ||
| 55 | |||
| 880 | |||
|- | |- | ||
| 56 | |||
| 896 | |||
|- | |- | ||
| 57 | |||
| 912 | |||
|- | |- | ||
| 58 | |||
| 928 | |||
|- | |- | ||
| 59 | |||
| 944 | |||
|- | |- | ||
| 60 | |||
| 960 | |||
|- | |- | ||
| 61 | |||
| 976 | |||
|- | |- | ||
| 62 | |||
| 992 | |||
|- | |- | ||
| 63 | |||
| 1008 | |||
|- | |- | ||
| 64 | |||
| 1024 | |||
|- | |- | ||
| 65 | |||
| 1040 | |||
|- | |- | ||
| 66 | |||
| 1056 | |||
|- | |- | ||
| 67 | |||
| 1072 | |||
|- | |- | ||
| 68 | |||
| 1088 | |||
|- | |- | ||
| 69 | |||
| 1104 | |||
|- | |- | ||
| 70 | |||
| 1120 | |||
|- | |- | ||
| 71 | |||
| 1136 | |||
|- | |- | ||
| 72 | |||
| 1152 | |||
|- | |- | ||
| 73 | |||
| 1168 | |||
|- | |- | ||
| 74 | |||
| 1184 | |||
|- | |- | ||
|75 | | 75 | ||
|1200 | | 1200 | ||
|} | |} | ||
[[Category:Equal divisions of the octave]] | |||