81/80: Difference between revisions

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YouTube video of "[http://www.youtube.com/watch?v=IpWiEWFRGAY Five senses of 81/80]" {{dead link}}, demonstratory video by Jacob Barton.

If one should be so bold as to treat the syntonic comma as a musical interval in its own right as opposed to tempering it out, one can easily use it in melodies as either an [[Wikipedia:Appoggiatura|appoggitura]], an [[Wikipedia:Acciaccatura|acciaccatura]], or a quick passing tone. Furthermore, it is also very easy to exploit in [[comma pump]] modulations, as among the [[Meantone comma pump examples|known examples]] of this kind of thing are familiar-sounding chord progressions.

According to [http://untwelve.org/interviews/golden.html this interview], Monroe Golden's ''Incongruity'' uses just-intonation chord progressions that exploit this comma.

If one should be so bold as to treat the syntonic comma as a musical interval in its own right as opposed to tempering it out, one can easily use it in melodies as either an [[Wikipedia:Appoggiatura|appoggitura]], an [[Wikipedia:Acciaccatura|acciaccatura]], or a quick passing tone. Furthermore, it is also very easy to exploit in [[comma pump]] modulations, as among the [[Meantone comma pump examples|known examples]] of this kind of thing are familiar-sounding chord progressions.

== Relations to other Superparticular Ratios ==

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 YouTube video of "[http://www.youtube.com/watch?v=IpWiEWFRGAY Five senses of 81/80]" {{dead link}}, demonstratory video by Jacob Barton.
+If one should be so bold as to treat the syntonic comma as a musical interval in its own right as opposed to tempering it out, one can easily use it in melodies as either an [[Wikipedia:Appoggiatura|appoggitura]], an [[Wikipedia:Acciaccatura|acciaccatura]], or a quick passing tone.  Furthermore, it is also very easy to exploit in [[comma pump]] modulations, as among the [[Meantone comma pump examples|known examples]] of this kind of thing are familiar-sounding chord progressions.
 According to [http://untwelve.org/interviews/golden.html this interview], Monroe Golden's ''Incongruity'' uses just-intonation chord progressions that exploit this comma.
-If one should be so bold as to treat the syntonic comma as a musical interval in its own right as opposed to tempering it out, one can easily use it in melodies as either an [[Wikipedia:Appoggiatura|appoggitura]], an [[Wikipedia:Acciaccatura|acciaccatura]], or a quick passing tone.  Furthermore, it is also very easy to exploit in [[comma pump]] modulations, as among the [[Meantone comma pump examples|known examples]] of this kind of thing are familiar-sounding chord progressions.
 == Relations to other Superparticular Ratios ==