49/48: Difference between revisions

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'''49/48''', the '''large septimal diesis''' (or '''slendro diesis'''), is a [[superparticular]] ratio spanning the small distance between a subminor third ([[7/6]]) and a supermajor second ([[8/7]]) or between the supermajor sixth ([[12/7]]) and the harmonic seventh ([[7/4]]). Measuring about 35.7{{cent}}, it is a [[medium comma]]; however, in classical Western music, this interval is not known as a [[comma]] as it is not tempered out in [[12edo]].

49/48 is [[tempered out]] in [[15edo]] and [[19edo]], where the two intervals are equated, and the fourth is split in a perfect half. It cannot be tempered out if all of the consonances of the 7-odd-limit are [[~~distinctly consistent|~~distinct]], but it ''can'' be equated with other commas; for example (49/48)/([[81/80]]) = [[245/243]], (49/48)/([[64/63]]) = [[1029/1024]], (49/48)/([[3125/3072]]) = [[3136/3125]], (49/48)/([[50/49]]) = [[2401/2400]], ([[128/125]])/(49/48) = [[6144/6125]], ([[36/35]])/(49/48) = [[1728/1715]].

49/48 is [[tempered out]] in [[15edo]] and [[19edo]], where the two intervals are equated, and the fourth is split in a perfect half. It cannot be tempered out if all of the consonances of the 7-odd-limit are [[distinct]], but it ''can'' be equated with other commas; for example (49/48)/([[81/80]]) = [[245/243]], (49/48)/([[64/63]]) = [[1029/1024]], (49/48)/([[3125/3072]]) = [[3136/3125]], (49/48)/([[50/49]]) = [[2401/2400]], ([[128/125]])/(49/48) = [[6144/6125]], ([[36/35]])/(49/48) = [[1728/1715]].

== See also ==

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 '''49/48''', the '''large septimal diesis''' (or '''slendro diesis'''), is a [[superparticular]] ratio spanning the small distance between a subminor third ([[7/6]]) and a supermajor second ([[8/7]]) or between the supermajor sixth ([[12/7]]) and the harmonic seventh ([[7/4]]). Measuring about 35.7{{cent}}, it is a [[medium comma]]; however, in classical Western music, this interval is not known as a [[comma]] as it is not tempered out in [[12edo]].
-/48 is [[tempered out]] in [[15edo]] and [[19edo]], where the two intervals are equated, and the fourth is split in a perfect half. It cannot be tempered out if all of the consonances of the 7-odd-limit are [[distinctly consistent|distinct]], but it ''can'' be equated with other commas; for example (49/48)/([[81/80]]) = [[245/243]], (49/48)/([[64/63]]) = [[1029/1024]], (49/48)/([[3125/3072]]) = [[3136/3125]], (49/48)/([[50/49]]) = [[2401/2400]], ([[128/125]])/(49/48) = [[6144/6125]], ([[36/35]])/(49/48) = [[1728/1715]].
+/48 is [[tempered out]] in [[15edo]] and [[19edo]], where the two intervals are equated, and the fourth is split in a perfect half. It cannot be tempered out if all of the consonances of the 7-odd-limit are [[distinct]], but it ''can'' be equated with other commas; for example (49/48)/([[81/80]]) = [[245/243]], (49/48)/([[64/63]]) = [[1029/1024]], (49/48)/([[3125/3072]]) = [[3136/3125]], (49/48)/([[50/49]]) = [[2401/2400]], ([[128/125]])/(49/48) = [[6144/6125]], ([[36/35]])/(49/48) = [[1728/1715]].
 == See also ==