Augmented triad: Difference between revisions

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add categories for Marvel chord
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associate 20:25:32 and 25:32:40 more closely with 16:20:25
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In the [[5-limit]]:
In the [[5-limit]]:
* [[16:20:25]] is found on ♭II+ ({{Frac|16|15}}), ♭III+ ({{Frac|6|5}}) ♭VI+ ({{Frac|8|5}}), and ♭VII+ ({{Frac|9|5}}) in the [[duodene]].
* [[16:20:25]] is found on ♭II+ ({{Frac|16|15}}), ♭III+ ({{Frac|6|5}}) ♭VI+ ({{Frac|8|5}}), and ♭VII+ ({{Frac|9|5}}) in the [[duodene]]. Its [[rotation|rotations]], [[20:25:32]] and [[25:32:40]], represent chords that would be enharmonically equivalent to itself in augmented temperament, substituting a minor sixth and a diminished fourth successively in place of the augmented fifth and major third.
* [[20:25:32]] is found on I+ ({{Frac|1|1}}), II+ ({{Frac|9|8}}), IV+ ({{Frac|4|3}}), and V+ ({{Frac|3/2}}) in the duodene. It substitutes the 8/5 minor sixth found in augmented temperament in place of the 25/16 augmented fifth.
* [[25:32:40]] is found on III+ ({{Frac|5|4}}), ♯IV+ ({{Frac|45|32}}), VI+ ({{Frac|5|3}}), VII+ ({{Frac|15|8}}) in the duodene. It substitutes an [[8/5]] ''minor sixth'' and [[32/25]] ''diminished fourth'' in place of the augmented fifth and lower major third respectively.


In the [[3-limit]]:
In the [[3-limit]]:

Revision as of 02:33, 23 August 2024

English Wikipedia has an article on:

The augmented triad is a triad comprising a root, a major third, and an augmented fifth formed by stacking another major third.

In temperaments

In augmented temperament, the ~25/16 augmented fifth is enharmonically equivalent to a minor sixth (~8/5), the difference of 128/125 being tempered out. Since the resulting internal intervals are ~5/4, ~5/4, and ~8/5, the augmented triad in augmented temperament is a 5-odd-limit essentially tempered chord:

  • (Augmented) 1 – 5/4 – 8/5

The gap remaining to close the octave is another identical fifth (~5/4), giving rise to the temperament's name after this chord.

In marvel temperament, the ~25/16 augmented fifth is tempered together with ~14/9 (tempering out the difference of 224/225). The resulting intervals are ~5/4, ~5/4, and ~14/9, making the augmented triad a 9-odd-limit essentially tempered chord:

  • (Marvel) 1 – 5/4 – 14/9

In that case, the gap remaining to close the octave is ~9/7, a septimal major third.

Since 12edo is a good tuning of augmented temperament and supports marvel, and the historically prevalent quarter-comma meantone is a good tuning of marvel, either or both of these essentially-tempered interpretations may be relevant for augmented chords found in common-practice and contemporary music.

In just intonation

In the 7-limit:

  • 36:45:56 is the simplest JI tuning of the 7-limit marvel augmented chord.

In the 5-limit:

  • 16:20:25 is found on ♭II+ (1615), ♭III+ (65) ♭VI+ (85), and ♭VII+ (95) in the duodene. Its rotations, 20:25:32 and 25:32:40, represent chords that would be enharmonically equivalent to itself in augmented temperament, substituting a minor sixth and a diminished fourth successively in place of the augmented fifth and major third.

In the 3-limit: