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| <h2>IMPORTED REVISION FROM WIKISPACES</h2> | | '''<span style="font-size: 130%;">A word about scores</span>''' |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-03-03 19:50:08 UTC</tt>.<br>
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| : The original revision id was <tt>608074389</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**<span style="font-size: 130%;">A word about scores</span>**
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| When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of microtonal notation, such as [[Sagittal notation#Scores%20in%20Sagittal%20notation]], [[Staff notation|color notation]] and [[Ups and Downs Notation|ups and downs notation]].
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| [[toc|flat]] | | When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of microtonal notation, such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[Staff_notation|color notation]] and [[Ups_and_Downs_Notation|ups and downs notation]]. |
| ---- | | __FORCETOC__ |
| =Historically significant microtonal scores= | | ----- |
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| | =Historically significant microtonal scores= |
| Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it. | | Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it. |
| * Charles Ives's Three Quarter Tone Pieces (1913-1924)
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| * Harry Partch
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| * Ben Johnston, esp. string quartets
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| * Alois Hába, esp. string quartets
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| * Easley Blackwood, esp. Twelve Microtonal Etudes for Electronic Music Media, op. 28
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| * publishings of [[http://diapason.xentonic.org/|Diapason Press]]
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| * this list is so obviously incomplete that you should help finish it.
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| =Links to Microtonal Scores, by Composer= | | <ul><li>Charles Ives's Three Quarter Tone Pieces (1913-1924)</li><li>Harry Partch</li><li>Ben Johnston, esp. string quartets</li><li>Alois Hába, esp. string quartets</li><li>Easley Blackwood, esp. Twelve Microtonal Etudes for Electronic Music Media, op. 28</li><li>publishings of [http://diapason.xentonic.org/ Diapason Press]</li><li>this list is so obviously incomplete that you should help finish it.</li></ul> |
| | |
| | =Links to Microtonal Scores, by Composer= |
| Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for "notable" compositions; the wiki supports file attachments up to 10 MB each. | | Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for "notable" compositions; the wiki supports file attachments up to 10 MB each. |
| ===Jacob Barton=== | | |
| * De-quinin' for two Bb clarinets (one tuned 33¢ flat)
| | ===Jacob Barton=== |
| * Moods for 3 keyboards
| | <ul><li>De-quinin' for two Bb clarinets (one tuned 33¢ flat)</li><li>Moods for 3 keyboards</li><li>Kluh for 11 performers on 21 tuned bottles</li><li>[[Eighty-one_ninth_chords|Eighty-one ninth chords]] for 2 pianos, [[17edo|17edo]]</li><li>[[land_urchin|Land Urchin]] for string band in 11-limit just intonation</li></ul> |
| * Kluh for 11 performers on 21 tuned bottles
| | ===David Canright=== |
| * [[Eighty-one ninth chords]] for 2 pianos, [[17edo]]
| | <ul><li>[http://home.comcast.net/~dcanright/suite/index.htm Fibonacci Suite] (piano retuned to 7-limit JI, seven hands)</li></ul> |
| * [[Land Urchin]] for string band in 11-limit just intonation
| | ===[http://www.williamcopper.com William Copper]=== |
| ===David Canright=== | | <ul><li>[http://www.hartenshield.com/0400_romance.pdf Romance for Violin and Orchestra]</li><li>[http://www.hartenshield.com/0499_holyday_overture.pdf Holy Day Overture]</li></ul> |
| * [[http://home.comcast.net/~dcanright/suite/index.htm|Fibonacci Suite]] (piano retuned to 7-limit JI, seven hands)
| | ===[[Ivor_Darreg|Ivor Darreg]]=== |
| ===[[@http://www.williamcopper.com|William Copper]]=== | | <ul><li>[[:File:Ivor_Darreg,_Suite.pdf|On the Enharmonic Tetrachord (from Suite, Op. 62)]], in[[22edo| 22tET]]. Originally printed in the Spring 1975 issue of Xenharmonikon in quarter-tone notation. Transcribed to Sagittal by Juhani Nuorvala.</li></ul> |
| * [[@http://www.hartenshield.com/0400_romance.pdf|Romance for Violin and Orchestra]]
| | ===[[Paul_Erlich|Paul Erlich]]=== |
| * [[@http://www.hartenshield.com/0499_holyday_overture.pdf|Holy Day Overture]]
| | <ul><li>Tibia in[[22edo| 22tET]] (<span style="">[http://music.columbia.edu/%7Echris/sounds/TIBIA.mp3 Listen]</span>). Sagittal score [[:File:TIBIA.pdf|in F||\]] or [[:File:tibia_in_g.pdf|in G]]</li></ul> |
| ===[[Ivor Darreg]]=== | | ===[http://kylegann.com/Gannmusic.html Kyle Gann]=== |
| * [[file:Ivor Darreg, Suite.pdf|On the Enharmonic Tetrachord (from Suite, Op. 62)]], in[[xenharmonic/22edo| 22tET]]. Originally printed in the Spring 1975 issue of Xenharmonikon in quarter-tone notation. Transcribed to Sagittal by Juhani Nuorvala.
| | <ul><li>The Day Revisited for flute, clarinet, electric bass, 2 keyboards</li><li>Charing Cross for keyboard and tape</li><li>New Aunts for keyboard</li><li>Triskaidekaphonia for keyboard</li><li>Fugitive Objects for keyboard</li><li>Custer and Sitting Bull, "electronic cantata"</li><li>[http://www.kylegann.com/LoveScene.pdf Love Scene] for string quartet. Gann creates tuning guides for many of his pieces, list at the bottom of [http://www.kylegann.com/tuning.html this page].</li></ul> |
| ===[[Paul Erlich]]=== | | ==='''[http://roberthasegawa.com/ Robert Hasegawa]'''=== |
| * Tibia in[[xenharmonic/22edo| 22tET]] (<span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">[[http://music.columbia.edu/%7Echris/sounds/TIBIA.mp3|Listen]]</span>). Sagittal score [[file:xenharmonic/TIBIA.pdf|in F||\]] or [[file:xenharmonic/tibia in g.pdf|in G]]
| | <ul><li>Spiral for chamber ensemble</li><li>Chaconne for James Tenney for chamber ensemble (JI/[[96edo|96edo]]</li><li>Due Corde for 2 pianos, [[19edo|19edo]]</li></ul> |
| ===[[http://kylegann.com/Gannmusic.html|Kyle Gann]]=== | | ===Andrew Heathwaite=== |
| * The Day Revisited for flute, clarinet, electric bass, 2 keyboards
| | <ul><li>[[Clouds_(Andrew_Heathwaite)|Clouds]], [[72edo|72edo]]</li><li>[[Prayer_of_Thanks|Prayer of Thanks]], 7-limit just intonation</li></ul> |
| * Charing Cross for keyboard and tape
| | ===<span style="color: #000000; text-decoration: none;">[http://www.handmaderecords.com/ Paul Kotheimer ]</span>=== |
| * New Aunts for keyboard
| | <ul><li>Goes to Eleven (2009) for ensemble, 11-limit JI</li><li>Three Short Poems (2008) for voices and drones, 5- and 7-limit JI</li><li>Mercy (2008) for voice and drone (and udderbot), 13-limit JI</li></ul> |
| * Triskaidekaphonia for keyboard
| | ===Mats Öljare=== |
| * Fugitive Objects for keyboard
| | <ul><li>[[:File:sunday3.pdf|Sunday Pipes]], [[22edo|22edo]]</li></ul> |
| * Custer and Sitting Bull, "electronic cantata"
| | ==='''[http://www.tuistgeorgetucker.com/scores1.html Tui St. George Tucker]'''=== |
| * [[http://www.kylegann.com/LoveScene.pdf|Love Scene]] for string quartet. Gann creates tuning guides for many of his pieces, list at the bottom of [[http://www.kylegann.com/tuning.html|this page]].
| | <ul><li>three Quartertone Lullabies for wind trios</li><li>Vigil I and Vigil II for organ</li><li>Little pieces for quartertone piano</li><li>Sarabande for quartertone harpsichord</li></ul> |
| ===**[[http://roberthasegawa.com/|Robert Hasegawa]]**=== | | ==='''[http://users.rcn.com/dante.interport//justguitar.html Dante Rosati]'''=== |
| * Spiral for chamber ensemble
| | <ul><li>"Arbor Low" for 21-tone Just Intonation guitar</li></ul> |
| * Chaconne for James Tenney for chamber ensemble (JI/[[96edo]]
| | ===Thomas Edwin Scheurich III=== |
| * Due Corde for 2 pianos, [[19edo]]
| | <ul><li>Three Lonely, Uninspired Ways to Play in 17tet (2006) for 2 pianos</li><li>Attention! Attention! Attention! (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion)</li><li>Story Worth Telling (2008) chamber operetta in [[17edo|17edo]]</li><li>Xenharmonic Curiosities II (2009) for voices and viola</li></ul> |
| ===Andrew Heathwaite=== | | ===Ryan Stickney=== |
| * [[Clouds (Andrew Heathwaite)|Clouds]], [[72edo]]
| | <ul><li>[http://oneforall.ytmnd.com One for All]</li></ul> |
| * [[Prayer of Thanks]], 7-limit just intonation
| | ===[http://home.datacomm.ch/straub/musik/index_e.html Hans Straub]=== |
| ===<span style="color: #000000; text-decoration: none;">[[http://www.handmaderecords.com/|Paul Kotheimer ]]</span>=== | | <ul><li>[http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf Sharks] (2008) for 17-tone pianos</li></ul> |
| * Goes to Eleven (2009) for ensemble, 11-limit JI
| | ===[http://home.snafu.de/djwolf/WorksDescriptive.htm Daniel Wolf]=== |
| * Three Short Poems (2008) for voices and drones, 5- and 7-limit JI
| | <ul><li>Etudes for solo microtonal instruments in equal tunings 8-23</li><li>Figure and Ground for string trio</li></ul>[[Chris_Vaisvil|Chris Vaisvil]] |
| * Mercy (2008) for voice and drone (and udderbot), 13-limit JI
| | |
| ===Mats Öljare=== | | <ul><li>[http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf Prelude for Centaur Tuned Piano]</li><li>[http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf Slumber of Thought] (for 65cent equal temperament tuned piano)</li></ul> [[Category:overview]] |
| * [[file:sunday3.pdf|Sunday Pipes]], [[22edo]]
| | [[Category:practice]] |
| ===**[[http://www.tuistgeorgetucker.com/scores1.html|Tui St. George Tucker]]**===
| | [[Category:score]] |
| * three Quartertone Lullabies for wind trios
| |
| * Vigil I and Vigil II for organ
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| * Little pieces for quartertone piano
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| * Sarabande for quartertone harpsichord
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| ===**[[http://users.rcn.com/dante.interport//justguitar.html|Dante Rosati]]**=== | |
| * "Arbor Low" for 21-tone Just Intonation guitar
| |
| ===Thomas Edwin Scheurich III=== | |
| * Three Lonely, Uninspired Ways to Play in 17tet (2006) for 2 pianos
| |
| * Attention! Attention! Attention! (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion)
| |
| * Story Worth Telling (2008) chamber operetta in [[17edo]]
| |
| * Xenharmonic Curiosities II (2009) for voices and viola
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| ===Ryan Stickney=== | |
| * [[http://oneforall.ytmnd.com|One for All]]
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| ===[[http://home.datacomm.ch/straub/musik/index_e.html|Hans Straub]]=== | |
| * [[http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf|Sharks]] (2008) for 17-tone pianos
| |
| ===[[http://home.snafu.de/djwolf/WorksDescriptive.htm|Daniel Wolf]]=== | |
| * Etudes for solo microtonal instruments in equal tunings 8-23
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| * Figure and Ground for string trio
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| [[Chris Vaisvil]]
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| * [[@http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf|Prelude for Centaur Tuned Piano]]
| |
| * [[http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf|Slumber of Thought]] (for 65cent equal temperament tuned piano)</pre></div>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Scores</title></head><body><strong><span style="font-size: 130%;">A word about scores</span></strong><br />
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| When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of microtonal notation, such as <a class="wiki_link" href="/Sagittal%20notation#Scores%20in%20Sagittal%20notation">Sagittal notation</a>, <a class="wiki_link" href="/Staff%20notation">color notation</a> and <a class="wiki_link" href="/Ups%20and%20Downs%20Notation">ups and downs notation</a>.<br />
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| <!-- ws:start:WikiTextTocRule:36:&lt;img id=&quot;wikitext@@toc@@flat&quot; class=&quot;WikiMedia WikiMediaTocFlat&quot; title=&quot;Table of Contents&quot; src=&quot;/site/embedthumbnail/toc/flat?w=100&amp;h=16&quot;/&gt; --><!-- ws:end:WikiTextTocRule:36 --><!-- ws:start:WikiTextTocRule:37: --><a href="#Historically significant microtonal scores">Historically significant microtonal scores</a><!-- ws:end:WikiTextTocRule:37 --><!-- ws:start:WikiTextTocRule:38: --> | <a href="#Links to Microtonal Scores, by Composer">Links to Microtonal Scores, by Composer</a><!-- ws:end:WikiTextTocRule:38 --><!-- ws:start:WikiTextTocRule:39: --><!-- ws:end:WikiTextTocRule:39 --><!-- ws:start:WikiTextTocRule:40: --><!-- ws:end:WikiTextTocRule:40 --><!-- ws:start:WikiTextTocRule:41: --><!-- ws:end:WikiTextTocRule:41 --><!-- ws:start:WikiTextTocRule:42: --><!-- ws:end:WikiTextTocRule:42 --><!-- ws:start:WikiTextTocRule:43: --><!-- ws:end:WikiTextTocRule:43 --><!-- ws:start:WikiTextTocRule:44: --><!-- ws:end:WikiTextTocRule:44 --><!-- ws:start:WikiTextTocRule:45: --><!-- ws:end:WikiTextTocRule:45 --><!-- ws:start:WikiTextTocRule:46: --><!-- ws:end:WikiTextTocRule:46 --><!-- ws:start:WikiTextTocRule:47: --><!-- ws:end:WikiTextTocRule:47 --><!-- ws:start:WikiTextTocRule:48: --><!-- ws:end:WikiTextTocRule:48 --><!-- ws:start:WikiTextTocRule:49: --><!-- ws:end:WikiTextTocRule:49 --><!-- ws:start:WikiTextTocRule:50: --><!-- ws:end:WikiTextTocRule:50 --><!-- ws:start:WikiTextTocRule:51: --><!-- ws:end:WikiTextTocRule:51 --><!-- ws:start:WikiTextTocRule:52: --><!-- ws:end:WikiTextTocRule:52 --><!-- ws:start:WikiTextTocRule:53: --><!-- ws:end:WikiTextTocRule:53 --><!-- ws:start:WikiTextTocRule:54: --><!-- ws:end:WikiTextTocRule:54 --><!-- ws:start:WikiTextTocRule:55: -->
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| <!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="Historically significant microtonal scores"></a><!-- ws:end:WikiTextHeadingRule:0 -->Historically significant microtonal scores</h1>
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| Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it.<br />
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| <ul><li>Charles Ives's Three Quarter Tone Pieces (1913-1924)</li><li>Harry Partch</li><li>Ben Johnston, esp. string quartets</li><li>Alois Hába, esp. string quartets</li><li>Easley Blackwood, esp. Twelve Microtonal Etudes for Electronic Music Media, op. 28</li><li>publishings of <a class="wiki_link_ext" href="http://diapason.xentonic.org/" rel="nofollow">Diapason Press</a></li><li>this list is so obviously incomplete that you should help finish it.</li></ul><br />
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| <!-- ws:start:WikiTextHeadingRule:2:&lt;h1&gt; --><h1 id="toc1"><a name="Links to Microtonal Scores, by Composer"></a><!-- ws:end:WikiTextHeadingRule:2 -->Links to Microtonal Scores, by Composer</h1>
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| Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for &quot;notable&quot; compositions; the wiki supports file attachments up to 10 MB each.<br />
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| <!-- ws:start:WikiTextHeadingRule:4:&lt;h3&gt; --><h3 id="toc2"><a name="Links to Microtonal Scores, by Composer--Jacob Barton"></a><!-- ws:end:WikiTextHeadingRule:4 -->Jacob Barton</h3>
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| <ul><li>De-quinin' for two Bb clarinets (one tuned 33¢ flat)</li><li>Moods for 3 keyboards</li><li>Kluh for 11 performers on 21 tuned bottles</li><li><a class="wiki_link" href="/Eighty-one%20ninth%20chords">Eighty-one ninth chords</a> for 2 pianos, <a class="wiki_link" href="/17edo">17edo</a></li><li><a class="wiki_link" href="/Land%20Urchin">Land Urchin</a> for string band in 11-limit just intonation</li></ul><!-- ws:start:WikiTextHeadingRule:6:&lt;h3&gt; --><h3 id="toc3"><a name="Links to Microtonal Scores, by Composer--David Canright"></a><!-- ws:end:WikiTextHeadingRule:6 -->David Canright</h3>
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| <ul><li><a class="wiki_link_ext" href="http://home.comcast.net/~dcanright/suite/index.htm" rel="nofollow">Fibonacci Suite</a> (piano retuned to 7-limit JI, seven hands)</li></ul><!-- ws:start:WikiTextHeadingRule:8:&lt;h3&gt; --><h3 id="toc4"><a name="Links to Microtonal Scores, by Composer--William Copper"></a><!-- ws:end:WikiTextHeadingRule:8 --><a class="wiki_link_ext" href="http://www.williamcopper.com" rel="nofollow" target="_blank">William Copper</a></h3>
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| <ul><li><a class="wiki_link_ext" href="http://www.hartenshield.com/0400_romance.pdf" rel="nofollow" target="_blank">Romance for Violin and Orchestra</a></li><li><a class="wiki_link_ext" href="http://www.hartenshield.com/0499_holyday_overture.pdf" rel="nofollow" target="_blank">Holy Day Overture</a></li></ul><!-- ws:start:WikiTextHeadingRule:10:&lt;h3&gt; --><h3 id="toc5"><a name="Links to Microtonal Scores, by Composer--Ivor Darreg"></a><!-- ws:end:WikiTextHeadingRule:10 --><a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a></h3>
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| <ul><li><a href="/file/view/Ivor%20Darreg%2C%20Suite.pdf/557772167/Ivor%20Darreg%2C%20Suite.pdf" onclick="ws.common.trackFileLink('/file/view/Ivor%20Darreg%2C%20Suite.pdf/557772167/Ivor%20Darreg%2C%20Suite.pdf');">On the Enharmonic Tetrachord (from Suite, Op. 62)</a>, in<a class="wiki_link" href="http://xenharmonic.wikispaces.com/22edo"> 22tET</a>. Originally printed in the Spring 1975 issue of Xenharmonikon in quarter-tone notation. Transcribed to Sagittal by Juhani Nuorvala.</li></ul><!-- ws:start:WikiTextHeadingRule:12:&lt;h3&gt; --><h3 id="toc6"><a name="Links to Microtonal Scores, by Composer--Paul Erlich"></a><!-- ws:end:WikiTextHeadingRule:12 --><a class="wiki_link" href="/Paul%20Erlich">Paul Erlich</a></h3>
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| <ul><li>Tibia in<a class="wiki_link" href="http://xenharmonic.wikispaces.com/22edo"> 22tET</a> (<span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sounds/TIBIA.mp3" rel="nofollow">Listen</a></span>). Sagittal score <a href="http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf');">in F||\</a> or <a href="http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf');">in G</a></li></ul><!-- ws:start:WikiTextHeadingRule:14:&lt;h3&gt; --><h3 id="toc7"><a name="Links to Microtonal Scores, by Composer--Kyle Gann"></a><!-- ws:end:WikiTextHeadingRule:14 --><a class="wiki_link_ext" href="http://kylegann.com/Gannmusic.html" rel="nofollow">Kyle Gann</a></h3>
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| <ul><li>The Day Revisited for flute, clarinet, electric bass, 2 keyboards</li><li>Charing Cross for keyboard and tape</li><li>New Aunts for keyboard</li><li>Triskaidekaphonia for keyboard</li><li>Fugitive Objects for keyboard</li><li>Custer and Sitting Bull, &quot;electronic cantata&quot;</li><li><a class="wiki_link_ext" href="http://www.kylegann.com/LoveScene.pdf" rel="nofollow">Love Scene</a> for string quartet. Gann creates tuning guides for many of his pieces, list at the bottom of <a class="wiki_link_ext" href="http://www.kylegann.com/tuning.html" rel="nofollow">this page</a>.</li></ul><!-- ws:start:WikiTextHeadingRule:16:&lt;h3&gt; --><h3 id="toc8"><a name="Links to Microtonal Scores, by Composer--Robert Hasegawa"></a><!-- ws:end:WikiTextHeadingRule:16 --><strong><a class="wiki_link_ext" href="http://roberthasegawa.com/" rel="nofollow">Robert Hasegawa</a></strong></h3>
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| <ul><li>Spiral for chamber ensemble</li><li>Chaconne for James Tenney for chamber ensemble (JI/<a class="wiki_link" href="/96edo">96edo</a></li><li>Due Corde for 2 pianos, <a class="wiki_link" href="/19edo">19edo</a></li></ul><!-- ws:start:WikiTextHeadingRule:18:&lt;h3&gt; --><h3 id="toc9"><a name="Links to Microtonal Scores, by Composer--Andrew Heathwaite"></a><!-- ws:end:WikiTextHeadingRule:18 -->Andrew Heathwaite</h3>
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| <ul><li><a class="wiki_link" href="/Clouds%20%28Andrew%20Heathwaite%29">Clouds</a>, <a class="wiki_link" href="/72edo">72edo</a></li><li><a class="wiki_link" href="/Prayer%20of%20Thanks">Prayer of Thanks</a>, 7-limit just intonation</li></ul><!-- ws:start:WikiTextHeadingRule:20:&lt;h3&gt; --><h3 id="toc10"><a name="Links to Microtonal Scores, by Composer--Paul Kotheimer"></a><!-- ws:end:WikiTextHeadingRule:20 --><span style="color: #000000; text-decoration: none;"><a class="wiki_link_ext" href="http://www.handmaderecords.com/" rel="nofollow">Paul Kotheimer </a></span></h3>
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| <ul><li>Goes to Eleven (2009) for ensemble, 11-limit JI</li><li>Three Short Poems (2008) for voices and drones, 5- and 7-limit JI</li><li>Mercy (2008) for voice and drone (and udderbot), 13-limit JI</li></ul><!-- ws:start:WikiTextHeadingRule:22:&lt;h3&gt; --><h3 id="toc11"><a name="Links to Microtonal Scores, by Composer--Mats Öljare"></a><!-- ws:end:WikiTextHeadingRule:22 -->Mats Öljare</h3>
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| <ul><li><a href="/file/view/sunday3.pdf/269076436/sunday3.pdf" onclick="ws.common.trackFileLink('/file/view/sunday3.pdf/269076436/sunday3.pdf');">Sunday Pipes</a>, <a class="wiki_link" href="/22edo">22edo</a></li></ul><!-- ws:start:WikiTextHeadingRule:24:&lt;h3&gt; --><h3 id="toc12"><a name="Links to Microtonal Scores, by Composer--Tui St. George Tucker"></a><!-- ws:end:WikiTextHeadingRule:24 --><strong><a class="wiki_link_ext" href="http://www.tuistgeorgetucker.com/scores1.html" rel="nofollow">Tui St. George Tucker</a></strong></h3>
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| <ul><li>three Quartertone Lullabies for wind trios</li><li>Vigil I and Vigil II for organ</li><li>Little pieces for quartertone piano</li><li>Sarabande for quartertone harpsichord</li></ul><!-- ws:start:WikiTextHeadingRule:26:&lt;h3&gt; --><h3 id="toc13"><a name="Links to Microtonal Scores, by Composer--Dante Rosati"></a><!-- ws:end:WikiTextHeadingRule:26 --><strong><a class="wiki_link_ext" href="http://users.rcn.com/dante.interport//justguitar.html" rel="nofollow">Dante Rosati</a></strong></h3>
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| <ul><li>&quot;Arbor Low&quot; for 21-tone Just Intonation guitar</li></ul><!-- ws:start:WikiTextHeadingRule:28:&lt;h3&gt; --><h3 id="toc14"><a name="Links to Microtonal Scores, by Composer--Thomas Edwin Scheurich III"></a><!-- ws:end:WikiTextHeadingRule:28 -->Thomas Edwin Scheurich III</h3>
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| <ul><li>Three Lonely, Uninspired Ways to Play in 17tet (2006) for 2 pianos</li><li>Attention! Attention! Attention! (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion)</li><li>Story Worth Telling (2008) chamber operetta in <a class="wiki_link" href="/17edo">17edo</a></li><li>Xenharmonic Curiosities II (2009) for voices and viola</li></ul><!-- ws:start:WikiTextHeadingRule:30:&lt;h3&gt; --><h3 id="toc15"><a name="Links to Microtonal Scores, by Composer--Ryan Stickney"></a><!-- ws:end:WikiTextHeadingRule:30 -->Ryan Stickney</h3>
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| <ul><li><a class="wiki_link_ext" href="http://oneforall.ytmnd.com" rel="nofollow">One for All</a></li></ul><!-- ws:start:WikiTextHeadingRule:32:&lt;h3&gt; --><h3 id="toc16"><a name="Links to Microtonal Scores, by Composer--Hans Straub"></a><!-- ws:end:WikiTextHeadingRule:32 --><a class="wiki_link_ext" href="http://home.datacomm.ch/straub/musik/index_e.html" rel="nofollow">Hans Straub</a></h3>
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| <ul><li><a class="wiki_link_ext" href="http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf" rel="nofollow">Sharks</a> (2008) for 17-tone pianos</li></ul><!-- ws:start:WikiTextHeadingRule:34:&lt;h3&gt; --><h3 id="toc17"><a name="Links to Microtonal Scores, by Composer--Daniel Wolf"></a><!-- ws:end:WikiTextHeadingRule:34 --><a class="wiki_link_ext" href="http://home.snafu.de/djwolf/WorksDescriptive.htm" rel="nofollow">Daniel Wolf</a></h3>
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| <ul><li>Etudes for solo microtonal instruments in equal tunings 8-23</li><li>Figure and Ground for string trio</li></ul><a class="wiki_link" href="/Chris%20Vaisvil">Chris Vaisvil</a><br />
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| <ul><li><a class="wiki_link_ext" href="http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf" rel="nofollow" target="_blank">Prelude for Centaur Tuned Piano</a></li><li><a class="wiki_link_ext" href="http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf" rel="nofollow">Slumber of Thought</a> (for 65cent equal temperament tuned piano)</li></ul></body></html></pre></div>
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