128:160:192:225: Difference between revisions

Although 225/128 is often considered an augmented sixth rather than a minor seventh, in septimal meantone it is tuned identically to the harmonic seventh, so the chord employing it may be considered a kind of dominant seventh chord.

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 {{Infobox Chord|Name=Neapolitan,German sixth}}
-'''128:160:192:225''', an inversion of the ''Neapolitan''[https://en.wikipedia.org/wiki/Neapolitan_chord] or ''German sixth''[https://en.wikipedia.org/wiki/Augmented_sixth_chord#German_sixth] chord, is found rooted at the ♭II ({{Frac|16|15}}) and ♭VI ({{Frac|8|5}}) of the [[duodene]].
+'''128:160:192:225''', an inversion of the {{w|Neapolitan chord|''Neapolitan''}} or {{w|Augmented sixth chord#German sixth|''German sixth''}} chord, is found rooted at the ♭II ({{Frac|16|15}}) and ♭VI ({{Frac|8|5}}) of the [[duodene]].
-Although [[225/128]] is often considered an augmented sixth rather than a minor seventh, in [[Meantone_family#Septimal_meantone|septimal meantone]] it is tuned identically to the [[7/4|harmonic seventh]], so the chord employing it may be considered a kind of [[dominant seventh chord]].
+Although [[225/128]] is often considered an augmented sixth rather than a minor seventh, in [[Meantone family#Septimal meantone|septimal meantone]] it is tuned identically to the [[7/4|harmonic seventh]], so the chord employing it may be considered a kind of [[dominant seventh chord]].
 [[Category:Dominant seventh chords]]

Revision as of 02:00, 13 August 2024