159edo/Notation: Difference between revisions
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By striking a good balance between the number of accidentals and their semantic consistency, Syntonic-Rastmic Subchroma notation manages to address the weaknesses of both Ups and Downs notation and Sagittal notation, and, as it's derived from Neutral Circle-of-Fifths notation- the de facto standard foundation for notation in 24edo- it is more easily accessible to microtonal musicians at the beginner level, all while retaining Helmholtz-Ellis notation's advantage of fixing the key notation problems that have plagued 53edo itself by means of accounting for the 2.3.5.11 subgroup in general and the syntonic comma specifically. | By striking a good balance between the number of accidentals and their semantic consistency, Syntonic-Rastmic Subchroma notation manages to address the weaknesses of both Ups and Downs notation and Sagittal notation, and, as it's derived from Neutral Circle-of-Fifths notation- the de facto standard foundation for notation in 24edo- it is more easily accessible to microtonal musicians at the beginner level, all while retaining Helmholtz-Ellis notation's advantage of fixing the key notation problems that have plagued 53edo itself by means of accounting for the 2.3.5.11 subgroup in general and the syntonic comma specifically. | ||
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[[Category:Todo:expand]] | [[Category:Todo:expand]] | ||