Groundfault: Difference between revisions

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* Several temperaments, including [[Flutterpyth]], [[Pentagoth]], [[Tragicomical]], and [[Dirt]].
* Several temperaments, including [[Flutterpyth]], [[Pentagoth]], [[Tragicomical]], and [[Dirt]].
== Approach to xenharmonics ==
== Approach to xenharmonics ==
groundfault mainly uses [[aberrismic theory]] and [[regular temperaments]] by mapping JI scales via edo vals to equal temperaments. She always works in full edos and has released music in [[11edo]], [[16edo]], [[20edo]], [[25edo]], [[27edo]], [[29edo]], [[31edo]], and [[32edo]] (often combining edos in a single composition). Her compositions are melody-based and polyphonic, but does not replicate classical counterpoint. groundfault's approach to is summarized by the concept of ''closure'', where each edo interval must have a role distinct from any other; an edo has "too many notes" if closure is not satisfied.
groundfault mainly uses [[aberrismic theory]] and [[regular temperaments]] by mapping JI scales via edo vals to equal temperaments. She always works in full edos rather than subsets and has released music in [[11edo]], [[16edo]], [[20edo]], [[25edo]], [[27edo]], [[29edo]], [[31edo]], and [[32edo]] (often combining edos in a single composition). Her compositions are melody-based and polyphonic, but does not replicate classical counterpoint. groundfault's approach to is summarized by the concept of ''closure'', where each edo interval must have a role distinct from any other; an edo has "too many notes" if closure is not satisfied.


== External links ==
== External links ==

Revision as of 19:49, 8 January 2025

Sky Talbott-Settle, also known by her online alias groundfault (nickname ground), is a xenharmonic composer, music theorist and co-host of the podcast Xendergarten living in Madison, Wisconsin. She has contributed the following innovations to xen theory:

Approach to xenharmonics

groundfault mainly uses aberrismic theory and regular temperaments by mapping JI scales via edo vals to equal temperaments. She always works in full edos rather than subsets and has released music in 11edo, 16edo, 20edo, 25edo, 27edo, 29edo, 31edo, and 32edo (often combining edos in a single composition). Her compositions are melody-based and polyphonic, but does not replicate classical counterpoint. groundfault's approach to is summarized by the concept of closure, where each edo interval must have a role distinct from any other; an edo has "too many notes" if closure is not satisfied.

External links