243/224: Difference between revisions
Add interpretation as a comma |
+FJS name. Expansion on septimal inflections |
||
| Line 5: | Line 5: | ||
| Name = septimal subtone | | Name = septimal subtone | ||
| Color name = | | Color name = | ||
| FJS name = | | FJS name = A1<sub>7</sub> | ||
| Sound = jid_243_224_pluck_adu_dr220.mp3 | | Sound = jid_243_224_pluck_adu_dr220.mp3 | ||
}} | }} | ||
'''243/224''', the '''septimal subtone''', is [[64/63]] sharp of [[2187/2048]]. In the 13-limit, it is 729/728 (2.4{{cent}}) sharp of [[13/12]]. [[17edo|2\17]] is a good approximation to it. It is also a [[large comma]] equating five fifths ([[3/2]]) with the 7th [[harmonic]]. | |||
'''243/224''', the '''septimal subtone''', is 729/728 (2.4{{cent}}) sharp of [[13/12]] | |||
== See also == | == See also == | ||
| Line 17: | Line 16: | ||
[[Category:Second]] | [[Category:Second]] | ||
[[Category:Neutral second]] | [[Category:Neutral second]] | ||
[[Category:Semitone]] | |||
[[Category:Chroma]] | |||
[[Category:Large commas]] | [[Category:Large commas]] | ||
{{todo|expand|add color name}} | {{todo|expand|add color name}} | ||