8:10:13: Difference between revisions
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{{Infobox | {{Infobox chord|ColorName=yo tho6 no5, y,3o6no5, y(3oq5)}} | ||
'''8:10:13''' is an [[otonal]] chord. It sort of sounds like an augmented fifth chord, though [[13/8]] is not usually considered an augmented fifth on its own, as it is often deemed a hyperminor sixth or a neutral sixth. | |||
It is one of the easiest to use in the [[13-limit]], due to the triadic-like structure, the wide spacing of the intervals, and the [[5/4]] anchor, compared to other 13-limit chords that are more cluttered or xenharmonic like 8:12:13, or 8:11:13. | It is one of the easiest to use in the [[13-limit]], due to the triadic-like structure, the wide spacing of the intervals, and the [[5/4]] anchor, compared to other 13-limit chords that are more cluttered or xenharmonic like 8:12:13, or 8:11:13. | ||
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[[File:SculpEufaDem10-13-16-onD.mp3|thumb|10:13:16|none]] | [[File:SculpEufaDem10-13-16-onD.mp3|thumb|10:13:16|none]] | ||
[[File:SculpEufaDem13-16-20-onD.mp3|thumb|13:16:20|none]] | [[File:SculpEufaDem13-16-20-onD.mp3|thumb|13:16:20|none]] | ||
== Notable voicings == | == Notable voicings == | ||
{| class="wikitable" | {| class="wikitable" | ||
!Voices | ! Voices | ||
![[EFR]] | ! [[EFR]] | ||
![[Kite's thoughts on hi-lo notation|Hi-lo name]] | ! [[Kite's thoughts on hi-lo notation|Hi-lo name]] | ||
!Special properties | ! Special properties | ||
|- | |- | ||
| rowspan="4" |3 voices | | rowspan="4" | 3 voices | ||
|1:5:13 | | 1:5:13 | ||
|hi3loRhihi6 | | hi3loRhihi6 | ||
|AOV | | AOV | ||
|- | |- | ||
|4:13:20 | | 4:13:20 | ||
|hi3 | | hi3 | ||
|CAOV | | CAOV | ||
|- | |- | ||
|8:10:13 | | 8:10:13 | ||
|basic | | basic | ||
|root position | | root position | ||
|- | |- | ||
|10:13:16 | | 10:13:16 | ||
|hiR | | hiR | ||
|first inversion, isoharmonic | | first inversion, isoharmonic | ||
|- | |- | ||
| rowspan="2" |4 voices | | rowspan="2" | 4 voices | ||
|8:10:13:'''16''' | | 8:10:13:'''16''' | ||
|hi3add8 | | hi3add8 | ||
| | | | ||
|- | |- | ||
|4:10:13:16 | | 4:10:13:16 | ||
|loRadd8 | | loRadd8 | ||
| | | | ||
|} | |} | ||
== Related chords == | == Related chords == | ||
Plausible [[ | Plausible [[chord homonym|homonyms]]: all, min6 no5 or aug5 chords. | ||
Notable extensions: | Notable extensions: | ||
* [[4:5:7:13]] (adds [[7/4]]) | * [[4:5:7:13]] (adds [[7/4]]) | ||
* [[4:5:6:13]] (adds 3/2) | * [[4:5:6:13]] (adds 3/2) | ||
* [[4:5:6:7:13]] (adds [[3/2]], 7/4) | * [[4:5:6:7:13]] (adds [[3/2]], 7/4) | ||
Similar chords: | Similar chords: | ||
* [[8:11:13]] (substitutes 5/4 for [[11/8]]) | * [[8:11:13]] (substitutes 5/4 for [[11/8]]) | ||
* 8:12:13 (substitutes [[5/4]] for 3/2) | * 8:12:13 (substitutes [[5/4]] for 3/2) | ||
Lower limit soundalikes: | Lower limit soundalikes: | ||
* [[20:25:32:40]] (5-limit) | * [[20:25:32:40]] (5-limit) | ||
* [[7:9:11]] (11-limit) | * [[7:9:11]] (11-limit) | ||
Higher limit soundalikes: | |||
* [[11:14:17]] (17-limit) | |||
Latest revision as of 14:55, 19 February 2026
| Chord information |
y,3o6no5
y(3oq5)
8:10:13 is an otonal chord. It sort of sounds like an augmented fifth chord, though 13/8 is not usually considered an augmented fifth on its own, as it is often deemed a hyperminor sixth or a neutral sixth.
It is one of the easiest to use in the 13-limit, due to the triadic-like structure, the wide spacing of the intervals, and the 5/4 anchor, compared to other 13-limit chords that are more cluttered or xenharmonic like 8:12:13, or 8:11:13.
Audio of close voicings
Notable voicings
| Voices | EFR | Hi-lo name | Special properties |
|---|---|---|---|
| 3 voices | 1:5:13 | hi3loRhihi6 | AOV |
| 4:13:20 | hi3 | CAOV | |
| 8:10:13 | basic | root position | |
| 10:13:16 | hiR | first inversion, isoharmonic | |
| 4 voices | 8:10:13:16 | hi3add8 | |
| 4:10:13:16 | loRadd8 |
Related chords
Plausible homonyms: all, min6 no5 or aug5 chords.
Notable extensions:
- 4:5:7:13 (adds 7/4)
- 4:5:6:13 (adds 3/2)
- 4:5:6:7:13 (adds 3/2, 7/4)
Similar chords:
Lower limit soundalikes:
- 20:25:32:40 (5-limit)
- 7:9:11 (11-limit)
Higher limit soundalikes:
- 11:14:17 (17-limit)