Kentaku's Approach to 13EDO: Difference between revisions
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On J, the scale is J K L M# N# O# Q J. Notice how this time P is omitted? That's because it's a seven note scale; notating this scale is a little weird because we use 8 natural notes to notate a seven tone scale, just as it's awkward notating a 6 note scale with 7 naturals. This scale is very beautiful and works quite well for composition and melody. It's somewhat happier than the Dylathian scale but somewhat awkward as well. | On J, the scale is J K L M# N# O# Q J. Notice how this time P is omitted? That's because it's a seven note scale; notating this scale is a little weird because we use 8 natural notes to notate a seven tone scale, just as it's awkward notating a 6 note scale with 7 naturals. This scale is very beautiful and works quite well for composition and melody. It's somewhat happier than the Dylathian scale but somewhat awkward as well. | ||
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[[Category:Impression]] | [[Category:Impression]] | ||