Pinetone: Difference between revisions
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Are you interested in microtonal music with wild and wacky harmonies but want some familiarity to guide you? Heard about this Porcupine thing but not sure how to get 12 notes of it? Wish you had something like Porcupine but more accurate or with more interesting scales? Introducing The Porcutone System. The scales you know and love, with a new-age quirky spin. The perfect mix of consonant and dissonant harmonies, familiar and newfangled. Try it on your keyboard straight away (if you can return your keyboard using scale files, grab [[Porcutone chromatic (sharps)|this one]]! Copy the text into notepad and save as a .scl file). | Are you interested in microtonal music with wild and wacky harmonies but want some familiarity to guide you? Heard about this Porcupine thing but not sure how to get 12 notes of it? Wish you had something like Porcupine but more accurate or with more interesting scales? Introducing The Porcutone System. The scales you know and love, with a new-age quirky spin. The perfect mix of consonant and dissonant harmonies, familiar and newfangled. Try it on your keyboard straight away (if you can return your keyboard using scale files, grab [[Porcutone chromatic (sharps)|this one]]! Copy the text into notepad and save as a .scl file). | ||
The porcutone system combines [[Porcupine]] – arguably the best way to add the 11th harmonic to major and minor harmonies in a seven-note scale – with with [[Meantone]] – the system underpinning most common practice music from the last several hundred years, so all the same scales (diatonic, harmonic minor, pentatonic, chromatic, etc.) are still available, just with a new Porcupine spin, and the 11th harmonic! | The porcutone system combines [[Porcupine]] – arguably the best way to add the 11th harmonic to major and minor harmonies in a seven-note scale – with with [[Meantone]] – the system underpinning most common practice music from the last several hundred years, so all the same scales (diatonic, harmonic minor, pentatonic, chromatic, etc.) are still available, just with a new Porcupine spin, and the 11th harmonic (and 13th harmonic as well!) | ||
While there aren't as many consonant major and minor triads as we are used to, they are more consonant in Porcutone. | While there aren't as many consonant major and minor triads as we are used to, they are more consonant in Porcutone. | ||
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If you have a [[Lumatone]], you can use the standard Bosanquet mapping for 12edo. The white keys are the porcutone diatonic, a cross between the meantone diatonic scale and Porcupine[7], and then black keys give the porcutone pentatonic, which approximates the just intonation pentatonic scale 9/8 5/4 3/2 5/3 2/1. I've chosen to colour the G♯/A♭ key pink, and the other chromatic keys blue, because I'm a proud trans woman and a big nerd. You can use any colours, but I find it helps to colour the G♯/A♭ key a different colour since that's the one chromatic key used along with the diatonic keys to make the porcutone octatonic. | If you have a [[Lumatone]], you can use the standard Bosanquet mapping for 12edo. The white keys are the porcutone diatonic, a cross between the meantone diatonic scale and Porcupine[7], and then black keys give the porcutone pentatonic, which approximates the just intonation pentatonic scale 9/8 5/4 3/2 5/3 2/1. I've chosen to colour the G♯/A♭ key pink, and the other chromatic keys blue, because I'm a proud trans woman and a big nerd. You can use any colours, but I find it helps to colour the G♯/A♭ key a different colour since that's the one chromatic key used along with the diatonic keys to make the porcutone octatonic. | ||
If you don't have a [[Lumatone]], no worries, you can set it up just fine on any keyboard! | |||
== The porcutone diatonic == | == The porcutone diatonic == | ||
The diatonic scale has a step signature of [[5L 2s]], meaning it has 5 large steps and 2 small step arranged in the step pattern LsLLLsL ( | The diatonic scale has a step signature of [[5L 2s]], meaning it has 5 large steps and 2 small step arranged in the step pattern LsLLLsL (represented in mode 0, Dorian mode). In Meantone[7], the large step represents both 9/8 and 10/9, the major and minor tones (''tempering out'' the [[81/80]] interval that separates them) hence the name "Meantone". The small step represents 16/15 and 27/25 (which differ again by [[81/80]]). We write this as [[5L 2s]] = (9/8~10/9, 16/15~27/25). Porcupine[7] instead has step step signature and step mapping [[1L 6s]] = (~9/8, 10/9~27/25), hence the difference between 10/9 and 27/25, [[250/243]], is tempered out. In mode 0 it has step pattern sssLsss. [[81/80]] is called the Meantone comma, and [[250/243]] is called the Porcupine comma. | ||
We are familiar with the Zarlino/Ptolemy just major scale: 9/8 5/4 4/3 3/2 5/3 15/8 2/1. This scale has 3 large steps of 9/8, 2 medium steps of 10/9, and 2 small steps of 16/15, with step pattern LMsLMLs. If we temper out the difference between L and M, we get LLsLLLs, the mode 2 of Meantone[7], the familiar Ionian/major mode. | We are familiar with the Zarlino/Ptolemy just major scale: 9/8 5/4 4/3 3/2 5/3 15/8 2/1. This scale has 3 large steps of 9/8, 2 medium steps of 10/9, and 2 small steps of 16/15, with step pattern LMsLMLs. If we temper out the difference between L and M, we get LLsLLLs, the mode 2 of Meantone[7], the familiar Ionian/major mode. | ||