Pajara: Difference between revisions

@@ Line 14: / Line 14: @@
 == Interval chains ==
+In the following table, odd harmonics 1–11 and their inverses are in '''bold'''.
+{| class="wikitable center-1 right-2 right-4"
+|-
+! rowspan="2" | #
+! colspan="2" | Period 0
+! colspan="2" | Period 1
+|-
+! Cents*
+! Approximate ratios
+! Cents*
+! Approximate ratios
+|-
+| 0
+| 0.0
+| '''1/1'''
+| 600.0
+| 7/5, 10/7
+|-
+| 1
+| 707.2
+| '''3/2'''
+| 107.2
+| 15/14, 16/15, 21/20
+|-
+| 2
+| 214.4
+| '''8/7''', '''9/8'''
+| 814.4
+| '''8/5'''
+|-
+| 3
+| 921.5
+| 12/7
+| 321.5
+| 6/5
+|-
+| 4
+| 428.7
+| 9/7, 14/11
+| 1028.7
+| 9/5, 20/11
+|-
+| 5
+| 1135.9
+| 21/11, 27/14, 48/25, <br>64/33, 96/49
+| 535.9
+| 15/11, 27/20
+|-
+| 6
+| 643.1
+| '''16/11'''
+| 43.1
+| 45/44, 81/80
+|}
+<nowiki/>* In 11-limit CWE tuning, octave-reduced
 There are two different mappings of the 11-limit. One is just called "pajara" and is slightly more complex but suffers almost no loss of accuracy compared to the 7-limit. The other, called "pajarous" to avoid confusion, loses some accuracy and there's little reason to use it unless you're using 22edo, which is the intersection of both systems.
@@ Line 216: / Line 273: @@
 |
 |}
-<nowiki>*</nowiki> In 11-limit POTE tuning=
+<nowiki>*</nowiki> In 11-limit POTE tuning
 == Scales ==