Garibaldi: Difference between revisions
m →Tuning spectra: style |
+notation section |
||
| Line 1: | Line 1: | ||
'''Garibaldi temperament''' is a 7-limit (and higher) temperament of the [[Schismatic family #Garibaldi|schismatic family]]. It is an extension of [[helmholtz]] temperament beyond the 5-limit but with the same simple chain-of-fifths structure (so that standard notation may be used). As in helmholtz temperament, [[5/4]] is mapped to the diminished fourth (e.g. | '''Garibaldi temperament''' is a 7-limit (and higher) temperament of the [[Schismatic family #Garibaldi|schismatic family]]. It is an extension of [[helmholtz]] temperament beyond the 5-limit but with the same simple chain-of-fifths structure (so that standard notation may be used). As in helmholtz temperament, [[5/4]] is mapped to the diminished fourth (e.g. C-F♭), and the new mapping specific to garibaldi is that [[7/4]] is mapped to the double diminished octave (e.g. C-Cbb). This makes garibaldi a [[Marvel temperaments|marvel temperament]]. | ||
Immediate 11-limit extensions include ''cassandra'' (41&53), mapping 11/8 to +23 fifths, ''andromeda'' (29&41), mapping 11/8 to -18 fifths, and ''helenus'' (53&65d), mapping 11/8 to -30 fifths. | Immediate 11-limit extensions include ''cassandra'' (41 & 53), mapping 11/8 to +23 fifths, ''andromeda'' (29 & 41), mapping 11/8 to -18 fifths, and ''helenus'' (53 & 65d), mapping 11/8 to -30 fifths. | ||
== Interval chain == | == Interval chain == | ||
| Line 271: | Line 271: | ||
|} | |} | ||
<nowiki>*</nowiki> in 7-limit POTE tuning | <nowiki>*</nowiki> in 7-limit POTE tuning | ||
== Notation == | |||
Using garibaldi can be a challenge because it defies the tradition of tertian harmony in [[circle-of-fifths notation]]. The just major triad on C is C-Fb-G, for example. One may want to adopt an additional module of accidentals such as arrows to represent the comma step, allowing them to write the chord above as C-vE-G. | |||
{| class="wikitable center-1 center-3" | |||
|+Cassandra nomenclature<br>for selected intervals | |||
! Ratio | |||
! Nominal | |||
! Example | |||
|- | |||
| 3/2 | |||
| Perfect fifth | |||
| C-G | |||
|- | |||
| 5/4 | |||
| Down major third | |||
| C-vE | |||
|- | |||
| 7/4 | |||
| Down minor seventh | |||
| C-vBb | |||
|- | |||
| 11/8 | |||
| Double-up fourth | |||
| C-^^F | |||
|- | |||
| 13/8 | |||
| Double-up minor sixth | |||
| C-^^Ab | |||
|} | |||
== Tuning spectra == | == Tuning spectra == | ||