Groundfault: Difference between revisions
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* Several temperaments, including [[Flutterpyth]], [[Pentagoth]], [[Tragicomical]], and [[Dirt]]. | * Several temperaments, including [[Flutterpyth]], [[Pentagoth]], [[Tragicomical]], and [[Dirt]]. | ||
== Approach to xenharmonics == | == Approach to xenharmonics == | ||
groundfault mainly uses [[aberrismic theory]] and [[regular temperaments]] by mapping JI scales via edo vals to equal temperaments. She always works in full edos and has released music in [[11edo]], [[16edo]], [[20edo]], [[25edo]], [[27edo]], [[29edo]], [[31edo]], and [[32edo]] (often combining edos). Her compositions are melody-based and polyphonic, but does not replicate classical counterpoint. groundfault's approach to is summarized by the concept of ''closure'', where each edo interval must have a role distinct from any other; an edo has "too many notes" if closure is not satisfied. | groundfault mainly uses [[aberrismic theory]] and [[regular temperaments]] by mapping JI scales via edo vals to equal temperaments. She always works in full edos and has released music in [[11edo]], [[16edo]], [[20edo]], [[25edo]], [[27edo]], [[29edo]], [[31edo]], and [[32edo]] (often combining edos in a single composition). Her compositions are melody-based and polyphonic, but does not replicate classical counterpoint. groundfault's approach to is summarized by the concept of ''closure'', where each edo interval must have a role distinct from any other; an edo has "too many notes" if closure is not satisfied. | ||
== External links == | == External links == | ||