20:25:30:36: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
Bcmills (talk | contribs)
m add “and” to fix unclear antecedent
Bcmills (talk | contribs)
mention meantone connection to 36:45:54:64.
Line 4: Line 4:
The major-minor seventh chord is found rooted at the I ({{Frac|1|1}}) and IV ({{Frac|4|3}}) of the [[duodene]].
The major-minor seventh chord is found rooted at the I ({{Frac|1|1}}) and IV ({{Frac|4|3}}) of the [[duodene]].


In [[Meantone_family#Septimal_meantone|septimal meantone]], the 36/25 tritone is equated with the more consonant interval [[10/7]], and the major-minor seventh chord becomes an [[essentially tempered chord]] in the [[9-odd-limit]].
In [[meantone]], the ~[[9/5]] seventh is equated with [[16/9]], making this chord equivalent to the meantone tuning of [[36:45:54:64]].
 
In [[septimal meantone]], the ~36/25 tritone is equated with the more consonant interval [[10/7]], and the major-minor seventh chord becomes an [[essentially tempered chord]] in the [[9-odd-limit]].


[[Category:Dominant seventh chords|##]] <!-- 2-digit first number -->
[[Category:Dominant seventh chords|##]] <!-- 2-digit first number -->

Revision as of 00:39, 28 August 2024

Chord information
Harmonics 20:25:30:36
Subharmonics 1/(45:36:30:25)
Intervals from root 1/1 – 5/4 – 3/2 – 9/5
Cents from root 0¢ 386¢ 702¢ 1018¢
Step intervals 5/4, 6/5, 6/5
Step cents 386¢, 316¢, 316¢
Prime limit 5
Genus 32 ⋅ 52 (225)
Intervallic odd limit 25
Otonal odd limit 25
Utonal odd limit 45
Consistent edos (d ≥ 2) 19edo**, 34edo*, 38edo*, 46edo*, …

20:25:30:36, a major-minor seventh chord, is a tetrad in 5-limit harmony, and sometimes considered a form of dominant seventh chord. It combines a 5/4 major third with the consonant 9/5 seventh that would be found in a Ptolemaic minor seventh chord on the same root, creating a 36/25 tritone between the two.

The major-minor seventh chord is found rooted at the I (11) and IV (43) of the duodene.

In meantone, the ~9/5 seventh is equated with 16/9, making this chord equivalent to the meantone tuning of 36:45:54:64.

In septimal meantone, the ~36/25 tritone is equated with the more consonant interval 10/7, and the major-minor seventh chord becomes an essentially tempered chord in the 9-odd-limit.