Groundfault: Difference between revisions

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* Several temperaments, including [[Flutterpyth]], [[Pentagoth]], [[Tragicomical]], and [[Dirt]].

== Approach to xenharmonics ==

groundfault mainly uses [[aberrismic theory]] and [[regular temperaments]] by mapping JI scales via edo vals to equal temperaments in the 19-prime limit and uses [[delta-rational]] optimization for less LCJI-accurate chords, for example in [[18edo]]. She always works in full edos rather than subsets and has released xenharmonic music in [[11edo]], [[16edo]], [[20edo]], [[24edo]], [[25edo]], [[27edo]], [[29edo]], [[31edo]], and [[32edo]] (often combining edos in a single composition). Her compositions are maximalist, melody-based and polyphonic, combining multiple melodic lines including rhythmically complex basslines, but does not replicate classical counterpoint. groundfault's approach to edos is summarized by the concept of ''closure'', where each edo interval must have a role distinct from any other; an edo has too many notes for her if closure is not satisfied.

groundfault mainly uses [[aberrismic theory]] and [[regular temperaments]] by mapping JI scales via edo vals to equal temperaments in subgroups in the 19-prime limit and uses [[delta-rational]] optimization for less LCJI-accurate chords, for example in [[18edo]]. She always works in full edos rather than subsets and has released xenharmonic music in [[11edo]], [[16edo]], [[20edo]], [[24edo]], [[25edo]], [[27edo]], [[29edo]], [[31edo]], and [[32edo]] (often combining edos in a single composition). Her compositions are maximalist, melody-based and polyphonic, combining multiple melodic lines including rhythmically complex basslines, but does not replicate classical counterpoint. groundfault's approach to edos is summarized by the concept of ''closure'', where each edo interval must have a role distinct from any other; an edo has too many notes for her if closure is not satisfied.

== Microtonal discography ==

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 * Several temperaments, including [[Flutterpyth]], [[Pentagoth]], [[Tragicomical]], and [[Dirt]].
 == Approach to xenharmonics ==
-groundfault mainly uses [[aberrismic theory]] and [[regular temperaments]] by mapping JI scales via edo vals to equal temperaments in the 19-prime limit and uses [[delta-rational]] optimization for less LCJI-accurate chords, for example in [[18edo]]. She always works in full edos rather than subsets and has released xenharmonic music in [[11edo]], [[16edo]], [[20edo]], [[24edo]], [[25edo]], [[27edo]], [[29edo]], [[31edo]], and [[32edo]] (often combining edos in a single composition). Her compositions are maximalist, melody-based and polyphonic, combining multiple melodic lines including rhythmically complex basslines, but does not replicate classical counterpoint. groundfault's approach to edos is summarized by the concept of ''closure'', where each edo interval must have a role distinct from any other; an edo has too many notes for her if closure is not satisfied.
+groundfault mainly uses [[aberrismic theory]] and [[regular temperaments]] by mapping JI scales via edo vals to equal temperaments in subgroups in the 19-prime limit and uses [[delta-rational]] optimization for less LCJI-accurate chords, for example in [[18edo]]. She always works in full edos rather than subsets and has released xenharmonic music in [[11edo]], [[16edo]], [[20edo]], [[24edo]], [[25edo]], [[27edo]], [[29edo]], [[31edo]], and [[32edo]] (often combining edos in a single composition). Her compositions are maximalist, melody-based and polyphonic, combining multiple melodic lines including rhythmically complex basslines, but does not replicate classical counterpoint. groundfault's approach to edos is summarized by the concept of ''closure'', where each edo interval must have a role distinct from any other; an edo has too many notes for her if closure is not satisfied.
 == Microtonal discography ==