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The large septimal or slendro diesis, 49/48 (35.6968 [[cent | {{Infobox Interval | ||
| Icon = | |||
| Ratio = 49/48 | |||
| Monzo = -4 -1 0 2 | |||
| Cents = 35.69681 | |||
| Name = large septimal diesis <br> slendro diesis | |||
| Color name = zz2, zozo comma | |||
| Sound = Ji-{{#regex:{{PAGENAME}}|/(\S+)\/(\S+)/|\1-\2}}-csound-foscil-220hz.mp3 | |||
}} | |||
The '''large septimal diesis''' (or '''slendro diesis'''), '''49/48''' (35.6968 [[cent]]s), is a [[superparticular]] ratio spanning the small distance between a subminor third ([[7/6]]) and a supermajor second ([[8/7]]) or between the supermajor sixth ([[12/7]]) and the harmonic seventh ([[7/4]]). It is [[tempered out]] in [[15edo]] and [[19edo]], where the two intervals are equated, and the fourth is split in a perfect half. It cannot be tempered out if all of the consonances of the 7-limit are distinct, but it can be equated with other commas; for example (49/48)/([[81/80]]) = [[245/243]], (49/48)/([[64/63]]) = 1029/1024, (49/48)/(3125/3072) = 3136/3125, (49/48)/([[50/49]]) = 2401/2400, (128/125)/(49/48) = 6144/6125, ([[36/35]])/(49/48) = 1728/1715. | |||
[ | In classical Western music, this interval is not known as a [[comma]] as it is not tempered out in [[12edo]]. | ||
[[Category: | == See also == | ||
[[Category: | |||
* [[Medium comma]] | |||
* [[Gallery of just intervals]] | |||
* [https://en.wikipedia.org/wiki/Septimal_diesis Septimal diesis - Wikipedia] | |||
[[Category:7-limit]] | |||
[[Category:Septimal]] | |||
[[Category:Interval ratio]] | |||
[[Category:Medium comma]] | |||
[[Category:Superparticular]] | |||
[[Category:Listen]] | |||
Revision as of 11:47, 13 September 2020
| Interval information |
slendro diesis
reduced
[[:File:Ji-{{#regex:49/48|/(\S+)\/(\S+)/|\1-\2}}-csound-foscil-220hz.mp3|[sound info]]]
The large septimal diesis (or slendro diesis), 49/48 (35.6968 cents), is a superparticular ratio spanning the small distance between a subminor third (7/6) and a supermajor second (8/7) or between the supermajor sixth (12/7) and the harmonic seventh (7/4). It is tempered out in 15edo and 19edo, where the two intervals are equated, and the fourth is split in a perfect half. It cannot be tempered out if all of the consonances of the 7-limit are distinct, but it can be equated with other commas; for example (49/48)/(81/80) = 245/243, (49/48)/(64/63) = 1029/1024, (49/48)/(3125/3072) = 3136/3125, (49/48)/(50/49) = 2401/2400, (128/125)/(49/48) = 6144/6125, (36/35)/(49/48) = 1728/1715.
In classical Western music, this interval is not known as a comma as it is not tempered out in 12edo.