Same Old: Difference between revisions

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Undo revision 95574 by Moremajorthanmajor (talk) - There is no "nonoctave version" (at least not by Sevish; if there is a cover, provide links or files, and do not add lyrics unless the cover is notable among the community)
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== Non-octave version ==
The lyrics are slightly modified in this version (changes in italics):<blockquote>Twelve tones, ''seventeen tones'', ''nineteen tones'' ''and even'' ''twenty-two''
''But for'' ''the octave'', the same old ''octave'', the same old ''octave'', the same old ''octave, the same old octave octave''
''Even as the octave'' may be universal and ''not'' even arbitrary (yeah, xenharmonic music)
Could anyone ever escape the yearning for the deep structures implied by division of ''something other than the same old octave space, even into'' ''twelve'' ''equidistant intervals''
Let’s say ''a ninth'', or ''a ninth'', or ''a nineteenth'', but not ''the octave''!</blockquote>
[[Category:Sevish tracks]]
[[Category:Sevish tracks]]
[[Category:2017 tracks]]
[[Category:2017 tracks]]

Latest revision as of 03:02, 21 September 2022

Same Old is a drum and bass track by Sevish that uses just intonation (harmonic series and subharmonic series) tunings. It was released on his album Harmony Hacker in 2017.

Audio

Tuning

The piece uses:

Lyrics

Twelve tones, the same old twelve tones, the same old twelve tones, the same old twelve twelve twelve twelve

The twelve tones may be non-universal and even arbitrary (yeah, xenharmonic music)

Could anyone ever escape the yearning for the deep structures implied by division of the octave space into something other than the same old twelve tones

Let’s say thirteen equidistant intervals, or thirteen, or 313, but not twelve!

Re-Tuned version

Sevish released a version of this track retuned in 12edo on ­YouTube in 2021, and later the same year on his album Re-Tuned.

The lyrics were slightly modified in this version (changes in italics):

Twelve tones, the same old twelve tones, the same old twelve tones, the same old twelve twelve twelve twelve

The twelve tones may be universal and even arbitrary (yeah, twelve tone music)

Could anyone ever escape the yearning for the deep structures implied by these notes, the same old twelve tones, twelve!

Let’s say twelve equidistant intervals, or twelve, or twelve, but not 313!