Lumatone mapping for 24edo: Difference between revisions
m →Compressed: Insert step ratio of scale |
→Neutral thirds: Add Emphasizing Neutral Seconds mapping by Bryan Deister |
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The above layout has a potential disadvantage, in that each successive octave is now located substantially lower on the keyboard than the previous one, eventually requiring a jump of hand position where it wraps around to the top again. Inverting the direction of the chroma keeps octaves closer to horizontal, but going down to move pitch upward can seem counterintuitive. | The above layout has a potential disadvantage, in that each successive octave is now located substantially lower on the keyboard than the previous one, eventually requiring a jump of hand position where it wraps around to the top again. Inverting the direction of the chroma keeps octaves closer to horizontal, but going down to move pitch upward can seem counterintuitive. | ||
{{Lumatone EDO mapping|n=24|start=0|xstep=3|ystep=1}} | {{Lumatone EDO mapping|n=24|start=0|xstep=3|ystep=1}} | ||
=== Emphasizing Neutral Seconds === | |||
Another neutral thirds mapping uses a [[6L 3s]] scale (3:2 step ratio) to make [[24edo]] neutral seconds (3\24) more easily accessible, as demonstrated by [[Bryan Deister]] in [https://www.youtube.com/shorts/3ZvbKIGBLoY ''24edo groove''] (2026). The range is only four octaves, but the octaves are close enough to level that the layout could be split into two manuals with some keys to spare, although the slight downwards octave slope would make them noticeably lopsided. | |||
{{Lumatone EDO mapping|n=24|start=0|xstep=3|ystep=-1}} | |||
=== Compressed === | === Compressed === | ||