55edo: Difference between revisions

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~~=<span style="color: #008523; font-family: 'Times New Roman',Times,serif; font-size: 113%;">55 tone equal temperament</span>=~~

'''''55edo''''' divides the octave into 55 parts of 21.818 cents. It can be used for a meantone tuning, and is close to [[1-6_Syntonic_Comma_Meantone|1/6 comma meantone]] (and is almost exactly 10/57 comma meantone.) [http://en.wikipedia.org/wiki/Georg_Philipp_Telemann Telemann] suggested it as a theoretical basis for analyzing the intervals of meantone, in which he was followed by [http://en.wikipedia.org/wiki/Leopold_Mozart Leopold] and [http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Wolfgang Mozart]. It can also be used for [[Meantone_family|mohajira and liese]] temperaments.

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==Intervals==

~~<span style="font-family: 'Consolas';">~~

{| class="wikitable"

|-

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| | 55

| | 1200.000

|}~~</span>~~

|}

==Selected just intervals by error==

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[http://www.seraph.it/dep/int/AdagioKV540.mp3 Mozart - Adagio in B minor KV 540] by [[Carlo_Serafini|Carlo Serafini]] ([http://www.seraph.it/blog_files/706c4662272db7703def4d57edfcb955-119.html blog entry])

[http://tonalsoft.com/monzo/55edo/55edo.aspx "Mozart's tuning: 55edo"] (containing another listening example) in the [[tonalsoft_encyclopedia|tonalsoft encyclopedia]] [[Category:55edo]]

[http://tonalsoft.com/monzo/55edo/55edo.aspx "Mozart's tuning: 55edo"] (containing another listening example) in the [[tonalsoft_encyclopedia|tonalsoft encyclopedia]]

[[Category:55edo]]

[[Category:edo]]

[[Category:intervals]]

[[Category:meantone]]

[[Category:theory]]

~~[[Category:todo:unify_precision]]~~

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-=<span style="color: #008523; font-family: 'Times New Roman',Times,serif; font-size: 113%;">55 tone equal temperament</span>=
 '''''55edo''''' divides the octave into 55 parts of 21.818 cents. It can be used for a meantone tuning, and is close to [[1-6_Syntonic_Comma_Meantone|1/6 comma meantone]] (and is almost exactly 10/57 comma meantone.) [http://en.wikipedia.org/wiki/Georg_Philipp_Telemann Telemann] suggested it as a theoretical basis for analyzing the intervals of meantone, in which he was followed by [http://en.wikipedia.org/wiki/Leopold_Mozart Leopold] and [http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Wolfgang Mozart]. It can also be used for [[Meantone_family|mohajira and liese]] temperaments.
@@ Line 13: / Line 11: @@
 ==Intervals==
-<span style="font-family: 'Consolas';">
 {| class="wikitable"
 |-
@@ Line 197: / Line 194: @@
 | | 55
 | | 1200.000
-|}</span>
+|}
 ==Selected just intervals by error==
@@ Line 282: / Line 279: @@
 [http://www.seraph.it/dep/int/AdagioKV540.mp3 Mozart - Adagio in B minor KV 540] by [[Carlo_Serafini|Carlo Serafini]] ([http://www.seraph.it/blog_files/706c4662272db7703def4d57edfcb955-119.html blog entry])
-[http://tonalsoft.com/monzo/55edo/55edo.aspx "Mozart's tuning: 55edo"] (containing another listening example) in the [[tonalsoft_encyclopedia|tonalsoft encyclopedia]]      [[Category:55edo]]
+[http://tonalsoft.com/monzo/55edo/55edo.aspx "Mozart's tuning: 55edo"] (containing another listening example) in the [[tonalsoft_encyclopedia|tonalsoft encyclopedia]]
+[[Category:55edo]]
 [[Category:edo]]
 [[Category:intervals]]
 [[Category:meantone]]
 [[Category:theory]]
-[[Category:todo:unify_precision]]