User:Aura: Difference between revisions

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'''<u>What was your path to discovering alternate tunings?</u>'''

I found microtuning while delving into the harmonic series, and I developed a particular fascination with the eleventh harmonic. So much so, that in 2014, I wrote the first version of my first microtonal piece in 24edo, "Folly of a Drunk", under the working title "Folly". Notably, the first version of this piece featured a modulation from a microtonality-enhanced version of key of A- alternating between Major and Minor- to a microtonality-enhanced version of the key of G-Demisharp Minor, all by use of chords built on 24edo's versions of both the eleventh harmonic and the eleventh subharmonic.

I found microtuning while delving into the harmonic series, and I developed a particular fascination with the eleventh harmonic. So much so, that in 2014, I wrote the first version of my first microtonal piece in 24edo, "[[:File:Folly of a Drunk (Musescore 3).pdf|Folly of a Drunk]]", under the working title "Folly". Notably, the first version of this piece featured a modulation from a microtonality-enhanced version of key of A- alternating between Major and Minor- to a microtonality-enhanced version of the key of G-Demisharp Minor, all by use of chords built on 24edo's versions of both the eleventh harmonic and the eleventh subharmonic.

'''<u>What are your current/past/future particular interests?</u>'''

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 '''<u>What was your path to discovering alternate tunings?</u>'''
-I found microtuning while delving into the harmonic series, and I developed a particular fascination with the eleventh harmonic.  So much so, that in 2014, I wrote the first version of my first microtonal piece in 24edo, "Folly of a Drunk", under the working title "Folly".  Notably, the first version of this piece featured a modulation from a microtonality-enhanced version of key of A- alternating between Major and Minor- to a microtonality-enhanced version of the key of G-Demisharp Minor, all by use of chords built on 24edo's versions of both the eleventh harmonic and the eleventh subharmonic.
+I found microtuning while delving into the harmonic series, and I developed a particular fascination with the eleventh harmonic.  So much so, that in 2014, I wrote the first version of my first microtonal piece in 24edo, "[[:File:Folly of a Drunk (Musescore 3).pdf|Folly of a Drunk]]", under the working title "Folly".  Notably, the first version of this piece featured a modulation from a microtonality-enhanced version of key of A- alternating between Major and Minor- to a microtonality-enhanced version of the key of G-Demisharp Minor, all by use of chords built on 24edo's versions of both the eleventh harmonic and the eleventh subharmonic.
 '''<u>What are your current/past/future particular interests?</u>'''