51/40: Difference between revisions
Jump to navigation
Jump to search
No edit summary |
No edit summary |
||
Line 8: | Line 8: | ||
}} | }} | ||
In [[17-limit]] [[just intonation]], '''51/40''' is the '''septendecimal major third'''. Although technically a type of supermajor third, there's already a septendecimal supermajor third in the form of [[22/17]], while | In [[17-limit]] [[just intonation]], '''51/40''' is the '''septendecimal major third'''. Although technically a type of supermajor third, there's already a septendecimal supermajor third in the form of [[22/17]], while 51/40 itself is the [[fifth complement]] of [[20/17]]- the septendecimal minor third. | ||
It is approximated by: | It is approximated by: |
Revision as of 15:23, 13 May 2022
Interval information |
[[:File:Ji-{{#regex:51/40|/(\S+)\/(\S+)/|\1-\2}}-csound-foscil-220hz.mp3|[sound info]]]
In 17-limit just intonation, 51/40 is the septendecimal major third. Although technically a type of supermajor third, there's already a septendecimal supermajor third in the form of 22/17, while 51/40 itself is the fifth complement of 20/17- the septendecimal minor third.
It is approximated by: